Heller, Vonnegut, Melville, Twain, Maugham, and Guy de Maupassant

On 17 October 2020, Eric Andrew Gebert wrote:

“Born on this day, 1915, Pulitzer Prize-winning playwright Arthur Miller (1915-2005). Now might be the right time to re-read ‘The Crucible’ (1953). I’ve always preferred ‘Death Of A Salesman’ (1949). Although, anything written by Miller is a gem.

‘“Don’t be seduced into thinking that that which does not make a profit is without value.” — Arthur Miller’

Eric’s comments prompted the following exchange:

MG,Jr.:
If you read the first few chapters of “Closing Time” (1994), the not-great sequel to “Catch-22” (1961), by Joseph Heller (1932-1999), you are given a very clear and fulsome view of the neighborhood and cultural environment – Jewish Coney Island – from which Arthur Miller and Joseph Heller came. While “Closing Time” is not great, it is nevertheless a tale imbued with “New Yorkness” particularly of the City, and it beats most of the twaddle published as novels and even “literature” today. It came out in the ’90s; Heller died in 1999. And agreed, Miller was a superb author-playwright.

Eric Andrew Gebert:
I’ve never read Catch-22 by Joseph Heller. I’ve read so many articles about the book and author, yet never read the book. It’s on my list for sure.

My own thoughts prompted by the above:

I read “Catch-22” and “Slaughterhouse Five” in 1968-1969, while I was listed as 1A for the draft (Vietnam War) during my first year in college. I consider both masterpieces of 20th century American literature, and both were written by anti-war WWII veterans who had seen plenty of action – and death – during the mid 1940s (in Italy and Germany, respectively).

It is my opinion that these two books are absolutely essential reading for any American alive then and now, if they really want to gain some insight into fundamental aspects of American culture, and the collective psyche of Americans. If one also wants to get “historical” and can accept immersing themselves in the “literary,” then it is essential they include “Huckleberry Finn” and “Moby-Dick” to that reading list.

There are many comedic elements in both “Catch-22” and “Slaughterhouse Five” (1969), but both books are very clearly deadly serious. With Kurt Vonnegut, Jr.’s (1922-2007) book (Slaughterhouse Five), the more you think about it, the deeper is your realization of the underlying tragedy; with Heller’s book, comedy carries you to a finale that requires a strong stomach and deep commitment to finish reading, and in this way leads you to the tragic realization equivalent to that which Vonnegut so subtly (well, playfully) presents.

Only AFTER you have read C-22 and SH-5 should you allow yourself to see the movies made of them. The only good movie of C-22 (a recent TV series has also been made, at best a C-) is the excellent 1970 Mike Nichols (1931-2014) film (Catch-22), with a screenplay written by Buck Henry (1930-2020). Parts of that screenplay were so good that Heller said he wished he’d thought of them to put in his novel.

This film is very faithful (but not exact) to Heller’s plot (simplification being necessary since Heller had many, many characters, and a great deal of non-chronological density), and is entirely faithful to Heller’s arc of comedy-to-anguishing reality (with a sparkle at the end of the film to give you hope). Milo Minderbinder, a character in C-22 (and Closing Time), is the absolute quintessential personification of American capitalism, an excruciatingly apt portrayal in both the book and movie.

The only film worth seeing (AFTER you read the novel!) of SH-5 is the 1972 George Roy Hill (1921-2002) movie (Slaughterhouse Five). In that movie the character of Valencia Merble is the quintessential portrayal of the White suburban American mom, not quite a Karen, but a simple self-absorbed but not selfish Americana (a chaste but not fundamentalist version of Guy de Maupassant’s “Boule de Suif”); this perfection of depiction being in both the book and movie.

Believe me, those two books of the 1960s, and the two films made of them in the early 1970s cannot be remade today to equal standards of art and psychological insight: “we” are too hung-up on our “modern” (self-delusional) ‘wokeness.’ Here is art that is a mirror of a ‘national soul’ that we generally don’t wish to see in complete clarity. These works are both of their time, and timeless.

