Borowski’s Inferno

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Borowski’s Inferno

“And this is the dearest thing that we can share: survival!” — Tadeusz Borowski.

Poverty, privation and suffering are not ennobling. The Nazi concentration camps had extensive and elaborate social pyramids and cliques in every way comparable to those in normal life, and the imprisoned and condemned in those camps were not at all immune from striving to improve their individual lives by rising to higher levels in those pyramids, by stepping on others of their kind as necessary and by working to speed along the conveyance of other unknowingly (or disbelievingly) condemned people to their deaths, and by asset-stripping the remains and leavings of those gassed and incinerated others, to seek promotional approval from the camp superiors they kept supplied with labor and with the scavenged treasures from the diverted inheritances of those ushered to the gas and crematoria.

After experiencing Stalinist repression in the Soviet Union prior to World War II, then being an inmate at Auschwitz-Birkenau during World War II, and then suffering under Stalinist repression in Poland after World War II, the Polish poet, writer and journalist, Tadeusz Borowski (1922-1951), came to realize that all survivors are guilty because securing personal survival as a morally principled innocent is impossible — then and now.

“Yes, but I think there’ll be a ghetto on the Aryan side, too” she said, casting a sideways glance at Maria. “Only there will be no way out of it.” — Tadeusz Borowski.

Borowski came to see the world as nested rings of concentration camps, like a Dante’s Inferno, with the smaller rings (of electrified barbed wire) further in and to which you might be outside of, being more and more depraved as they were more tightly concentrated; and the outer larger rings, all of which you are within, being increasingly livable as they receded from the ring of barbed and arbitrary injustices confining you.

So, how do you work for your survival? Not by selfless altruism to be sure, you work to speed along the programs of the higher powers, and you weasel, scheme with or against, steal and barter for what you need and want and to satisfy your appetites on occasion, or you fall away in a totally dispirited, catatonic depression and perish surrendered to whatever death first comes. Even when you bob and weave with the circumstances and accede to your labor being extracted for the purposes of the camp masters, you are more than likely to also be funneled into the trains to oblivion sooner of later.

That realization purges all sense of pity because pity comes out of a superior sense of security with an excess store of personal resources from which a fraction could painlessly be charitably dispensed to those being pitied. With pity purged, one easily dispatches the other condemned, in your place, without a thought and with barely even a look, whether it be directly as in pulling a tuft of bread out the feeble hand of a dying person you are stronger than, or deviously as in sabotaging a colleague’s project aimed at seeking approval from higher-ups, so you can steal their job or promotion to a more “livable” situation. Just look at the politics of your workplace, it’s all there. Survival in a demanding world is the trudging over the bodies of others thinking of them as already corpses.

In our Dante’s Inferno Concentration Camp World, or Borowski’s Inferno, that self-focussed trudging seems less and less depraved and more and more civilized the further out it occurs among the concentric concentration camp rings. But anyone can suddenly be deported inward to a deeper desperation by drawing the disfavor of the higher authorities or having the simple bad luck of sinking out of sight because of personal failures or tragedies to which society is indifferent.

“Man has a narrow range of reactions to great emotions and violent passions. He expresses them with the same ordinary, tiny responses. He uses the same simple words.” — Tadeusz Borowski.

In that way we are all prisoners forever, never to escape outside “the wire” and get past the machine gun towers, because those barriers of confinement are all projections of our attitudes, and will stand as long as human minds remain captivated by the obsessions enforcing Concentration Camp World. No one alive is innocent beyond childhood.

Dante’s Inferno was conceived of as a structure designed by an Almighty God as an organized system of punishments to be administered to the varieties of offenders against the will of the Christian God. Borowski’s Inferno is a world structured as an organized system of nested privations and punishments administered on very flawed humans (as they have always been) driven to desperation or fatalistic acceptance, by competing hierarchies of power. Borowski’s Inferno is a world distorted so the wealthy few can be further enriched by the sufferings and impoverishment of the precarious many.

The opposite of Borowski’s Inferno is a world in which governments are designed entirely for the relief of human suffering, and the elimination of poverty and desperation. Such governments would also be a nested set of units of increasing scale, from the neighborhood to the national, and then integrated internationally. The function of such governments would be to administer an equitable socialism, both as to the benefits and services provided, and to the wide distribution and popular dilution of the maintenance costs for the entire system. This would be a world of convivial equity, and without either the garishly wealthy or the desperately poor. Let’s call it Illich’s World, or Pala, or simply “Home.”

Personal survival in this world would be assured by the very structure and purposes of government, and “making a living” would be engaging in work and art that gives one personal fulfillment and whose social impact makes a contribution to interpersonal mutual support locally, and to the overall cooperative continuation of the world society.

I was brought to these thoughts by reading a new collection of Borowski stories newly translated by Madeline G. Levine, and given a historical context in an extensive Forward written by Timothy Snyder. This new book (‘Here in Our Auschwitz, and Other Stories’) is published by Yale University Press.

Borowski’s tales are the most terrifying on concentration camp life because instead of just recounting the odd incidents of uplifting honor, rebellion and self-sacrifice, or of focusing dramatically on the horrible details of tortures and abuses, so as to elicit condemnation of perpetrators and sympathy for victims, he very casually and sardonically factually describes the typical attitudes and behaviors of the inmates, and the routine incidents of camp life.

Such incidents might include a work detail (a kommando) of prisoners putting on roofing tar over unfinished women’s barracks while other men on break played soccer on the field below, and some men prisoners and some outside masons and carpenters were in those barracks having hidden trysts bought from the women with gifts of smuggled (and stolen) blankets, coffee, cigarettes, eggs or honey, and none of all these people giving much of a look beyond the inner wire confining them, to the railroad stop just beyond with trains unloading thousands of people who were marched down a road from the railroad, and past a hill and forest over which a little while later smoke rose from unseen crematoria and pyres, and then back down that road came troops of sonderkommandos (kommandos manned exclusively by Jews, but the kommando supervisor was always an SS man), with their clothes coated in soot and dripping with fat, hauling carts of clothes and other treasures (the gold jewelry and teeth being the most desirable for stealing by the kommando workers, but also what the SS masters most wanted).

In describing the routines of “normal” camp life in a matter-of-fact, nonchalant, sardonic and even at times blasé way (like de Maupassant, perhaps), Borowski illustrated the depravity of the whole system as being in its entirety an expression of universal human nature when stripped of its veneer of civilization: moral restraints and all the supports — physical, psychological, emotional — to human experience for survival, normally provided by culture, custom and civil society.

Tadeusz Borowski (1922-1951) a Polish poet and participant in Warsaw’s underground resistance to German occupation, was arrested and sent to Auschwitz in 1942. He emerged after the war as a writer of short stories that portray the concentration camp social order and, later, stories about the postwar world he reentered through a Displaced Persons camp near Munich. Borowski’s Auschwitz stories, translated from Polish into many languages, have long been recognized as literary classics.

Madeline G. Levine is Professor Emerita of Slavic Literatures at the University of North Carolina-Chapel Hill.

Timothy Snyder is the Richard C. Levin Professor of History at Yale University.

Sophie Scholl, then and now:

In the summer of 1940, Sophie Scholl, a young German woman living in the throes of Hitler’s insanity, wrote:

“People should not be ambivalent themselves just because everything else is, yet one constantly meets the view that, because we’ve been born into a world of contradictions, we must defer to it. Oddly enough, this thoroughly un-Christian attitude is especially common among self-styled Christians. If it were so, how could one expect fate to make a just cause prevail when so few people unwaveringly sacrifice themselves for a just cause?” — Sophie Scholl.

Sophie Scholl and her brother, Hans, were two of the three principles in the anti-nazi White Rose Movement, and were subsequently executed by guillotines in 1943, at ages 21 and 24, respectively.

When we are young and childless we can be so incandescently idealistic, committed and even self-sacrificing (like Japan’s teenage Kamikaze pilots). But once with family: wife/husband and children, you live with fear for their safety, and you are so much more easily manipulated by that fear. Deep down in our innate psychology this is so because it is DNA programmed behavior for the propagation of the species, and we human are first and foremost primate animals, and our base programming will easily overpower abstract learned ideas about ourselves, that is to say “morals”, stored in our frontal lobes of our cerebral cortexes.

Innate altruism does exist but it is felt for those we “instinctively” feel connected to, and family comes first there, then “monkey troop” or “tribal” members next. “Society” beyond those close networks is a pure abstraction, and abstraction is easily sacrificed when “blood” is threatened and needs defending.

That “we” can feel for unknown others in “society”, as so many people throughout history have done (and many famously so), does show the emotional power that our abstract thinking can accrue, but overall I think it remains weaker — in our species as a whole — against the emotional power of fear for “family” safety.

I see the need for a growth of the emotional power of extra-familiar altruism in our species as a whole, as being essential for ever coming to grips with Climate Change (a global problem inequitably caused) and “ending war”, both of which mean actually achieving world socialism. We can only get there consciously (via John Lennon’s “Imagine” mode) because time is short and Darwinian (DNA) evolution is too slow a process to transform “us” (the human primate species) with an adaptation giving us socially-integrated instincts for the long term survival of our species (and collaterally many others).

We “all” need to wake up and realize to “live for the cause” instead of hoping to be saved by a few selfless heroes “dying for the cause.” Until then most of us fearful family people will compromise with our learned abstract “principles” when threading the needle of life with our families in mind and heart. Mea culpa, mea culpa, mea maxima culpa.

Other Books on the 20th Century

Viktor Frankl (‘Man’s Search for Meaning’) and Primo Levi (’The Periodic Table’, and ’The Drowned and the Saved’) were concentration camp survivors who also wrote great books on their experiences, and thus about the realities of human nature and societal death.

For the chemical scientist, Levi, survival involved the chance workings of “the grey zone,” where individuals in evil positions might behave ambiguously at times, even bordering on sympathetically helpful, to a prisoner’s survival advantage.

For the psychiatrist, Frankl, the key personal force for survival was in having some great goal — a meaning (logos) — beyond oneself, perhaps a love for someone far off, or as in his case a deep desire to write out his psychological theory (logotherapy) and see it published and used to help psychiatric patients (which he did do after the war). But Frankl also noted that regardless, the chances against surviving the camps were over 90%.

