“Sarah’s Key” (2011) is a superb, affecting movie. The start of its story thread is in July 1942, when the French round up the Jews living in Paris, for deportation into the Holocaust; and this multi-thread story ends in New York City in 2011, with multiple generations of several families critically affected and inspired by “Sarah,” even if they didn’t know her. While plot is certainly important to this movie, it is not the most essential element: the reverberations of tragic history through human hearts is the essence. Kirstin Scott-Thomas leads a first-rate cast. The grinding of the massive impersonal wheels of political power are lubricated in the human blood of countless nameless and forgotten individuals. “Sarah’s Key” is about one such individual recovered appreciatively to human memory.
Sarah’s Key (2011) – Movie Trailer
“The Disciple” is about the displacement in these times, of Classical Indian vocal music, which aims to absorb the conscious meditative mind into the drone of eternity; a traditional form of sound-production stretching back over 1,000 years or more.
It is entirely outmoded for today’s youth-oriented minds that strive to remain at the bubbly sparkly superficial inconsequential level of rapid-fire bursts-of-entertainment threaded by indecipherable torrents of rhymed attitudinally hip couplets riding on bouncy jingles: mega-hits.
I listened to a tribute concert to Chad Hugo and Pharrell Williams, on the occasion of their being given honorary doctorates in music — which are clearly deserved (craftsmen in any field always recognize who are their best practitioners, and as they would want to be) — and which I give a web-link to.
The polar opposite of this music and video, in: pacing, sound, intent, and concept of temporality, is shown in the film “The Disciple” (the trailer is web-linked). For the devotees of American pop mega-hits, this movie is b*o*r*i*n*g — “a snore” — but if you awaken to the undercurrent of that snore: it is about the dissipation of the drone of eternity by the evaporation of modern consciousness into mega-hit amnesia.
But I never condemn any music, because it all serves a fundamentally important purpose, each such piece being tailored to the needs of the listener and the stratum of consciousness that listener is operating on. Human variety is vast, and so must be the music that instills it with spirit. Any music of quality in its type is of value, because any human life of quality in its expression is of value.
Berklee Virtual Commencement Concert 2021
Chad Hugo and Pharrell Williams
[1:23, about Chad and Pharrell; 6:13, begin tribute medley by graduating music students; 18:20, end]
INCREDIBLE! A masterful exposition (by Errol Morris) on one of America’s still-living apex war criminals. The fundamental tragedy in American government is that its most successful careerists all aspire to match Donald Rumsfeld’s achievement in this regard. His close “friends”: George W. Bush, Dick Cheney, Richard Nixon and Ronald Reagan, all did. Americans waking up to, and taking responsibility for, that fact could very well equal the outbreak of world peace.
The Unknown Known
“The Year The Earth Changed” is an excellent new documentary about how Nature — animals, air waters — quickly expanded their ranges and health when we humans retreated into our pandemic lockdown “caves.” Basically: people are mostly bad for all the rest of Nature.
The story is told with spectacular photography of quite amazing animal behavior: when we went into lockdown they came out! It is abundantly clear from start to finish of this hour that the way of reversing biodiversity losses, and slowing the degradation of global climate, is entirely a matter of humanity disengaging from its obsessive hard-hearted and polluting behavior, and instead both relaxing and living in solidarity with all other Life On Earth (including human): Peaceable Kingdom, with deer calmly walking city streets in daylight, and people raising fields of crops for elephants to graze contentedly in the suburbs, and whales sing to each other across wide expanses of ocean untrammeled by mechanical noises.
David Attenborough narrates with his usual charm and elegance. The film literally shows a better version of our world that is beyond the merely possible because it actually happened. We could make that change permanent.
The Year The Earth Changed
DOGS (Netflix): I have seen the first three episodes of this series so far.
The stories here are really about the improvement of the “man-pack” (as Mowgli called it) by the presence in it of dogs of good character.
1, on medical service dogs for children, explains what a “medical service dog” actually is (a loyal pack-animal friend) and does (lives out his/her pack-bond by watching and protecting you; when the same is done well by humans they call it “love”).
2, transmits the true and horrible reality of the Syrian Civil War, one of the direst humanitarian catastrophes of the 21st century, through the simple story of a good sweet dog relayed by the humans he has touched (on them note: “pack bond,” and “love”), out of perilous Syria and back to his boyhood human companion, now a refugee in Germany.
3, shows an aging Golden Labrador Retriever (my family had a black one when I was as a boy), the stalwart who anchors the affections of an Italian fisherman family facing an uncertain future because of the environmental degradation of Lake Como.
“The Day After” is an excellent, intelligent, realistic, and frightening movie about the human consequences of nuclear war. It was made in 1983 and broadcast by ABC Television, during the height of Reaganism and the nuclear tensions provoked by the Reagan Administration.
This film ranks with “On The Beach” (1959) and “Dr. Strangelove…” (1964) as superb cautionary believable tales about nuclear apocalypse. None of these movies has really gone out of date: can you guess why?
Of the three films mentioned here only “The Day After” despite offering the grimmest scenes and lingering over them, leaves a hint for the continuation of humanity and even slivers of civilization; “On The Beach” (my favorite of the three, a film of great humanity) is definitive about the finality of life on Earth; “Dr. Strangelove” (the funniest of the three, if you don’t think too much) leaves with a small and select group of the top U.S. leadership class headed for long term sequestration deep underground. Will they survive to emerge decades later to reconquer the Earth (unless the Ruskies beat them to it!), or will they go mad down in their hole and kill each other by and by?