Every work of art has its roots in earlier works by earlier artists, and in conceptions from earlier times. One can, with imagination, follow this trail of sequential inspiration all the way back to the 5th Century (BCE) Greeks; and with even more imagination back to the cave paintings at Lascaux (~17,000 years ago) and Altamira (~36,000 years ago). Even though I do not know the history of Heller’s and Vonnegut’s literary inspirations, to my mind these two authors were the 1960s flowering of roots that grew from Herman Melville (1819-1891), Mark Twain (Samuel Langhorne Clemens, 1835-1910), and Guy de Maupassant (1850-1893).

Melville had a keen and pessimistic insight into the American soul, and a wicked wit, which can be hard for today’s casual readers to untangle from his convoluted and fascinating antique New England prose. I can see Heller’s Milo Minderbinder as a youthfully handsome comic inversion of Captain Ahab (the terrible protagonist of Moby-Dick): both are monomaniacal obsessive-compulsives. Both were avidly mercantile individuals, to devote themselves so fully to their risky commercial ventures. For Milo it was all about money to gain power to make more money (in a vicious circle), while for Ahab it was all about money (his gold Doubloon, and command of his ship’s resources like the breaking out of rum) to gain the mesmerizing power over his men’s hearts and souls to bind them tightly to his obsession for vengeance against the very forces of Nature incarnated as the white whale, Moby-Dick.

Mark Twain, that other supreme giant of American literature (I vacillate between seeing Melville then Twain as the greatest of all American authors, but that is a worthless exercise really: together, they are the sourcepoint of all essentially American literature), was both a comedic genius and a deeply serious writer with a very great compassion for the human condition; and his enlightened outlook on people was far in advance of American norms — to this day!

Kurt Vonnegut was deeply influenced by Twain, he said as much in his introduction to a television movie (shown on PBS) of Twain’s “Life On The Mississippi,” and it is so easy to see many parallels between Twain’s seemingly naïve witticisms and Vonnegut’s seemingly childlike playfulness in prose. And both had very serious matters about America’s dark soul to present back to its people, under the cover of sweet sunny confections of comic storytelling — up to a point.

Guy de Maupassant was a supreme master of naturalness in the telling of short stories, with an economy of style that made his penetrating insight into the psychology of his characters — the people of his day, and ours — transparent. His words speedily take you to the heart of the matter without obscuring it by any pretentiousness, insights and matters that were: comic, tragic, banal, horrible, lovely, socially withering, and of human avarice, corruption, credulity, deceitfulness, and simple nobility.

Like Heller and Vonnegut, de Maupassant mined his wartime experiences as a French solider during the disastrous for France Franco-Prussian war of 1870. Guy de Maupassant’s story “Two Friends,” about the hazards two Frenchmen buddies find themselves facing when they are captured by the Prussians during a surreptitious fishing excursion along a river behind enemy lines, has all the absurdist qualities Vonnegut put into the narrative thread on his avuncular character Edgar Derby, the mentor of Billy Pilgrim (the protagonist of Slaughterhouse Five) while both were prisoners of the Germans in WWII Dresden.

Even more grim a tale about the utterly absurd waste of human life, human innocence, and the permanent loss of happiness because of war, was de Maupassant’s “Mother Savage,” a story about one old French peasant woman’s iron will to wage her personal war against the Prussians, and by extension against all the social forces and higher classes and their attitudes, which had combined to bring that disastrous 1870 war right into her little cottage far out in the country. Where Edgar Derby was an endearingly blithe overgrown lamb oblivious to the hellscape of firebombed Dresden, Victoire Simon (Mother Savage) was an implacable wolverine propelled by grief capping a long hard meager life of scratching the land.