Tony Judt’s book, ‘Postwar: a History of Europe Since 1945’ is the definitive history text with which to understand how that exhausted postwar Europe of 1945 evolved over the next 60 years: through the enormous and high fatality refugee flows of the late 1940s, the emergence of Democratic Socialism in Western Europe, the descent of the Iron Curtain confining Eastern Europe within the control of Stalin’s Soviet Union, the Cold War and American “superpower” internationalism, the East German Uprising of 1952 (suppressed), the Hungarian Revolution of 1956 (suppressed), the Prague Spring of 1968 (suppressed), the Fall of the Berlin Wall and the revolutions of 1989 and the fall of Soviet Communism by 1991, and the reunification of Germany and the subsequent realignments of the former East Bloc nations.

Tony Judt’s book, ‘Reappraisals, Reflections on the Forgotten Twentieth Century’, is another classic on 20th century history. It is a series of essays on people and ideas of significance, in terms of society and of survival through 20th century fascism and Soviet-supervised communism. Among the people (intellectuals) discussed are: Arthur Koestler, Primo Levi, Manès Sperber, Hannah Arendt, Albert Camus, Eric Hobsbawm, Leszek Kołakowski, and Edward Said. The individual essays on these people are only eight of the twenty-four chapters in the book.

Tony Judt (1948-2010) was the Erich Maria Remarque Professor in European Studies at New York University and director of NYU’s Erich Maria Remarque Institute. In September 2008, Judt was diagnosed with amyotrophic lateral sclerosis (ALS), also known as Lou Gehrig’s Disease. From October 2009, he was paralyzed from the neck down. With Timothy Snyder as both interviewer and transcriber, Tony Judt completed three more books before he died.

Among Judt’s many other books, which I have read, are: ‘The Burden of Responsibility: Blum, Camus, Aron, and the French Twentieth Century’ (1998), ‘Ill Fares the Land’ (2010), and ‘Thinking the Twentieth Century’ (2012, with co-author Timothy Snyder). All are excellent.

Acknowledgments: Thanks to Alexander Pademelon Johnson and Jerry Steele for pointers.

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Ada Lovelace, Women Scientists, Dorothy Day, and Lost Human Potential

Ada Lovelace, 1843 or 1850
Dorothy Day in 1916

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Ada Lovelace, Women Scientists, Dorothy Day, and Lost Human Potential

The following summary of the life of Ada Lovelace (December 10, 1815 – November 27, 1852) is taken from the Sacrificium Intellectus website of 23 January 2022 (https://www.facebook.com/Sacrificium-Intellectus-435679649828709), which itself drew much of the story from the wikipedia article on Ada Lovelace (https://en.wikipedia.org/wiki/Ada_Lovelace). I will comment after that account.

Ada Lovelace was a pioneer of computing science born two centuries ago, in 1815. She took part in writing the first published program and was a computing visionary, recognizing for the first time that computers could do much more than just calculations:

“The Analytical Engine weaves algebraic patterns, just as the Jacquard loom weaves flowers and leaves.”

Ada Lovelace was the daughter of famed poet Lord Byron, and Annabella Milbanke Byron, who legally separated two months after her birth. Her father then left Britain forever, and Ada never knew him personally. She was educated privately by tutors and then self-educated but was helped in her advanced studies by mathematician-logician Augustus De Morgan, the first professor of mathematics at the University of London.

It may seem odd to call someone born in 1815 a computer scientist, but that is what Ada Lovelace became. Her life changed forever on June 5, 1833, when aged 17 she met Charles Babbage. This was not something many girls Ada’s age could ever do, but as an aristocrat she enjoyed better opportunities than most [and, commendably, took educational advantage of them — MG,Jr.].

Babbage was Lucasian Professor of Mathematics at the University of Cambridge, a position once held by Isaac Newton and held more recently by Stephen Hawking. Babbage learned that both Lady Byron and her daughter were knowledgeable about mathematics and invited them to see a small-scale version of the calculating machine he was working on called the difference engine.

Babbage had become fed up with people making mistakes in lengthy calculations, and his idea was to build an infallible steam-driven or hand-cranked calculating machine: a “computer.”

[During World War II, mathematician Alan Turing in England built an electrical “analytical engine” to crack the German military’s Enigma Code, used by the Nazi Kriegsmarine submarines to coordinate their sinking of transatlantic Allied convoys. Turing’s decoding machine provided advance information on German military moves to Winston Churchill’s administration, which likely shortened the war in Europe by two years; and his theoretical and experimental innovations posthumously launched electronic computer science in the 1960s, after first being persecuted likely to suicide in 1954 by British legal homophobia — MG,Jr.]

Ada was completely captivated by Babbage’s concept, but there was little she could do to help Babbage with his work. However, she sent a message to Babbage requesting copies of the machine’s blueprints, because she was determined to understand how it worked.

An important part of Ada’s education was to see the Jacquard loom in operation. The Jacquard loom was a machine that produced textiles with patterns woven into them. Joseph Marie Jacquard had invented it in 1801. The Jacquard loom was controlled by punch cards, with one card equal to one row of the textile being woven. If the card was punched, the loom thread would be raised. If the card was not punched, the loom thread would be left alone. In other words, the punch cards issued instructions to the machine. They were a simple language, or putting it another way, machine code.

Ada continued her independent pursuit of mathematical knowledge. She became friends with one of the finest female mathematicians of her time, Mary Somerville, who discussed modern mathematics with her, set her higher-level mathematics problems, and talked in detail about Charles Babbage’s difference engine.

In 1841 Ada began working on mathematics again, and was given advanced work by Professor Augustus De Morgan of University College London. She also continued to learn advanced mathematics through correspondence with Mary Somerville.

All the time, she kept Babbage’s difference engine in mind:

“I believe myself to possess a most singular combination of qualities exactly fitted to make me pre-eminently a discoverer of the hidden realities of nature.”

Ada Lovelace broke new ground in computing, identifying an entirely new concept. She realized that an analytical engine could go beyond numbers. This was the first ever perception of a modern computer – not just a calculator – but a machine that could contribute to other areas of human endeavor, for example composing music.

Ada had grasped that anything that could be converted into numbers, such as music, or the alphabet (language) or images, could then be manipulated by computer algorithms. An analytical engine had the potential to revolutionize the way the whole world worked, not just the world of mathematics. She wrote:

“Supposing, for instance, that the fundamental relations of pitched sounds in the science of harmony and of musical composition were susceptible of such expression and adaptations, the engine might compose… pieces of music of any degree of complexity or extent.”

Ada Lovelace died, probably of uterine cancer, at the age of 36 on November 27, 1852. Her health had deteriorated after she completed her work on the analytical engine, and she had suffered a variety of illnesses. She was in pain for several years, and was given opiates by her physicians to help her cope with it. She also drank considerable amounts of alcohol, affecting her moods.

MG,Jr.: The greatest emotional pains I ever experienced were drowned in considerable amounts of alcohol — which my internal organs still remember — and which somewhat works at times as a pain relief technique. The greatest physical pain I ever experienced was most wonderfully dispelled by a 4ml IV drip of morphine, which was administered by one of Earth’s true angels: an emergency room and surgical nurse. Versed is good, Fentanyl is great, but Morphine is perfection — all when administered by medical professionals doing their best for you at painful moments of crisis in your life. Nothing beats pain-free undoped conscious awareness: the radiant doorway to perception.

Reflecting of the life of Ada Lovelace, I came to the following:

Ada Lovelace had a fascinating and prescient mind, and was a woman well ahead of her time; a mathematician, a computer scientist, and an innovator — like Hedy Lamarr!

Ada’s story also reminds me that CO2 induced global warming was first realized — and proved by direct experimentation — by Eunice Foote (being her independent idea), and published by her in 1856 despite the indifference to her by the patriarchal science society of her times, her paper to the AAAS conference of 1856 had to be presented by a man (at least Joseph Henry did it).

There is no sex to the inquiring scientific mind, only curiosity and a logical perseverance in its pursuit.

This also reminds me of Rosalind Franklin, who actually made the X-ray diffraction measurements of the DNA molecule before the theoretical understanding of its structure was known, and who shared her photographs of the diffraction patterns with Watson and Crick, from which they deciphered the double helix molecular structure, wrote their paper on it without giving any credit to nor mention of Franklin (and in his book, which I read in High School, Watson, an irredeemable sexist, was quite gleeful in describing this subterfuge), and cruised their way with timeworn academic sleazemanship to Noble Prizes.

The Nobel Prize in Physiology or Medicine in 1962 was awarded to James Watson, Francis Crick and Maurice Wilkins (Franklin’s boss) for “their” discovery of the molecular structure of DNA, while Franklin, who actually mapped out the structure of the molecule by her direct experimentation, never was recognized (until much later, but still no secular canonization prize).

Another such story is that of Tatiana Proskouriakoff, an American-born Russian woman working since the 1930s as an illustrator at Central American archeological digs at Maya ruins. Tatiana Proskouriakoff was the first person to recognize the meaning of the ancient Maya glyphs carved on stone stelae, as sequences of historical accounts of kingships. She arrived at her insight by the early 1950s, based on her readings of Russian technical literature on the construction of languages. She pursued her groundbreaking work despite the sexist ridicule heaped upon her by her paycheck boss, the lionized (at the time) British egomaniac archeologist of Maya ruins (J. Eric Thompson), who got the entirety of ancient Maya culture, religion, history and worldview completely and stupidly wrong, and in the process, as he was the world’s leading academic authority on Maya archeology, set back those Maya (Central American) studies by at least 30 years.

We have lost so much time for human progress (and maybe now fatally so), by depreciating and wasting so much now anonymous talent, through racism and patriarchal sexism, and homophobia, and ethnic and religious tribalism.

Why will Dorothy Day, a 20th century equivalent to Saint Francis of Assisi, never be canonized a Saint by the Catholic Church?

Bureaucracies are always motivated by self-preservation as a hierarchical entity, to maintain the positions and status (and fortunes) of its tiered elites and retainers. They are not motivated by principles, ideals or morals, but those are useful as propaganda to corral, hypnotize and use on the masses.

Idealistic and messianic champions of those principles, ideals and morals — like Jesus, Joan of Arc, and many others — who can divert the masses’s allegiances from the established power pyramids — the Churches and Kingdoms supposedly promoting those principles, ideals and morals — are not to be tolerated by those power pyramids because their prime focus is their own preeminence, not popular liberation.