It won’t matter to the rest of us, all left topside in the fallout. Nuclear War, and now Global Warming could end our beautiful Blue Planet, but they don’t have to if enough people focus their attention on what really matters, and stick with it.
The Day After
“Community” is a TV situation comedy that is basically: gamma-level college as Gilligan’s Island. it is simple mindless American fun, similar though more sophomoric than “A Good Place.” For me, the most hilarious characters are Annie (the Mary Ann equivalent) and Abed (the Professor equivalent). Other humorists here are: Britta (the Ginger equivalent), Jeff (the Captain equivalent), and Shirley (the Lovey Howell equivalent). Chevy Chase, embalmed in the character of Pierce Hawthorne (the Thurston Howell not-at-all equivelent) seems not to be actually acting, in my view; and the Dean and Chang are too hopelessly stupid for my tastes (though I’m sure the actors portraying these caricatures must be highly skilled to be able embody these ridiculosities; too bad bad work pays so well). i watched the whole series, and shamelessly enjoyed it (“I’d rather have a bottle in front of me, than a frontal lobotomy.”)
“The Silence of Others” is an intense (especially for me) documentary about the efforts of the survivors of torture and persecution by Franco’s fascistic dictatorship in Spain (1939-1975), to gain justice.
The Spanish state, with many Francoists still ensconced in positions of authority and power, and shielded by the Amnesty law of 1977, resist tooth and nail all judicial efforts to provide such justice for the victims of these crimes, via the internationally recognized (and very little adhered to) judicial principle of universal jurisdiction for war crimes and crimes against humanity, and there being no statute of limitations for prosecuting them.
My father (a Spaniard born in Cuba) had an uncle, a violinist in a symphony, jailed by the Franco regime after the Civil War (he had regained his liberty by the late 1960s).
The Spanish Civil War continues to cast a long, long shadow on the character of Spaniards, and on the character of humanity. And there are too many new reflections of that cancerous fascism flickering on today around the world.
The phrase “never again” should have been blazed on human memory many times in the past, for example searingly in Guernica in 1937, but tragically it never seems to fully catch hold as a guiding principle for human beings.
To my mind, one significant impetus to the eruption of World War II in Europe in 1939 was the failure of the Democracies including the United States to defend the Spanish Republic and stamp out fascism in Spain during 1936-1939. The retreat into nationalist comfort (as today with vaccine nationalism) and their not-so-covert anti-socialist collaboration with the fascists in Spain, Italy and Germany, doomed them to be sucked into the genocidal maelström of 1939-1945. And we are yet not free of that poison.
The Silence of Others
On “Tales By Light” (season 3), which is superb.
[links in the article]
Human Solidarity and Nature Conservation
11 April 2021
Don’t leave the planet without seeing these masterpieces by Jean Renoir, “the Mozart of cinema”:
“Greatest film ever made. Orson Welles said if he could save only one film, this would have been it.”
Grand Illusion | Critics’ Picks | The New York Times
The truth about society: everywhere and always.
Rules of the Game, Trailer (Jean Renoir, 1939)
See them twice, or more… many times more.
A seminal song by Lhasa de Sela, a very talented and all-too-short-lived (like Eva Cassidy) singer-songwirter, and world-musc performer. I find this song a bit flamenco-ish (which is good).
Lhasa de sela — El Pajaro
Spy Hummingbird Films Half a Billion Butterflies
Interesting blog on modern art:
Art & Crit by Eric Wayne
“The greatest book ever written on…”
The greatest book ever, period:
History of the Peloponnesian War,
The most important religious work:
The most important book on ethics:
The closest American equivalent to Thucydides
(if that were possible):
by Marc Reisner
The greatest book on Buddhism:
The Way of Zen,
by Alan W. Watts
The greatest book on Anglo-American morality:
by Mark Twain
The greatest book on the American Dream:
The Great Gatsby,
by F. Scott Fitzgerald
The greatest book on Man Against Nature:
by Herman Melville
Huckleberry Finn and The Great Gatsby and Moby-Dick tie for the greatest American novel ever.
Moby-Dick is for the Anima, The Great Gatsby is for the Animus, Huckleberry Finn is for the Psyche.
The most unique book that exhausted the possibilities of its style:
Thus Spoke Zarathustra,
by Friedrich Nietzsche
The greatest novel ever:
The Three Musketeers,
by Alexandre Dumas, père
The greatest book on Western Philosophy
The greatest work of scientific writing:
The Collected Papers of Albert Einstein
On The Origin of Species,
by Charles Darwin
[biological science, and as supplemented by the works of Alfred Russel Wallace, in particular “On the Tendency of Varieties to Depart Indefinitely From the Original Type,” 1858]
The greatest volume of poetry:
There are far too many poetry books worthy of that title to select just one; and we are very grateful for this.
Great artists funnel a wide range of culture (art, literature, music) through their own personal experiences to produce superior works of art by the use of their skill.
Movie Reviews by MG,Jr. (14 November 2020 – 8 April 2021)
greatest amerikan novel: all the king’s men