Two de Maupassant stories of desperate personal actions taken by ordinary French civilians against the Prussians, because they just exploded with rage against being bullied, are “Mademoiselle Fifi,” about the stabbing killing of a Prussian officer by Rachel, a Jewess prostitute who successfully evaded capture by being hidden by the parish priest; and “A Duel,” a similar story about a nebbish little man whose sudden rage fills him with power sufficient to kill a Prussian officer in a duel, his first ever, and for the Prussian his last of many. But I did not see any parallel incidents to these de Maupassant stories in either “Catch-22” or “Slaughterhouse Five,” despite their extensive periods in wartime settings.

Heller’s portrayal of the whorehouse in Rome frequented by Yossarian (the protagonist of Catch-22) and his buddies has many echoes of de Maupassant’s story “Madam Tellier’s Establishment,” of simple souls with simple dreams mixed with desperate longings and simple pleasures. Guy de Maupassant wrote many stories involving carnal affairs, licit and illicit, with a keen eye to human foibles and hypocrisy, and a sophisticated savoir faire combined with a very deep compassion to the human condition, so like Mark Twain’s.

Much of the anguish and histrionics of English and American marital-sexual-relationship dramas is refreshingly absent in de Maupassant’s stories because of his honest clear-sighted presentation of the situational and psychological facts. The hypocritical Victorian prudery of the English and the Americans is absent from de Maupassant and many of his characters, who are after all drawn from real life as de Maupassant saw it. That naturalness, pioneered by Gustave Flaubert (among others), de Maupassant’s mentor and teacher of literary art, is at the heart of Heller’s verve in “Catch-22.”

The direct root from Guy de Maupassant that grew out into English literature was W. Somerset Maugham (1874-1965), another great short story writer, as well as playwright, novelist and essayist. The keenest insights about women that I have seen in literature are by Guy de Maupassant and W. Somerset Maugham. Perhaps F. Scott Fitzgerald (1896-1940) has some as well (particularly in “Tender Is The Night,” 1934), but he was often much more lyrical and because of that honeyed radiance thus more vague.

Guy de Maupassant by contrast offered gems of clarity (not necessarily desired by society at large) cut with such precision as to bring out the sparkle of insights that pierced through the fog of all illusions. This deemed de Maupassant smutty and immoral to many socially correct readers (especially English and American ones) up to the present day.

My favorite novel of Maugham’s is “The Moon and Sixpence” (1919), a novelization of the life of the French Impressionist painter (and pal of Vincent van Gogh, 1853-1890) Paul Gauguin (1848-1903), told as the story of Charles Strickland, a fictional English equivalent to Gauguin. Maugham’s “The Moon and Sixpence” is an epigrammatic novel worthy of Oscar Wilde (1854-1900) and Maugham’s acknowledged inspiration: Guy de Maupassant.

Guy de Maupassant has written the best and most detailed descriptions of eating, food, cuisine and dining that I have ever read; he has done what Flaubert had taught him: to let you smell the aromas and taste the flavors just from reading the worlds. His touching yet earthy matter-of-fact slice-of-life story, “Idyll,” is echoed by John Steinbeck (1902-1968) as the grand and incandescent metaphor at the end of his “Grapes of Wrath” (1939), for the desperate and self-sacrificing human compassion and solidarity during a time of economic catastrophe that some of its victims could find to bring out of their own destitution and grief, to generously give others the milk of human kindness.

How fortunate I am to be able to read so many wonderful books. The overall lesson they have given me is simply to see with greater appreciation the intrinsic beauty of life despite the many hardships and random tragedies it also entails.

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Book and Movie Reviews by MG,Jr. (2017-2020)

1 August 2020, was the 201st anniversary of the birth of Herman Melville. 2019 was my year to be totally immersed in Moby-Dick (for the third time), an awesome masterpiece. This is PERHAPS, the greatest novel yet written in the English language.