Such “dangerous” principled and independent champions must either be trivialized and harmlessly absorbed into subservient roles in the power structure, like St. Francis of Assisi (today’s Pope “Francis” is a Jesuit who took the name of the first Franciscan), or burned at the stake as heretics. Canonization is reserved for the former, not the later.

In our modern America, one leading champion of principles, ideals and morals — sociologist and religious minister Martin Luther King, Jr. — was first “burnt at the stake” of mass media managed public opinion from 1966 on, for speaking out against structural American economic apartheid, and after heeding Thich Nhat Hanh’s recommendation to speak out against the Vietnam War, and then literally killed by a volunteer lumpen White Supremacist seeking approval, like the killers of Thomas à Becket in 1170, after which MLK could be safely trivialized by the American power pyramid’s many privatized propaganda ministries, and thus safely canonized as an American Secular Saint.

So now “I have a Dream” and not “America is the greatest purveyor of violence” is the official image of Martin Luther King, Jr., and is now an eternal part of the American National Ethos as an aspirational idea for us all, an idea against which all the power of our Status Quo Power Pyramid (and its terrifying Ministry of Love: the US Senate) works ceaselessly to ensure that it never becomes a reality. Such is canonization.

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Freedom versus Slave Mind

Mejor morir a pie que vivir en rodillas

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Freedom versus Slave Mind

White Supremacy will end with human extinction. The angry rage of conservatives and fundamentalists, in the face of godless skepticism, is really an anguished cry of: “don’t make us question our bigotry!” For working class people who can’t think better, White Supremacy is a psychological compensation for an inferiority complex. That complex is learned from infected parents, and indoctrinated into one by a capitalist class society intent to exploit and enslave people by controlling their minds with a programming for obedience to higher authority, a sense of inadequacy and neediness, and with race- and ethnicity-based prejudice, to cause disunity among the great mass of the working class. Working class white supremacists are simply abused children passing on their abuse to younger generations and lower seniority workers and employees: ignorant slaves seeking to compensate for their hidden lack of self-respect by trying to depreciate and enslave others “below them”. The capitalist upper class propagates this mass psychology illness of low self-esteem, neediness and bigotry, because it is the method by which the union of the rich few control the disunion of the poor many. “Divide and conquer” was how the Roman Empire was ruled, and so with America today. Ending White Supremacy before human extinction occurs would require a Marxist Revolution to full Communism. A first step to that political goal is Labor Union organizing so the Labor Union Movement expands to the point of controlling the national economy. Then a Social Revolution can occur, which ends all interpersonal prejudices. Such a political-social progression is the only way militarism-imperialism can be overcome, and Climate Change finally seriously confronted. Such a Paradigm Shift is deemed “impossible” by capitalist indoctrination in the Slave Mind. And it may be unlikely in your lifetime, but that does not prevent you from working toward that Paradigm Shift — The Revolution — beginning with your own transformation out of Slave Mind, and then with the activism and organizing you may choose to do. The Revolution is not merely a desired socio-political event at some time in the future during the course of human history, it is a living process carried within the individual lives of people who have freed themselves from Slave Mind, and by their living examples push back against the oppressors’s imposition of Slave Mind and its White Supremacy illness, even onto the last day of human existence if that is to be our collective fate. Be joyful in your freedom.

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On the Rittenhouse Acquittal

American criminal law trials are decided in favor of whichever of the competing attorneys spins the most compelling story that resonates with the consensus bigotry of the jury. Now that Kyle Rittenhouse has been acquitted of three shootings with two murders of unarmed Black Lives Matter protestors, it is time for the US Attorney General, Merrick Garland, to file a federal civil suit against Rittenhouse, for violating the civil rights of the people Rittenhouse shot and killed. This is how the Ku Klux Klan killers of the four Voting Rights Workers, in Mississippi in 1964, were finally successfully prosecuted, after being acquitted of murder, which is a state charge. It is also how O. J. Simpson was successfully prosecuted to win large damages for the families of his murder victims. The previous criminal trial, even with an acquittal, establishes the fact of the taking of the lives and with them their civil rights. Why should the U.S. Attorney General do this? Because it would signal that the Federal Government is not irredeemably White Supremacist, and that it actually wants to be representative of all Americans. Allegiance is only justified to the extent this is true, and that extent is sorely lacking today.
(19 November 2021)

In a statement released today, President Biden said: “we must acknowledge that the jury has spoken.” This seems a pretty clear signal that no Civil Rights suit will be filed by the US Attorney General.
(19 November 2021)

The purpose of the American Police and Justice/Legal System is to preserve and protect the status quo of a white supremacy racist and patriarchal country. Besides outright oppression, there is much deception and P.R. applied to this purpose. But, it is also important to remember that though “villains” come in every shape, age, color, ethnicity and socio-economic ($) class, there are also “heroes” and “good people” from every one of those categories as well — just not enough of them by a long shot.
(17 November 2021)

Another triumph of American White Supremacy: the 14th Amendment (“equal protection”) is voided by the Color Line. I do not pledge allegiance, and I will remember all of this when next drafted into jury duty.
(19 November 2021)

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My wife and I have been binge watching the ABC series (2014-2020) ‘How To Get Away With Murder’, streaming on Netflix (a new thing for us, in 2020, after no TV of any kind since about 2004).

What I find intriguing about this show is that it is a chained murder soap opera heavily laced with extensive social justice stories and courtroom speeches, all made commercially viable and popular by liberal use of hyperactive sex scenes, fast-paced hyper-dramatic emotionalism, cast inclusivity by all parameters (black, white, Latino/Latina, Asian, Muslim, gay, straight, bi, every possible permutation of those), fast-paced “gritty” violence, glitzy ‘hip’ (sic) modernism/colloquialism/argot, with a crew of millennials front and center, along with an Academy Award winning actress (Viola Davis, the lead) who is also producer/executive producer (which undoubtedly was essential to getting the original ABC approval and funding), and – excellently – a large number of African-American actors/actresses who are: strong, pivotal, quick, sharp, superb with language (from the King’s English all the way to ghetto, downhome and jailhouse argot), eye-appealing when that is necessary for the stories, and both “heroes” and “villains.” Even with the many exaggerations and razzmatazz for commercial appeal, the show has managed to really blast away (mercilessly) at many injustices in American society. I think the show is a good example of the entertainers behind it using their professional skills to really put out strong and timely social justice messages while simultaneously cutting good paychecks for themselves. Of course, one could instead argue that they are somewhat cynically exploiting popular social justice hopes (of the Barack Obama type of “hope and change” longings) to capture “audience share,” but I don’t think that is the case.

Because of our binge watching of this show (6 seasons of 15 episodes each = 90), those social justice issues (as expressed really vividly in the show) have been much on my mind.

Viola Davis is the star and standout performer, the whole series is built around her as an actress, and around her character. She’s phenomenal. Excepting her, my favorite characters are “Frank Delfino” and “Bonnie Winterbottom,” they have enviable fortitude. My favorite hairstyle for “Annalise Keating” (Viola Davis) is her last one.

I’ll be thinking of this show the next time I’m called to jury duty.

https://www.netflix.com/title/80024057

(16 November 2021)

One of the biggest and recurring targets of the ‘Murder’ show was the large over-representation of African-Americans in America’s jails, and as America’s victims of homicide by police (and framing by the Justice system: local, state and federal).
(19 November 2021)

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How to Get Away With Depicting Social Justice in Hollywood
19 November 2021
https://www.counterpunch.org/2021/11/19/how-to-get-away-with-depicting-social-justice-in-hollywood/

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’Stateless’, an Australian Television Drama about Refugee Detention

’The Trojan Women,’ a play was Euripides, was first performed in Athens 2,436 years ago at the height of the disastrous Peloponnesian War. It is considered a commentary on the capture of the Aegean island of Melos and the subsequent slaughter of its men and the enslavement of its women by the Athenians earlier that year, 415 BCE.

This play focuses on four women awaiting their fates after the fall of Troy (~1,200 BCE, in northwest Turkey near the Dardanelles): Hecuba (the wife of the slain king, Priam), Cassandra (the beautiful virginal daughter of Priam and Hecuba, who was blessed and then cursed by a lustful Apollo, with having a gift of prophesy none would listen to), Andromache (the wife of the great Trojan hero, Hector, who was slain by Achilles), and Helen (the Achaean queen and wife of King Menelaus of Sparta, who ran off with Paris to Troy, and which elopement was the purported cause for the Achaeans’s war against Troy).

The three Trojan women would all be made concubines and slaves by the Achaeans (mainland Greeks), and Helen returned to Menelaus. Because the Greeks wanted to ensure there would be no surviving male heir to the Trojan throne, they took Astyanax, the infant son of Hector and Andromache and the grandson of Priam and Hecuba, up to the high parapet of Troy and tossed him down to his death on the rocks below.

In 5th and 4th Century BCE Athens, the playwrights were known as poets and called teachers, and in ’The Trojan Woman’ Euripides was desperately and dramatically striving to teach the Athenians that the horrors of the Peloponnesian War were destroying the soul of their society, and that they should find ways of extricating their city-state from the war. His vehicle to convey that larger message to the Athenians was this dramatization of the final days in the death of the Trojan city-state eight centuries earlier (if in fact it was a single real historical event), as told in Greek myths recounted by legendary poets like Homer and his many forgotten colleagues.

’Stateless’, an Australian 6-part television series that was launched in 2020, is about a refugee and ‘illegal immigrant’ detention center, and strikes me as being similar to ‘The Trojan Woman’ as a societal teaching drama. It is both a searing depiction full of human and political insights about the current refugee crisis in Australia, as well as a close analogy for similar tragic realities along the US-Mexican border, in Libya and southern Italy, in Syria and the Greek Islands; and in other places where minorities and disfavored ‘others’ live precariously without stable statehood and are internally displaced or incarcerated, as in Syria, ‘Kurdistan’, Palestine, and the Xinjiang Uyghur Autonomous Region. The writers of ’Stateless’, Elise McCredie and Belinda Chayko have done a magnificent job. The directors, Emma Freeman and Jocelyn Moorhouse have made an absorbing and compelling visual work (https://www.netflix.com/title/81206211).