I’ve written previously on Melville and Moby-Dick here:

Happy 200th, Herman!
https://manuelgarciajr.com/2019/08/01/happy-200th-herman/

Moby-Dick
https://manuelgarciajr.com/2019/08/07/moby-dick/

Ye Cannot Swerve Me: Moby-Dick and Climate Change
https://manuelgarciajr.com/2019/07/15/ye-cannot-swerve-me-moby-dick-and-climate-change/

The Ultimate Great American Novel
https://manuelgarciajr.com/2018/09/04/the-ultimate-great-american-novel/

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W. Somerset Maugham’s “Ten Novels And Their Authors”

Maugham wrote a book of this title, describing his picks, ranked as shown below, His essays on each are excellent.

War and Peace (Tolstoy)
Madame Bovary (Gustave Flaubert)
Pride and Prejudice (Jane Austen)
The Brothers Karamazov (Dostoevsky)
Le Père Goriot (Honoré de Balzac)
Wuthering Heights (Emily Brontë)
Le Rouge et le Noir (The Red and The Black; Stendhal)
Tom Jones (Henry Fielding)
David Copperfield (Charles Dickens)
Moby-Dick (Herman Melville)

Read by MG,Jr (from Maugham’s list), so far:

Madame Bovary (Gustave Flaubert)
The Brothers Karamazov (Dostoevsky)
Le Père Goriot (Honoré de Balzac)
David Copperfield (Charles Dickens)
Moby-Dick (Herman Melville)

I like the following, as SOME of the other novels that I think are “classics”:

The Three Musketeers (Alexandre Dumas)
Huckleberry Finn (Mark Twain)
On The Road (Jack Kerouac)
Slaughterhouse Five (Kurt Vonnegut)

The Three Musketeers is described here:

My Favorite Classics
https://manuelgarciajr.com/2017/09/18/my-favorite-classics/

Huckleberry Finn and Slaughterhouse Five are described here:

The Ultimate Great American Novel
https://manuelgarciajr.com/2018/09/04/the-ultimate-great-american-novel/

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Three movies from 2015-2016:

Heal the Living (Réparer les vivants) (2016)

Superb film by Katell Quillévéré (screen-writer and director), about life, death and organ donors. The meditative nature of this film, without excessive pathos, with a lovely piano accompaniment (most of the time except for two noisy rock songs), the lovely crisp photography possible with today’s equipment, and its seamless transitions between wakeful reality and introspective day-dreaming, and back, and its transitioning ensemble – constellation – of collaborative actors (instead of a star in front of background “support”), make this a very thoughtful and artistic film that presents fundamental truths. All these sterling qualities (except for the crisp photography) will make this film largely unpopular for US audiences, especially when spoken in French with English subtitles.
https://youtu.be/otYWveDaplo

Genius (2016)

A superb English film about legendary American authors, particularly Thomas Wolfe (author of “Look Homeward, Angel”) and really about Max Perkins, the Scribner’s (book publishing company) editor who discovered Ernest Hemingway, F. Scott Fitzgerald and, most flamboyantly, Thomas Wolfe (the movie is ostensibly about him). The heart of the story is about friendship (male friendship) collaborating in the creative artistic process, in this case to produce literary novels. Anyone who likes reading (actual books of literature, in paper), and who strives to produce excellent art that requires collaborators (particularly theater and often music, and inevitably every art) in any medium would like this movie. However, the American reviewers were not keen on this movie because they and most American audiences don’t really like reading and find the movie “slow;” it’s basically a detailed exposition of intellectual processes (and what American wants to watch that?); its lighting is “dark” (which is how it actually looks in downtown Manhattan); Americans don’t like foreigners making movies about American subjects (English actors can do any variety of American accents, but American actors can’t do English, or any other foreign accent); and the movie unrolls like a well thought-out play since it was in fact directed by an English theatrical director (with a story based on a carefully studied biography of Max Perkins).
https://youtu.be/gCvcD3IBSlc

Mr. Holmes (2015)

This is a modern and very clever modern story (i.e., not by Arthur Conan Doyle) of Sherlock Holmes near the end of his life in retirement, living as a beekeeper. The plot, photography, score, and acting by the (largely) English cast are all first rate, naturally. The film has proved popular with English and American audiences, and rightfully so. The story involves Holmes as a 93-year-old (in ~1947) who, despite failing memory, is trying to recall the details of his last case, which ended tragically and caused him to retire. The jumps between “the present” (~1947) and flashbacks (~1912) are clear, as are the transitions to the flashbacks to Holmes’s post WWII visit to Japan (1946/1947). There is enough of the “solve the mystery” element in the film to satisfy most Sherlock Holmes fans, and a thoughtful emotional-psychological thread to the story that was not ruined by an excess of pathos or icky sweetness. Of course the acting, photography and score were good and well-integrated into this polished work of cinema. Overall, nicely paced and good entertainment with wit, polish and good heart.
https://youtu.be/0G1lIBgk4PA

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Some commentary on Anti-War movies and books:

The Pentagon Papers in the Movies
[the 2003 movie is the best, and what a story!]
20 April 2018
https://manuelgarciajr.com/2018/04/20/the-pentagon-papers-in-the-movies/

Anti-War and Socialist Psychology Books and Movies
23 January 2018
https://manuelgarciajr.com/2018/01/23/anti-war-and-socialist-psychology-books-and-movies/

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Lafcadio Hearn

Lafcadio Hearn (1850-1904) was an unusual American who eventually became a Far Eastern foreign correspondent to American newspapers and magazines, and an expert interpreter of Japanese and Chinese stories, legends and fables, as well as a keen observer of how life was conceptualized and conducted in Asia (mainly Japan).

Lafcadio Hearn was born in Lefkada, a Greek island in the Ionian Sea on the west coast of Greece. He had an Irish father and Greek mother, and a difficult childhood filled with rejection. He also lived a very unusual life, for some time a newspaper crime reporter in the U.S.A. (Cincinnati, New Orleans), marriage to a Black Women at a time when mixed marriages were extremely difficult to sustain socially in the U.S., and then moving on to a foreign correspondent role, first in the French West Indies and then in Japan. There, he learned Japanese, taught in Japanese schools, married a Japanese woman and had four sons, and lived out a happy last chapter to his colorful and literary life.

A superb book by Hearn is Kwaidan, which is a book of Japanese ghost stories, and which book was the basis of an amazing 1965 Japanese art film (movie) of the same title by Kobayashi. I think Kwaidan is a masterpiece.

Gleanings In Buddha Fields is a collection of stories (the mythical, legendary and fabulous) and essays (on the realities of life), which in total immerse the reader into the zeitgeist, or context, of late 19th and early 20th century Japan.

Alan Watts noted that Lafcadio Hearn’s book Gleanings In Buddha Fields (1897) sparked (or was one of the sparkers of) his interest in Buddhism and Eastern Philosophy. I read Gleanings In Buddha Fields because I was curious to learn the source (about one of the sources) of where Alan got his Zen.

I recommend Gleanings in Buddha Fields to you (and Kwaidan).

Because some (at least one or two) of Hearn’s references to historical personalities of 19th century (and earlier) Japan are not part of modern memory, you might have to do a little Internet researching to gather some of the historical facts about the incidents Hearn was referring to (in Gleanings…), in order to fully appreciate Hearn’s presentation. But even without such deeper investigation, Gleanings In Buddha Fields is an excellent, informative, thoughtful and Zen-atmospheric book. In discovering it with your first reading, you can also imagine yourself reliving, at least in part, the juvenile awakening to Zen Buddhism experienced by Alan Watts (whose The Way of Zen is a masterpiece).

A modern collection of selected Japanese stories (including some from Kwaidan) by Hearn is the following. It is excellent, and well-researched, with a very informative introductory essay by the editor-researcher, who was Ireland’s ambassador to Japan.