How many refugees are there around the world? The UN Refugee Agency, UNHCR (https://www.unhcr.org/figures-at-a-glance.html) states that: “At least 82.4 million people around the world have been forced to flee their homes. Among them are nearly 26.4 million refugees, around half of whom are under the age of 18. There are also millions of stateless people, who have been denied a nationality and lack access to basic rights such as education, health care, employment and freedom of movement. At [this] time 1 in every 95 people on earth has fled their home as a result of conflict or persecution.”

We must add that the deleterious effects of climate change — crop failures and lack of drinking water from extended droughts, and the loss of land, housing and employment due to violent weather and flooding — has also spurred refugee streams.

Those refugee streams flow out of the tropical and sub-tropical latitudes: from Africa northward across the Mediterranean Sea to Europe, up from Central America and Mexico and across the Caribbean Sea to North America, southward from Eastern Asia to Australia, and from the arid interior of the Middle East westward toward the Mediterranean Sea and Europe.

Americans, Europeans and Australians see these refugee streams as incoming waves of impoverished humanity comprised of dark-skinned people with cultures, mind frames and languages vastly different from their own, and thus a threat to American, European and Australian prosperity, and their existing ethnic balances, if too large an influx. We must realize that these refugee streams course back up along the gradients of wealth leading from the Global South to the Global North (and Australia), propelled by the pent up pressure of economic disparity created by over half a millennium of conquest and imperialism with over three centuries of slavery, by the White people of the north: the Europeans and the descendants of their American and other colonists.

The Australian television series ’Stateless’ is composed of a weave of four sub-plots, each about a person caught up in and then piteously twisted to the breaking point by the day-to-day reality of escalating crisis in the asylum-seeker Braxton Detention Center. All these stories are based on actual case histories. Threatened men and women become refugees and are driven to acts of desperation, they are victimized, families are torn apart, some eventually find sanctuary while many others languish indefinitely or perish. Low-level workers in the host countries looking to hang onto paychecks are shoved by higher level bureaucrats and policy-makers to go in and do the dirty work of “keeping a lid on” and also “making it look good for the public.” And the sanctimonious of all stripes on the outside are more often than not “virtue signaling” for their own ego boosts, than having any useful empathy for all the individuals mired in the toxic tangle of “the system.”

One story in ‘Stateless’ is based on the real case of Cornelia Rau, an Australian woman citizen who was emotionally disturbed at the time and who was inadvertently — and unlawfully — incarcerated by the Australian government’s Department of Immigration and Multicultural and Indigenous Affairs (DIMIA), and held for 10 months during 2004-2005 under the country’s mandatory detention policy for refugees, until Cornelia was traced to Braxton by a relative, and correctly identified and released to a hospital.

Another sub-plot focuses on an Afghani family fleeing the Taliban, being cheated and robbed by criminal human traffickers in Pakistan, being separated while attempting to make the perilous sea voyage to Australia in rickety boats, with the survivors eventually finding each other at Braxton. But the effort of the Afghani father to gain entry visas for his surviving family proves to be a very heartbreaking and essentially impossible effort. Despite some commendable humanitarian impulses by Australian workers tasked with maintaining the day-to-day operations of the center, and of some right-minded procedures embedded in the immigration policy, that policy is nevertheless largely fueled by a great deal of officially mandated bigotry and prejudice.

The conflict between offering a welcoming humanitarian response to the desperation of the trapped refugees terrified of being deported back to certain death, and the politically motivated mandates from the central government to maintain this bureaucratic structure for continuing exclusion, and without arousing public attention to it, is personified by the story of the woman appointed as the new director of the center. She is emotionally torn apart by the inherent cruelty of the job, and her political expendability to the remote higher-ups.

The last of the four sub-plots in ‘Stateless’ centers on a local rural freelance mechanic who seeks to leave precarity behind and support his young family with a steady paycheck earned working as a ‘prison’ guard at the detention center — though he is instructed that it is a refugee center and not a prison since its residents, despite having no freedom of motion, have not been placed there for the commission of crimes. This individual is a good-hearted fellow who quickly comes under unrelenting strain because of his repulsion at the cruelty toward unruly refugees by a sadistic guard, and because of the numerous requirements for him to perform rough enforcement actions on people exhibiting outbursts of anger, fear and madness. Both the emotional and physical traumas sustained in doing his job while trying to thread the needle between the frayed edges of UNHCR compassionate supervision of a precarious population, and the barbed razor sharp edges of bureaucratically enforced nationalism, nearly deaden his heart and rip apart his family.

Each of the four sub-plots in ‘Stateless’ is populated with many supporting characters who enrich the presentation, and the entire ensemble presents the full spectrum of human experiences that take place in the turbulent focal point of mixing-nonmixing between Australian society and Asian refugees at the Braxton Detention Center.

The ultimate solution to the world’s refugee crisis is so far out of view: ending all wars to establish a lasting world peace, and ensuring intelligent economic development up to decent standards everywhere so that people can remain in their countries with their families experiencing physical and economic security and good health down through the generations. Achieving these conditions would obviate the need for anyone to become a refugee and seek foreign asylum.

Yes, this is idealistic (naïvely so?, impossibly?), like wanting equitable worldwide cooperation to stop anthropogenic greenhouse gas emissions so as to tamp down the acceleration of global warming. But neither of these ideals is intrinsically impossible to actualize, and that is why the continuation of the refugee and climate crises are such tragedies: they are fundamentally unnecessary sorrows, open and festering wounds on the body of humanity.

What we have today is a compounded system of exploitation through tiered victimhood, a system commanded by über capitalists and nationalistic warlords living luxuriant lives, and served by hierarchical cascades of lower level petty boss bureaucrats, their functionaries, and in turn their laborers and armed enforcers. This system is so abhorrent that Nature itself has abandoned us, and is trying to burn us off the land and wash us away into the seas and oceans we have thoughtlessly poisoned with our wastes. An added cruelty to this accelerating rejection of humanity by Nature is that those who are suffering now, and first, and will suffer the most from the increasing hostility of Earth’s climatic conditions to human life are the people of the Global South (the Third World), the regions from which today’s refugee streams emerge, the poorest of Earth’s people, those who lead the most precarious lives, and those who contributed the least to the creation of the global climate crisis.

Coda: a Meditation on ’Stateless’

Must I have a stone heart to preserve a sane mind in a world of pure suffering I am luckily insulated from — for now? How does one combat compassion fatigue and empathy burnout? Does one sink into survivor’s guilt for blamelessly being born lucky?; for living in a bubble of comfort, freedom and justice that is much rarer than one had previously imagined?; and that seems to be diminishing by national policy out of view of its lucky inhabitants confident in their unawareness? But of those lucky people who do become aware, how do they survive and stay human without deadening their souls? We have become a race of monomaniacal blind cyclopses raging about our freedoms because we cannot conceive of anything beyond our own frustrated infantile selfishness. Becoming aware of the sufferings of others is the first step in the very long journey of personal redemption. That journey has many perils, and no one completes it unscathed.

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Einsatzgruppen Were Militarized Police

80 years ago today, on 22 June 1941, Operation Barbarossa — the Nazi German invasion of the Soviet Union — was launched. The warfare between the Nazis and the Russians, which lasted until the end of WWII on 8 May 1945, made up the overwhelming majority of the military action and produced the greatest number of war deaths and casualties of the entire European War of 1939-1945 (in my mind I think of this fraction as 80%).

Here in the United States we are well versed in the folklore and stories of the actions, tragedies and victories that emerged from the War In Western Europe during WWII, but we are much less aware of the magnitude of the Russian (Soviet Union) contribution made, and sacrifices suffered, to secure victory for the Allies (the “United Nations”) in May 1945. Without diminishing the dedicated, painful and heroic contributions of the U.S.A, and its Allies, it is nevertheless a fact that, by and large, Nazi Germany (and its fascist Eastern European allies and proxies) was defeated by Russian guns carried forward by an ocean of Russian blood, and the Russian state and the Red Army were fed large transfusions of American military supplies to supplement their own industrialized war machine.

Hitler had planned Operation Barbarossa not merely as a war of armed political conflict and territorial conquest, but as a war of annihilation: Jews, and Communists with any degree of political or administrative power, were to be killed. The Nazi’s estimated (in written reports) that the number of Jews they wished to eliminate from Europe totaled 11 million. Specialized militarized “death squad” troops were formed to execute Jews (primarily) as Nazi armies raced eastward through Poland (from 1 September 1939) and then during Operation Barbarossa into the Baltic States (which Stalin had recently annexed), Western Russia (nearly up to Moscow), the Ukraine, Crimea and Southern Russia (as far as Stalingrad = Volgograd). Those death squad troops were called the Einsatzgruppen.

From Wikipedia: Einsatzgruppen (“deployment groups”; also “task forces”) were Schutzstaffel (SS) paramilitary death squads of Nazi Germany that were responsible for mass killings, primarily by shooting, during World War II (1939–45) in German-occupied Europe. The Einsatzgruppen had an integral role in the implementation of the so-called “Final Solution to the Jewish Question” (Die Endlösung der Judenfrage) in territories conquered by Nazi Germany, and were involved in the murder of much of the intelligentsia and cultural elite of Poland, including members of the priesthood. Almost all of the people they killed were civilians, beginning with the intelligentsia and swiftly progressing to Soviet political commissars, Jews, and Romani people as well as actual or alleged partisans throughout Eastern Europe.

Since Hitler had promised to establish a ‘1000 year Reich,’ the Nazis saw no need to worry about negative consequences to their genocidal campaign because in a few short generations after establishing their regime across Europe (and the world?) there would be few to have such raw memories of the atrocities and losses to mount any opposition. As one person commented: who today remembers the Crusades with enough anger to mount opposition to and make war on the descendants of its perpetrators?

A riveting and harrowing history of the Einsatzgruppen is presented by a 2009 four-part documentary series hosted on Netlfix: Einsatzgruppen: The Nazi Death Squads. [weblink at bottom].