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Cinema Art From 1968 For Today
18 August 2018
https://manuelgarciajr.com/2018/08/18/cinema-art-from-1968-for-today/

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The Ultimate Great American Novel
4 September 2018
https://manuelgarciajr.com/2018/09/04/the-ultimate-great-american-novel/

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All Quiet On The Western Front

“All Quiet On The Western Front,” by Erich Maria Remarque (22 June 1898 – 25 September 1970), is the greatest war novel of all time. Why? Because it vividly conveys the physical, psychological and emotional realities of being at the front face-to-face with the enemy in an all-out massively industrialized war. “All Quiet On The Western Front” is also the greatest anti-war novel of all time. Why? Because it vividly conveys the physical, psychological and emotional realities of being at the front face-to-face with the enemy in an all-out massively industrialized war.

This novel was first published 92 years ago, in 1928; and its story is set a century ago, in 1918, during World War I. This novel describes the realities of a soldier’s transformation from naïve enthusiastic recruit to hardened emotionally vacant veteran, the deadly and depersonalizing confusion of military operations, the rush and terror of frontline combat, the haphazard allocation of injuries, the slow-motion dread of being in hospital, the brief joys and overwhelming alienation and anguish of home leave, the struggle against insanity, the scant and fleeting serendipitous joys in the field, the loss of a personal past that moored one to a potentially fulfilling future in one’s culture, and the crushing of the lonely human spirit shadowed by the omnipresence of death. The human reality of this novel is timeless. Most of us casually say we are anti-war, but to truly inoculate yourself against any taste for war you must read this book and allow its story, and its feeling, to soak deep into your psyche.

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F. Scott Fitzgerald

Fitzgerald’s novel Tender Is The Night hit me like a thunderbolt. Fitzgerald drew the title from a line in John Keats’s poem “Ode to a Nightingale.” I’ve written quite a bit about Fitzgerald (follow the links to that). Below are a few of the comments about Fitzgerald and movies about him and his novels.

Appreciating F. Scott Fitzgerald
https://manuelgarciajr.com/2019/04/24/appreciating-f-scott-fitzgerald/

The Poetry of Disillusionment in “Gatsby” is Beyond the Movies
https://manuelgarciajr.com/2020/04/27/the-poetry-of-disillusionment-in-gatsby-is-beyond-the-movies/

F. Scott Fitzgerald and Lost American Lyricism
https://manuelgarciajr.com/2019/06/17/f-scott-fitzgerald-and-lost-american-lyricism/

I Learn About F. Scott Fitzgerald
https://manuelgarciajr.com/2019/03/16/i-learn-about-f-scott-fitzgerald/

Two “F. Scott Fitzgerald” movies:

Last Call is based on the memoirs of Frances Kroll Ring (1916-2015), Fitzgerald’s last secretary, and sounding board, to whom he dictated his last novel The Love Of The Last Tycoon, A Western. Frances Kroll Ring’s book (1985), highly praised by both scholars and Fitzgerald aficionados for its accuracy, detail and sympathy, is about the last two years (1939-1940) of Fitzgerald’s life. Frances Kroll Ring (herself in 2002) appears at the end of the film. A very well made film, as close as we’ll ever get to “being there” with Scott. Jeremy Irons plays Scott, Neve Campbell plays Frances Kroll Ring, both excellently in my opinion. The Cambridge Companion To F. Scott Fitzgerald (2002) is dedicated to Frances Kroll Ring “with affection, gratitude, and respect from everyone who reveres F. Scott Fitzgerald as man and artist.”

Getting Straight is a fun movie of college life and protest in 1970, and centers on a much put upon ex-activist and graduate student of literature (“Harry,” played by Elliot Gould) who ultimately gives it all up (except the girl) in a very spirited defense of the art and spirit of F. Scott Fitzgerald. This movie was approvingly pointed out by Ruth Prigozy, the editor of The Cambridge Companion To F. Scott Fitzgerald. I was surprised at how many references Harry makes to characters and incidents in both Fitzgerald’s novels and in his life (with Zelda and then Sheilah Graham). The movie can be fun without having to know all these references, but it is much funnier being in the know. I thought, my god!, this bright, breezy, light-hearted confection from 1970 would be over the heads of the illiterate comic-book-cartoon-movie-consuming popular audiences of today: we’re doomed!