Nearly all the visuals of this series were supplied by the many photographs and movies taken by German Nazi officers, but also by members of the killing units manned by Romanians, Hungarians, Ukrainians, Latvians and Lithuanians, which were both encouraged by the German Nazis (where underlying antisemitism and a thirst for pogroms, and hatred of Russians, communists and Stalin’s NKVD existed) or such other killing units were directly supervised by the German Nazis. In a few cases Jews and anti-nazi partisans were surreptitiously able to take photographs of killing actions that were kept hidden until after the war and used as evidence in war crimes trials.

Most of the rank and file of the Einsatzgruppen had been policemen, and were men of limited education; repetitive actions of brute force motivated by simple bigotry, sanctioned by their obedience to superiors, and spiced up for too many of them by committing torturous atrocities as entertainment. The officers, on the other hand, were quite well educated and intellectual, they directed and guided this genocide machine as true believers in the inhuman vision behind it.

As I watched this tragic history unroll, I recalled that Telford Taylor had publicly stated that by the standards set by the Nuremberg Trials that American officials should be liable for war crimes prosecution over their perpetration of the Vietnam War. From Wikipedia: Telford Taylor was an American lawyer best known for his role as Counsel for the Prosecution at the Nuremberg Trials after World War II, his opposition to Senator Joseph McCarthy in the 1950s, and his outspoken criticism of U.S. actions during the Vietnam War in the 1960s and 1970s.

And I thought of the My Lai massacre of March 1968, which was an infamous American cluster of war crimes that was not at all an isolated event as the US military claimed but actually just a typical action in an entire campaign made up of such actions conducted by US military forces in South Vietnam. The South Vietnamese Army, which was trained and lavishly supported by the U.S., were routine savage perpetrators of atrocities to Communist Vietnamese prisoners and also regular peasants caught up by the military operations. The parallels here between America’s South Vietnamese Army ally, to the non-German proxies during Operation Barbarossa, are quite close.

I also recalled that the murders of civil rights workers and voting rights activists Chaney, Goodman and Schwerner (the Freedom Summer murders) in Neshoba County, Mississippi, occurred on 21 June 1964, during the Civil Rights Movement. That was 57 years ago yesterday. Members of the local White Knights of the Ku Klux Klan, the Neshoba County Sheriff’s Office, and the (local city of) Philadelphia Police Department were involved in the incident. None of the police departments or government agencies and officers of the State of Mississippi took any action to investigate the disappearance of the three civil rights workers after 21 June 1964, and they were certainly not interested in seeking to uncover any crime and prosecute its perpetrators as related to this incident. The remains of Chaney, Goodman and Schwerner were discovered by federal investigators on 4 August 1964, and federal prosecutions followed. The federal government acted because of intense national public outcry against first the disappearance of the civil rights trio and then their murders, and that outrage had erupted out of the new largely national awakening that had been sparked by the Civil Rights Movement.

There is a parallel between Chaney, Goodman and Schwerner facing the the guns of their killers — pogrom-thirsting bigots and policemen who were backed by the political powers of local and state public officials — on the night of 21 June 1964, and the millions of Jews who faced the guns of their killers in Eastern Europe during 1939-1944 — also pogrom-thirsting bigots and policemen who were also often enough their own countrymen.

And then one thinks of today, of George Floyd, of Black Lives Matter, and of the logic of “defund the police.” That logic becomes very clear to anyone who comes to experience police activity as even remotely similar in any way to Einsatzgruppen activity. For them it is better to disband the police than allow for a continuation of civilian murders (especially and disproportionately of minorities, particularly Black Americans) by armed operatives employed and legally immunized by the governing political authorities, under the justification of “keeping the peace” and guarding “public safety.”

I realize all this sad and painful history is not pleasant to think about, but I think it is helpful for Americans to know about it accurately, and not filtered by fantasies and preferred biases, so that our society in the present day and into our collective future can be significantly bettered, to really ensure everybody’s public safety, and to keep the peace in a just and compassionate manner.

Einsatzgruppen: The Nazi Death Squads
https://www.netflix.com/title/80134093

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A Reflection on Zionism’s Ethnic Cleansing in Palestine

For Americans, Stan Goff perfectly summarized the situation in the Sheikh Jarrah neighborhood of East Jerusalem today, and in Palestine generally for the last 54 years:

“Establishment Democrats support ethnic cleansing… There is no Israeli-Palestinian ‘conflict.’ It’s the decades-long military occupation and ethnic cleansing of Palestine. I know I sound like a broken record, but my [social media] feed keeps filling up with this weasel worded bullshit that assigns some utterly bullshit equivalency between occupier and occupied. No reasonable and honest person who is even superficially familiar with this issue can describe Israel as anything but an Apartheid state. An Apartheid state that is sustained and protected in its racist aggressions by the United States government with your taxes. Democrats and Republicans. Heretofore I will unfollow anyone who posts this kind of sly ‘moral equivalency’ trash. And no, it is not fucking ‘complicated’; it’s ignorance or cowardice, and it is objectively lending support to this lawless fascist state. That is all.”

The American “political class” runs a white supremacy state; to them, a threat to white supremacy anywhere is a threat to white supremacy everywhere. Hence the knee-jerk fealty to ethnic cleansing in Palestine by Zionists.

This is as it has always been and remains regarding “others” in the territory of the United States and the Western Hemisphere, with: the Amerindians, Blacks (long held in slavery, and ever discriminated against), Mexicans (the American West north of the Rio Grande is Occupied Mexico), and many other designated apart-from-white people.

With the growth since the 19th century of the fossil-fueled industrial power of American white supremacy came the global reach of its campaign of conquest: the Caribbean (1898, and 1959+), Central and South America (from Smedley Butler to Kennedy-Johnson, and Reagan, et al.), Southeast Asia (Vietnam+), South Africa (Kissinger, Reagan, the 1980s for Angola, Namibia, the U.S. support for South African apartheid — I knew a “jackal”: a retired unacknowledged U.S. mercenary-assassin who worked for S.A. in those years).

The World is “the enemy” of American white supremacy, just as Palestine is “the enemy” of Zionism. And Zionists have paid their way into being “honorary white people” — an apt Goffism characterizing our apart-from-white-Christian domestic compradores serving our domestic white supremacy settler colonialism — who are part of that American white supremacy establishment; and have financially metastasized themselves into the careerism of that narcissistic and intrinsically racist political class.

“Indeed I tremble for my country when [I] reflect that God is just: that his justice cannot sleep for ever: that considering numbers, nature and natural means only, a revolution of the wheel of fortune, an exchange of situation, is among possible events: that it may become probable by supernatural interference!” — Thomas Jefferson (Notes on the State of Virginia).

But he still kept his slaves to the bitter end, banking on God’s justice continuing to sleep. And such is the attitude of the anguished self-absolved collectively guiltless perpetrators of today, and which drives their hypocritical equivocations and torturously convoluted hyperbole in defense of continuing with the slow-motion genocide in Palestine (as in Xinjiang, as in…) of the “others” to be dispossessed and discarded as fast as the marketplace of world public moral consciousness will bear.

For me it all begs the question: when do we reach the point where we deserve our own destruction?

The phrase “never again” should have been emblazoned on human memory many times in the past, for example searingly by Guernica in 1937, but tragically it never seems to fully catch hold as a guiding principle for human beings.

To my mind, one significant impetus to the eruption of World War II in Europe in 1939 was the failure of the Democracies including the United States to defend the Spanish Republic and stamp out fascism in Spain during 1936-1939. The retreat into nationalist comfort (as today with vaccine nationalism) and ‘the Democracies’ not-so-covert anti-socialist collaboration with the fascists in Spain, Italy and Germany during the 1930s, doomed them to be sucked into the genocidal maelström of 1939-1945. And we are yet not free of that poison. [1]

While “collective guilt” of the German people for the crimes of the Nazis was officially disavowed by the triumphant United Nations, after 8 May 1945, in the vital interests of pacifying, stabilizing and rebuilding Germany and the rest of devastated Europe without a resurgence of fascism — which itself was first sparked by the draconian punishment of Germany after World War I — it nevertheless was a moral truth. That the German people of the 1930s and 1940s (with the exception of an incredibly brave and noble minority) overwhelmingly supported the Nazi regime, is plain fact. [2]

But such collective guilt cannot be assigned to the children of those times, who have strived so vigorously to create a socially enlightened postwar Germany, a nation that is far more forthright in acting to compensate for the wrongs of its past than the United States has ever been about its Amerindian Genocide or its Black Slavery and Jim Crow (which latter was so instructive to the Nazis fashioning their race laws of 1933).

But such collective guilt can be assigned today to the self-styled Jeffersonians who are the adult perpetrators, enablers, and equivalents of 1930s “good Germans” in Israel and America (and China, etc.) acquiescing to the slo-mo genocides of the moment, like the vividly repulsive violent expropriations in Sheikh Jarrah, East Jerusalem, and the aerial bombings in Gaza (84 years after the bombing of Guernica).

Can we be so sure that “God’s justice” will conveniently continue to sleep for us, as the Jeffersonian white supremacists hoped in the 18th and 19th centuries, and our American exceptionalists and Zionists hope today? Can we be so sure that our white supremacist equivocations today will escape retribution as was visited upon the European and American democracies, and on perfidious Russian Communism [3], after their failures to support the obvious moral imperatives of defending designated outcast “others” from persecution: European Jews (1933), Ethiopia (1935), Spain (1936), China (1937), Czechoslovakia (1938), and Poland (1939)?

In fact, “God’s justice” looms before us and without pity on even our children, in the forms of the climate crisis and the crisis of the destruction of Nature and habitability on Planet Earth. Today’s children have no share in the collective guilt of their parents and grandparents for creating and expanding that planetary crisis — by the decades-long fossil-fueled orgy of exclusionary industrialized capitalism in all its forms — yet those children are facing the brunt of these accelerating catastrophes. That bald fact is pointedly stated by Greta Thunberg, voicing the judgment by humanity’s robbed future on its greedy present that is also its future discredited past.

To extract ourselves from the climate crisis would require widespread cooperative altruistic action over the long term. None of those four qualities: “widespread,” “cooperative,” “altruistic,” “long-term,” have been exhibited simultaneously by human civilization in the past. The most accurate guesses about humanity’s future are likely to be arrived at by using the imagination without invoking any of those four qualities.