Last Call (2002, trailer)
https://youtu.be/uzxx8C2xWDc

Getting Straight (1970, stills and music)
https://youtu.be/vWER0TLWLuo

The Crack-Up
F. Scott Fitzgerald
[originally published as a three-part series in the February, March, and April 1936 issues of Esquire.]
https://www.esquire.com/lifestyle/a4310/the-crack-up/

The Moment F. Scott Fitzgerald Knew He Was a Failure
By Lili Anolik
Sep 22, 2015
https://www.esquire.com/entertainment/a38113/f-scott-fitzgerald-1015/

“It was a gorgeous evening. A full moon drenched the road to the lustreless color of platinum, and late-blooming harvest flowers breathed into the motionless air aromas that were like low, half-heard laughter.”
— F. Scott Fitzgerald, from The Curious Case Of Benjamin Button, section V.

“The test of a first-rate intelligence is the ability to hold two opposed ideas in the mind at the same time, and still retain the ability to function.”
— F. Scott Fitzgerald, from The Crack-Up, part I, 1936

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My Wicked, Wicked Ways, by Errol Flynn

A mostly honest book. I have always loved Flynn in the movies. A very engaging character, with his own flaws and tragedies despite all the glamour and antics. What I most like about him is that despite everything, he always sought to enjoy, to laugh, to be happy and make others happy; but a major prankster.

I think he knew he was doomed to a short life from very early on; he had contracted tuberculosis and malaria as a teenager prospecting in New Guinea in the late 1920s very early 1930s. So, he enjoyed his smokes and booze and morphine, and most of all women, who shamelessly threw themselves at him, especially after he made money but even before when broke and homeless. Besides, he pursued them very keenly, too.

Alan Watts mentioned that some Zen master from the past had said that there were two paths to enlightenment: the path of thoughtful study, meditation, good works, piety, humility and patience; and the path of debauchery leading to exhaustion of that attitude leading in turn to an awakening. This in fact is the main comparison presented in Herman Hesse’s Siddhartha. But, Watts continued, the first path is by far recommended even though its “success rate” is not particularly high, because the second path can easily be fatal (in every way) though it was considered a “sure thing” and “quicker” for gaining enlightenment: if you survived to getting to that point! The story of Siddhartha Gautama (Buddha) is in fact of a life of renunciation of a princely life of luxury and dissipation to first seek meaning through asceticism, which was ultimately found to be arid, and then to settle on the “middle way,” between asceticism and dissipation: which for today we can think of as consumerist materialism (dissipation, that is).

So, Flynn’s book was fun for me to help reflect on these ideas. Besides, it is a fun book on vignettes and quips about “golden age” Hollywood.

Errol Flynn starred in the 1938 movie, The Dawn Patrol, about WWI British fighter pilots in France. This is an anti-war movie. I describe it here:

Criminalated Warmongers
https://manuelgarciajr.com/2019/11/11/criminalated-warmongers/

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Magister Ludi (The Bead Game)

Herman Hesse received the Nobel Prize for Literature for Magister Ludi (The Bead Game). Interesting book (long), but sometimes a bit remote/slow for me. The “three tales” appended at the end are superb. I wonder if the whole big book before it was really just an enormous lead-in to them. Hesse put tremendous thought and work into this book, there are many undercurrents and subtleties that I may not have fully appreciated. I think it is basically a book about religious feeling (existentialism?) in a non-religious way; similar to the orientation of Carl G. Jung’s psychology. Both Jung and Hesse were born in religious/missionary families from Switzerland (Jung) or southwest Germany near Switzerland (Hesse, who spent much of his life till the end in Switzerland). I think Hesse was working from a view of life like looking at the Swiss Alps from a remote chalet (which is in fact where he lived).