To salvage optimism in these times it is necessary to realize that there are no physical barriers nor prohibitive scientific “laws” preventing humanity from exhibiting “widespread cooperative altruistic action over the long term,” even starting tomorrow, to effectively and justly stop the slo-mo genocides underway now and the crisis of accelerating bio-inhospitality, and to compensate for the wrongs of the past. Such optimism, though logically limited by “realistic” thinking, is essential for heartening and motivating the people seeking to expand the scope of those collective altruistic actions. Greta and her generation deserve our best efforts — for life.

Even without possessing any political power or impressive wealth, we ‘ordinary, everyday adult people’ can individually add our mite to such good collective action by disavowing collaborationist lies (say it: the Israeli occupation of Palestine is apartheid, and ethnic cleansing), by speaking the truth plainly and without fear (“You say that you love your children above everything else. And yet you are stealing their future”) [4], by being honest witnesses (#SayHerName, Breonna Taylor and at least 103 others) [5], and by not allowing our words to be self-censored nor our attitudes to be submissively polite so as to cloak the repulsive moral nakedness of “our” political leaders, emperors and parasites.

[My thanks to Kathryn Morse, Stan Goff, and Louis Proyect.]

Notes:

[1]
“The Silence of Others” is an intense (especially for me) documentary about the efforts of the survivors of torture and persecution by Franco’s fascistic dictatorship in Spain (1939-1975), to gain justice.

The Spanish state, with many Francoists still ensconced in positions of authority and power, and shielded by the Amnesty law of 1977, resist tooth and nail all judicial efforts to provide such justice for the victims of these crimes, via the internationally recognized (and very little adhered to) judicial principle of universal jurisdiction for war crimes and crimes against humanity, and there being no statute of limitations for prosecuting them.

My father (a Spaniard born in Cuba) had an uncle, a violinist in a symphony, jailed by the Franco regime after the Civil War (he had regained his liberty by the late 1960s).

The Spanish Civil War continues to cast a long, long shadow on the character of Spaniards, and on the character of humanity. And there are too many new reflections of that cancerous fascism flickering on today around the world.

The Silence of Others
https://thesilenceofothers.com/

[2]
The Accountant of Auschwitz
http://www.accountantofauschwitz.com/

Prosecuting Evil: The Extraordinary World of Ben Ferencz
https://www.netflix.com/title/81070008

Benjamin Ferencz
https://benferencz.org/

[3]
The Nazi-Soviet Pact: A Betrayal of Communists by Communists
[An excerpt from Bini Adamczak’s book “Yesterday’s Tomorrow: On the Loneliness of Communist Specters and the Reconstruction of the Future.”]
https://thereader.mitpress.mit.edu/the-nazi-soviet-pact-a-betrayal-of-communists-by-communists/

Intense. In the 1980s I read about the prisoner exchanges in 1939 of escaped German communists (antifascists) — and veterans of the Republican (socialist) side in the 1936-1939 Spanish Civil War — pulled out of asylum in Russia and given back to the Gestapo, and escaped Russian anticommunists (czarists and fascists) pulled out of asylum in Germany and given back to the NKVD. According to books by Michael Voslensky (Nomenklatura: The Soviet Ruling Class), Roy Medvedev (Let History Judge) and other similar authors whom I have now forgotten: the NKVD took the Communist Party membership cards away from their communist now-prisoners, and then with a Gestapo officer present verified the identity of each individual to check them off a Gestapo ‘shopping list,’ while similarly verifying the identity of an anticommunist prisoner being given to the NKVD in exchange. Then both the Gestapo and the NKVD led their repatriated prisoners away for executions in private.

The reason that Communist Party membership cards were removed by the NKVD, excommunicating those individuals from the CP, was so that the Gestapo would not be shooting “communists”: those in good standing with the Stalinist party of that time.

Very large gears turn in the machinery of power, indeed, and are lubricated with the blood of many lives whose identities have been erased from memory.

In the 2000s I met a woman who is a Spaniard born in Arkhangelsk (in West Arctic Russia), as her parents were Spanish communists who escaped Franco’s fascist Spain on the defeat of the Spanish Republicans in 1939. Her daughter and my youngest were friends in a girls chorus in San Francisco. She said that Stalin wanted the Spanish Communists as far from Europe (western, southern, central) as possible. She is a survivor (and very Russian), and obviously did not believe in any ideology. She made it real for me, without having to say very much.

All of this literature about the largely unnamed and long forgotten victims of betrayed better futures, is also about the historical achievements of the successful practitioners of the Arthashastra, The Prince, The Pentagon Papers, and the more recent derivatives of such manuals of “statecraft.”

[4]
Greta Thunberg speaks
https://www.goodreads.com/author/quotes/18804443.Greta_Thunberg

[5]
SayHerName
https://en.wikipedia.org/wiki/SayHerName

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Movie Reviews by MG,Jr. (14 November 2020 – 8 April 2021)

CODED BIAS

“Coded Bias” is an exceptional film about how Artificial Intelligence (a.k.a. A.I.), or “algorithms,” has become powerful technology used without accountability, and despite its high level of harmful failure, all for extending the Big Brother type authoritarian control of the public by the state (which is being done overtly in China, and covertly in the U.S., England, and who knows?); and also about the unaccountable manipulation of the public for the financial gains of the small group of very rich people (overwhelmingly white males) who own and control that technology. The title “Coded Bias” comes from the fact that the racial biases (against darker-skinned and ethnic minority people, and ‘different’ sexual-identification people, and physically challenged people) and class biases (against poor people, the more poor the more discriminated against) of those controlling self-aggrandizing white men, and the Big Brother authoritarians, are literally coded into the mathematics that constitutes the mechanisms of the algorithms used to surveil you, to alert police if you are a criminal (very, very many false positives with this), to determine what job opportunities you will be allowed, what prices you will pay for online goods, what financial services you will be granted, and in many ways what punitive actions will be taken against you — and for none of that will you be given any warning nor told how such determinations were made. Complete violation of your 14th Amendment rights (to due process, and which can be logically explained and independently verified; i.e., not a Black Box with a red eye called HAL9000). This important film is available on Netflix now (see website), and also has its own website (see comment). An especially uplifting part of this film is seeing the amazingly talented technically trained and technically savvy women — which include incredible Black Women — who are on the forefront of the citizens’s effort to correct, regulate and ban, as needed, this technology. This is a film about POWER and its use of AI technology to remove freedom from the mass of the public, and to implement its biases through the Internet (for example as regards economic disparities based on race, and the swinging of elections to undermine democracy). I urge you to watch this film (I was pointed to it by a woman, Gretchen, who knows how to pick them).
Coded Bias
https://www.netflix.com/title/81328723

Coded Bias
https://www.codedbias.com/

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SATAN & ADAM

“Satan and Adam” is a lovely documentary about “an aging blues guitarist and a grad student form an unlikely duo while busking on the street corners of 1980s Harlem.” Their music is REAL, authentic; and their story: together, apart, together, old age, is both a reflection of the racial attitudes and politics of the U.S. over the last 35 years, and also a reflection of their own distinctive and idiosyncratic personalities. It is also a very touching story of the power of music to heal individual human spirits, and collective human communities. And also, these guys kick ass when they play!
https://www.netflix.com/title/81077539

https://en.wikipedia.org/wiki/Satan_and_Adam

https://www.modernbluesharmonica.com/satan_and_adam.html

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LORENA

“Lorena” is a short 2019 documentary film about a 25 year old Tarahumara woman (Lorena Ramírez, Native American, living in the northern state of Chihuahua, Mexico,) who runs and wins ultra-marathons wearing sandals and her native dress (skirt!). Her whole family lives a pastoral life deep in hilly country, and they are all runners. Lorena Ramírez has won some of the hardest races in Mexico, like the Guachochi Ultramarathon in 2017, where she ran 100 kilometers wearing her sandals and traditional dress. Because of her prowess as a long distance runner she has been invited to other countries to compete. In 2018, Lorena traveled to Spain to run the Tenerife Bluetrail and came in third place after running 102 kilometers, also running with her sandals, with which she has run more than 500 kilometers in total, including Mexico City’s Marathon in the same year. Unlike her brothers, Lorena doesn’t speak Spanish because she didn’t have the opportunity to attend school and learn the language. She speaks Tarahumara in a soft voice, with words that sound so sweet and musical that you just want to listen to her telling her story. [Some of these lines came from the culturacolectiva website.]
https://www.netflix.com/title/80244683

https://culturacolectiva.com/movies/lorena-ramirez-light-footed-woman-runner-netflix-documentary

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BIRDERS

“Birders” is a short 2019 documentary about the crucial natural habitat for migratory birds, spanning both sides of the Rio Grande and along the Gulf Coast on either side of its confluence with the sea. This area has the highest concentration of birds in the U.S. because it lies along the flyways for many species of birds that migrate between North and South America. So, it attracts bird watchers, both professional (who do banding) and amateur, from all over the world. And this natural environment is threatened, and in parts has already been destroyed, by the clearing of land to build Trump’s Wall. There are Americans and Mexicans, each working on their side of the border to monitor, protect and preserve this natural habitat, and to count birds to help quantify the waxing or waning of the health of their many species; and they also teach and enthuse people (children and adults) about the loveliness of avian life and the value of seriously appreciating and effectively preserving Nature.
https://www.netflix.com/title/80244682

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MAGICAL ANDES

“Magical Andes” is a beautiful series; it is about the love of mountains, the pristine expansive wild, and lives closely entwined with that environment far from human congestion. Season 1 has six ~24 minute episodes and spans the entire 8,500km length of that mountain chain from south to north; Season 2 has four ~24 minute episodes and touches on different points of the same regions, from north to south. Brief and elegant narration is in English, interspersed with many reflections, in Spanish, by Andean residents from Patagonia to Venezuela; in Season 2 the English subtitles to the Spanish speakers is dropped. Photography is breathtaking throughout, clearly camera-carrying drones were used to great advantage. The music accompaniment is very tasteful, and guitar music for the most part. Throughout the series one can catch a few glimpses of people whose way of living reflects what I imagine a post de-growth lifestyle might be like for more of “us.” If you love Nature, and have a poetic sensibility, you would enjoy this series.
https://www.netflix.com/title/81154549

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CAPITAL IN THE TWENTY-FIRST CENTURY

“Capital in the Twenty-First Century” (2019) [1:42] is an excellent, very informative, and provocative (TRUTHFUL!) documentary. I recommend it as the single best “economics class” (under 2 hours) you can take today. The presentation is clear and easy to understand, without being “dumbed down.” It explains exactly why your economic situation today is the way it is, whatever your economic class and generation happens to be. The system is rigged (duh) and this documentary show how, why and for whom; and it clearly shows what needs to change if we (all of us) are to avoid a cataclysmic social breakdown, another WWI/WWII type catastrophe on a worldwide scale. I especially recommend it to my kids and their generation: to help them know why we need a revolution, and where and how that revolution should be aimed.
https://www.netflix.com/title/81239470

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DAVID FOSTER, OFF THE RECORD; CLIVE DAVIS, THE SOUNDTRACK OF OUR LIVES; QUINCY.

These 3 documentaries are about famous music producers and industry/finding-talent executives. These 3 guys are famous, and have splashy documentaries made about them because they promoted many singers from obscurity to superstardom, and made them rich, while making their music corporations very, very much richer. So, naturally, the biz and Hollywood are very awed by and interested in them.

They each have certain personality and character traits that I do not care for, but of course people are all different, and it is always a bit hazardous to judge (and yet of course I do).

What I think is most valuable in these documentaries is that there is a great deal of discussion of and presentation on the nitty-gritty work in the studio: music and song composing, arranging, recording, working (and/or fighting) with the singers and instrumentalists. I found those parts quite interesting.

These 3 guys are “legendary” because they were behind many of the mega-hits from 1968 to today, and in a wide variety of popular music genres.

The documentary I think stars-in-their-eyes people are most likely to find interesting is about David Foster, an incredibly talented and capable musician who is regarded as the “best” music producer alive (along with Quincy Jones).

David Foster, Off The Record
https://www.netflix.com/title/81214083

The second and third, and closely related documentaries are about Clive Davis and Quincy Jones, respectively, legendary music moguls who discovered and promoted many pop-music superstars.

Clive Davis, The Soundtrack of Our Lives
https://www.netflix.com/title/80190588

Quincy
https://www.netflix.com/title/80102952

Quincy Jones was a formidable jazz musician in the 1950s, then did jazzy film scores for 1960s movies, and went on to become a “legendary” music producer.

While these three producers/executives were focused on making mega-hits for corporate mega-bucks, what these documentaries can show that also applies to independent music production (recorded music) in less-mainstream more artistic and smaller-audience fields of music is the technicalities of working out the final recorded tracks, which combine the talents of a variety of people.

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FIVE CAME BACK

FIVE CAME BACK (2017) is very interesting as American film history, BUT the real value here is the reminder by series’ end that previous generations — some of whose survivors still live among us — included many many people who sacrificed a great deal in order to allow our society to continue, and which despite its many dire failings still provided very good lives to most who are reading this. It is important to keep gratitude for those who preceded us and strived and suffered to do their best to pass on chances for decent lives for the young of their time, and those yet unborn. And the only useful way to express that gratitude is to emulate the best efforts of our parents’ and grandparents’ and great-grandparents’ generations, for the benefit of our children, which is to say all of today’s children, and those yet unborn. And we cannot expect they will notice, or realize, or acknowledge or honor us. We can’t have such selfish expectations: why should today’s kids be any different from us when it comes to being grateful for the good things they get? They have to learn just as the more thoughtful of us have had to learn: in part by becoming more aware of the realities of the past, and in part by the struggles and frustrations of our own experiences. It all comes out of self-respect. Let me reassure you, I am not preaching here. I am reflecting for myself about my own always-expanding awareness and understanding of “life,” and how I should conduct myself if I can summon enough courage to do so. I think gratitude and self-respect should be the sources of individual human actions, that those actions should be decent and for authentic good, and that any nation improves as more of its people take on that sense of personal responsibility, because it preserves and strengthens the commonwealth: the interconnectedness of us.
https://www.netflix.com/title/80049928

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GREATEST EVENTS OF WWII IN COLOR; THEY SHALL NOT GROW OLD

I just finished seeing the Netflix documentary series, “Greatest Events of WWII In Color” (2019), and can recommend it. What the film restoration and colorization does is to bring the frightening intensity and reality of the events much closer to the viewer. This is the kind of startling effect, from old grainy originally black and white war documentary films, pioneered by Peter Jackson with his visual restoration, sound reconstruction, and colorization of World War I films, for the riveting compilation released in 2018 as “They Shall Not Grow Old.”

The 10th and final episode of the WWII series is on the atomic bombings in 1945 and the closing out of the war against Japan. All this excruciating history continues to have many essential lessons too few of which have been heeded even in the present day. The total sweep of that history, really from the Treaty of Versailles in 1919 to early August of 1945, is a massively horrible build-up of savagery, and vastly widespread dehumanization of national populations, because of their prosecution of and/or victimization by the industrialized crescendo of the 20th century’s chained sequence of world wars.

That savagery was at its peak, and the ability to see “the enemy” as human beings was at its dehumanized nadir, in 1945 especially in the Pacific War. That poisoned psychology combined with extreme and widespread war weariness, and the press of many antagonistic forces and ambitions embroiled in the overall war effort inexorably led to the atomic bombings despite them being logically unnecessary, a position openly, persistently and yet unsuccessfully championed by Admiral Leahy.

Looking back one can see how the consensus-mind of the American leadership and the public was so hardened by their years of war, and so frightened of that war continuing with even greater ferocity with an invasion of Japan, and so desirous for it all to ‘end now, with victory,’ that it was overwhelmingly in favor of the atomic bombings regardless of any logical considerations contradicting that emotion and in favor of better alternatives. Tragic.

That was then; but now eight decades later the great majority of the American people and other fairly secure people in the industrialized world do not have that soul-sucking war-dread as a constant daily experience, as did the traumatized participants in WWII, and so we all should have the ability to rationally analyze the utility of nuclear weapons today both for our own nation’s use, as well as by others. Logically, they are obsolete and counterproductive.

I see the “great lesson” available to us from Episode 10 of the WWII documentary series mentioned here, as being that we non-traumatized by direct war experience populations CAN and SHOULD apply a psychologically mature and humanized logic to the construction of “national defense” methodology that removes the barbaric and ultimately self-destructive cruelty of nuclear weapons from our military and political thinking, and from our national infrastructure.

By its final episode, the vividness of the colorized documentary of WWII gives one an emotional tug that can act as a visceral push behind such logical efforts to really “ban the bomb.”

We CAN learn from history, IF WE WANT TO.

Greatest Events of WWII In Color (2019, trailer)
https://www.netflix.com/title/80989924

They Shall Not Grow Old (2018, trailer)
https://youtu.be/IrabKK9Bhds

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ASPHALT BURNING

If you are a motorhead, see this movie!! It’s Norwegian, and ends up at Nürburgring. It’s a total motorhead’s dream. We saw it on Netflix (dubbed). It seems there were two earlier ones (movies) in a series in Norway. You’ll love it!! (Global Warming can wait).
https://youtu.be/ViUFEs5cyhY

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HE EVEN HAS YOUR EYES

This is a fabulous movie, both thought provoking and funny. A wonderful take-down of racism in all its colors. This lovely French movie, centered by African-Franco actors, and without any guns, explosions, special effects, CGI or gratuitous violence, manages to say more about racism as habit and fear (two forms of “tradition”) being a great hinderance to having a modern society everyone can enjoy, based on simple human love and honest human connection. This movie is a “comedy” in the sense that it is never a lugubrious heavy drama, neither gratingly hysterical nor deadeningly slow; it is like a fine Burgundy wine: light bodied with a depth of flavor. See it.
https://youtu.be/7mNuKbk01ZA

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ROSE ISLAND

The only foreign military invasion mounted by the post WWII Republic of Italy was against “Rose Island” in 1968. Rose Island was a metal-platform island micro-nation constructed by Giorgio Rosa, an engineer, 500 meters outside Italian territorial waters off the coast of Rimini (6km). The Italian government became incensed by this act of pure independence outside its control, and decided to destroy the island. This prompted Giorgio Rosa to take his case to the United Nations and the Council of Europe, which latter agency was designed to hear disputes between nations, and so decided to hear the case since Rosa was a head of state! During the summer months, Rose Island was essentially a boating party location and discotheque in the Adriatic, but Rosa and his friends created a government, post office, issued passports and received hundreds of application for citizenship. Italian marine forces invaded, forcibly removed the people from Rosa Island and blew it up. Subsequently the European nations changed their laws to extend their territorial waters (and claims of judicial control) out to 12km. The movie is a breezy comedy that relates the whole story. What is clear is that power, especially the imbalance of power, is what actually governs government behavior, not the rule of or the respect for law.
https://www.netflix.com/title/81116948

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ADULT WEDNESDAY

“Adult Wednesday” is a series of short very humorous videos made by Melissa Hunter, based on the idea of Wednesday Addams, of the famous Addams Family cartoons, now on her own. Her various interactions with “normal” society are hilarious. Sadly, the series was ended because the copyright owners of “The Addams Family” objected. The web-link will take you to a starting point for the sequence of the Adult Wednesday videos (if still up). All are good. The one of catcalls to girls is delicious (girl wins).
https://www.youtube.com/watch?v=lXmpC0wpuso&list=PL0XAjui-xK6XE4PRT64WAthU6j1NmrOqU&index=14

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THE SPACE BETWEEN US

I saw “The Space Between Us” (2016) on Netflix. It is a bloated techno-gargantuan cross between a faint echo of “Brave New World” and the trim 1980 movie “Starman” (which was good). The premise is that a kid born as a surprise on a Mars colony is too weak to live in Earth’s gravity, and so must remain “classified.” He is brought back to Earth as a 16 year old in hopes he can be strengthened to survive there; he escapes confinement to look for his mystery father; has a roadtrip romance with a quirky wise-ass runaway foster-kid girl, and everyone has a happy ending to this story. It could have been more tightly constructed for a good 90 minute movie, but it rolls out amiably enough over 2 hours with nice visuals and up-to-the-minute spacey sets and effects to distract you from the numerous logical fallacies and improbabilities linking the elements of the story (easily done if you don’t take a critical attitude). I enjoyed it as simple harmless entertainment; it is not art, it is not deep: it’s meant for a mass audience. Asa Butterfield plays the Mars Boy with the same cute naïveté other-worldliness he displayed in the movie “The House Of The Future” (with Ellen Burstyn, peripherally about Buckminster Fuller’s legacy). Gary Oldham plays the big honcho Space Business (for the Mars Colony) “visionary.” The mama surrogate is played by a Ms. Guglio, who also had a big role in a recent movie where Patrick Stewart (“Jean-Luc Picard”) plays an old ballet master and choreographer (which movie is a 3 person play of sex talk). This movie is a way to spend some COVID lockdown time, after you’ve washed the dinner dishes and you’re tired of reading an actual book for the day.
https://youtu.be/x73-573aWfs

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THE OTHER SIDE OF THE WIND

“The Other Side Of The Wind” is Orson Welles’s last movie and is a satire on movies, movie-making and celebrity culture. It is also a visually stunning 1970s cinematic parody of 1970s art movie pretensions; a comedy about the vacuity of the whole movie and celebrity business, and literally a confection about nothingness. Wind is the flow of air through a volume, it is not an isolated bounded solid object. It has no side since it is the swirl, rippling and eddying of the ocean of atmosphere we live within, and thus can have no ‘other side.’ To those not scientifically minded wind is the sensation of anything between the blushing to the gales of nothingness. To seek deep insights from Welles’s movie is to look for an answer blowing in the wind. Welles gets some delicious payback on movie critics through this film (and it was all actually photographed on film between 1970 and 1976), as well as skewering Antonioni type films like “Zabriskie Point.” Welles does one better on Antonioni’s finger to the American movie moguls by putting his “Zabriskie Point” parody, “The Other Side Of The Wind,” as a film within a film, being an incomplete movie run out of budget and the last hope for a comeback by a Hemingway type directorial titan of Old Hollywood at the end of his rope and trying to connect with youth and the New Hollywood. The actual cinematic technique used is a kaleidoscope of modernity employing black and white, color, quick cuts, enigmatic scenes, mockumentary structure, and zig-zagging progression. Welles had a lot of help from a lot of friends to shoot this movie and then to finally have it assembled as he would have wanted. Welles died in 1985, and the movie finally appeared in 2018. I was fascinated by it, and then tickled to realize that Welles had done a magic trick on me to make me think seriously about nothingness: the cultural vacuity of the flickering lights so many are so obsessed about.
https://youtu.be/nMWHBUTHmf0

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A LIFE AHEAD

“A Life Ahead,” an excellent brand new (2020) film with the legendary Sophia Loren (86!!); very modern, very heartstring-pulling, amazing performance by the young actor playing Momo (all the performers were good) – this is his story. The setting is the seamier side of 2020 Italy (but there are still beautiful souls living there).
https://youtu.be/a0ejncDxgCc

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IO

“IO” is an imaginative realistic speculative fiction about a post end-of-the-world time of environmental poisoning, and its last two survivors. By “realistic” I mean that it is not one of the bombastic live-action special effects fantasy plus horror cartoons that is the popular standard today for science fiction movies. The story is reminiscent of the seminal 1949 novel “Earth Abides.” So, most movie fan comments about IO are quite negative, indicative of an intelligent screenplay thoughtfully filmed. The movie is a largely French production, filmed near Nice, Bulgaria and California. The visuals, acting and pacing are all good as befitting the somber and very lonely situation being portrayed. The types of scientific, literary and artistic references made in the dialogs make for a too cerebral movie for many simple-minded movie fans, but lend this film much of its merit. This film seeks to make you think, not shock and excite you with gimmicks like frenetic pacing and jump cuts. In a rather elliptical way, the ending reminded me of Stanley Kubrick’s “2001: A Space Odyssey.”
https://youtu.be/y3GLhAumiec

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DOWN TO EARTH

“Down To Earth” is a recent (2020) TV series showing varieties of healthy sustainable ways to live, from selected countries in Central and South America, and Western Europe. It’s has a breezy tone but does show quite a variety of interesting an important aspects of “food” and “living” and the damaging effects of human wastefulness and lack of connection to Nature, and thus “climate change.” The episode on Puerto Rico is especially recommended because it shows how people dealt with the catastrophe of back-to-back hurricanes Irma and Maria, and continue to deal with the catastrophe-by-Trump-malice-and US-government-neglect, of loss of homes, electricity and environments. Showcased are examples of how individuals came together to respond to problems left unattended by the failures of government. The “star” of the series is its executive producer Zac Efron, no David Attenborough, but still deserves credit for producing a series with much good in it for the cause of advancing public awareness in favor of revamping American (industrialized, consumer-oriented) society for ecologically enlightened sustainability, and healthier eating habits. It is mainly aimed at typical, and by world standards well off, American viewers – it is no rabble rousing radical revolutionary documentary, but it does make many good points despite the many visits to Michelin multi-star restaurants.
https://www.netflix.com/title/80230601

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COVID-19 vs. WWII

Drawing by Babak Kateb, MD

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COVID-19 vs. WWII

The Trump Administration’s response to the COVID-19 pandemic was a murderous crime committed against the American people. [1] The perpetrators of that crime should be prosecuted for it.

Let us compare the sacrifices in lives paid by the American people during WWII, and during YEAR ONE of COVID-19.

WWII (for the U.S.A.): 7 December 1941 to 15 August 1945: 1347 days, (3 years, 8 months, 1 week, 1 day).

YEAR ONE of COVID-19 (for the U.S.A.): 20 January 2020 to 20 January 2021: 366 days, (1 leap year).

The United States lost 0.308% of its 1940 population, as fatalities during WWII: 405,000 fatalities out of 131,669,275 people.

The U.S. population has grown by a factor of 2.513x, from 1940 to early January 2021: 131,669,275 in 1940, to 330,831,759 on 18 January 2021.

The fraction 0.308% of the current population corresponds to 1,018,962 people. That number of people is 2.516x the number of WWII American dead.

So, when the number of COVID-19 American dead reaches 405,000 (in about 1.6 days from January 18, as there are currently 398,000 dead, and over 4,400 deaths/day), the country will have lost 0.1224% of its population to the pandemic.

ALL THIS LOSS has occurred since 20 January 2020, the third anniversary of the day Donald Trump was inaugurated as the 45th President of the United States (366 days from 20 January 2020 to 20 January 2021), for:

— a LINEAR AVERAGED ABSOLUTE loss rate of 1,106.6 deaths/day (405,000 dead/366 days),

— which rate is 3.68x HIGHER than the LINEAR AVERAGED ABSOLUTE loss rate during WWII, of 300.7 deaths/day (405,000 dead/1347 days).

The LINEAR AVERAGED RELATIVE (to the population) loss rate per day was 2.229×10^-4 PERCENT during the 1347 days of WWII.

The LINEAR AVERAGED RELATIVE (to the population) loss rate per day was 3.344×10^-4 PERCENT during the 366 days of the year between 20 January 2020 and 20 January 2021.

The linear averaged relative (to the population) loss rate per day (PERCENTS) was 1.5x HIGHER during YEAR ONE of COVID-19 than during WWII.

Between the very end of 1941 and the late summer of 1945, the United States sacrificed 1 out of every 324 of its 1940 population, to win WWII militarily.

During YEAR ONE of COVID-19, the United States will have lost 1 out of every 817 of its 2020 population to the SARS-CoV-2 pandemic — despite the intelligent, frantic, selfless and heroic efforts of many thousands of health care professionals and workers — because of the intentionally malevolent, criminally exploited, and psychotically negligent management of every aspect of the Federal response to the pandemic. This is nothing less than a war crime by the Trump Administration against the American people.

That war during 2020 was more than just the traditional and perennial American civil war of capital against labor and democracy; it was a hate-crime war by rabid bigotry against humanity itself, and against objective truth and reality.

The perpetrators of this crime — who besides government officials includes their political, and financial, and vociferous societal enablers — should be prosecuted by a National Tribunal. Remember that the foremost responsibility of any U.S. government administration and congress and judiciary is to protect the American people and defend the Constitution.

The Trump Administration’s management of the national COVID-19 response was an intentional violation of that obligation, and thus a direct assault on the well-being of the American population, and their socio-political collectivity (“the country”).

The perpetrators’s post-facto excuses: of being ignorant (“how could we possibly know it would be this bad?”); of acting legally (“we were just following orders”); and their blatant appeals to fantasy for a dismissal of any concern (“it’s not that bad”, “few get it”, “so few die from it”, “we did a great job getting rid of it”); are as entirely worthless today as they were before the Nürnberg Tribunals over 70 years ago.

To argue that a tribunal to prosecute the perpetrators of the U.S. COVID-19 catastrophe is impractical and politically impossible in no way invalidates the fact that it would be an action of justice to do so. How can any government that fails to offer its people justice rightly expect to retain their allegiance?

[1] ‘An unmitigated disaster’: America’s year of Covid
18 January 2020
https://www.theguardian.com/world/2021/jan/18/america-year-of-covid-coronavirus-deaths-cases

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Salvation

Painting of the Roiling Ocean, by Ivan Konstantinovich Aivazovsky

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It is sad indeed to see an oppressed people destroying itself through factionalism and civil war, while a far more powerful enemy squeezes them out of their land and lives. I have read of such in Thucydides, but it is too painful to watch in my own time. And, such a sad spectacle turns foreign eyes away, withdrawing their compassion and respect, and leaving “the lost” to their fate of ultimate disappearance. You and I, Nadia Issam Harhash, know that a universal solidarity among humans is the only salvation for all of us, but you and I also know the unfortunate truth that too many of those humans will resist contributing to that salvation to the bitter end: a death cult. What is left to people like you and I is to speak out against the death cult (and hope we are not silenced), and then also retreat into care of our families and immersion in being creative artists, so as to keep our sanity while we live. As an engineer, I always look for solutions to problems, but here as in so many other times and places the “solution” is purely one of choice: unrestrained compassion, respect and solidarity for and with the other members of the homo sapiens species. To me, all politics and all religions are madness, and should disappear. Heraclitus (~500BC) said “Bigotry is the disease of the religious,” and politics is so obviously the mechanisms of organized greed. Salvation will NOT come down from some Sky God in Heaven, nor from Hell out of the barrels of guns; salvation can only come from human hearts and souls who have come to realize that they each are merely momentary wave crests in a sea of humanity flowing within an ocean of Life. Peace.

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