Excerpts from Magister Ludi (The Bead Game), (1943)

He had also made the discovery that a spiritual man in some curious way arouses resentment and opposition in others, who esteem him from afar and make claims on him in times of distress, but by no means love or look upon him as one of themselves and are more inclined to avoid him. He had learned from experience that old-fashioned or home-made magic formulas and spells were more willingly acceptable to sick people or victims of misfortune than intelligent advice. He had learned that man prefers misfortune and external penance rather than attempt to change himself inwardly, and had found that he believed more easily in magic than in intelligence, and in formulas more readily than in experience — many things in fact which in the few thousand years that have elapsed have presumably not altered so much as many history books would have us believe. He had also learned that a man in quest of the spiritual should never abandon love, that he should encounter human desires and follies without arrogance, but should, however, never allow them to dominate him; for, from the sage to the charlatan, the priest to the mountebank, from the helping brother to the parasitical sponger, is only a short step, and people fundamentally prefer to pay a rogue or allow themselves to be exploited by a quack than to accept selflessly offered assistance for which no recompense is asked. They would not readily pay with confidence and love, but preferably with gold or wares. They cheated each other and expected to be cheated in return. One had to learn to regard man as a weak, selfish and cowardly being, but one had also to see how greatly one participated in all these characteristics and urges and longs for ennoblement.

We must no longer rely on the fact that the cream of the talented from out there flock to us and help us to maintain [our society]: we must recognise our humble and heavy responsibility to the schools of the world as the most important and the most honourable part of our task, and we must elaborate it more and more.

Times of terror and the deepest misery may arrive, but if there is to be any happiness in this misery it can only be a spiritual happiness, related to the past in the rescue of the culture of early ages and to the future in a serene and indefatigable championship of the spirit in a time which would otherwise completely swallow up the material.

Siddhartha

I love “Siddhartha” by Hesse; easy to see why that book of his is so popular. It is an “awakening” story similar to the life of Buddha, who appears as a support character to the protagonist. I said more about “Siddhartha” in my comments on Errol Flynn, above.

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After The End of The World: books by George R. Stewart, and Walter M. Miller, Jr.

Here are two classic “after the end of the world” books. In Earth Abides, George R. Stewart’s end-of-the-world is by pandemic!, and in A Canticle for Leibowitz, Walter M. Miller Jr.’s is by post nuclear war taking America back to a Medieval Period, and then eventually over a few millennia to a new rocket and nuclear age, which ends as one would expect.

Stewart was an English professor at the University of California, Berkeley, in the 1930s-1940s, and his book here is from 1949. Amazingly prescient, realistic “speculative fiction” about the subsequent lives of the few survivors of the nearly overnight pandemic.

Miller’s book is definitely different, but there are no cheesy sci-fi gadgetry nor “special effects,” despite the strangeness of the worlds he portrays. Interestingly, the monastery life that is the center of Miller’s book is similar in many ways to the monastery life that is the center of Herman Hesse’s Magister Ludi (which is also a sort-of after the end of the world book, really of a “distant” future after the end of the fascist world).

I cannot imagine Miller’s vision becoming reality, but I can easily imagine Stewart’s coming about.

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The Twilight Zone

A PERSONALLY IMPORTANT LIFE GOAL OF MINE MET!

During this 2020 summer of hiding out from the pandemic, I watched all 156 episodes of the anthology TV show, THE TWILIGHT ZONE, which originally ran between 1959 and 1964. This feat was accomplished by seeing 2 to 6 episodes a night on consecutive nights over the course of several weeks.

This show is a collective work of TV art, guided by Rod Serling, who wrote 59% of the episodes. Amazingly, despite this show being in the neighborhood of 60 years old, its anachronisms relative to today’s typical attitudes and technological paraphernalia are infrequent (as regards the attitudes) and not distracting (as regards the technicalities). But it really shines in its depiction of the inner workings of human hearts and minds, and also human heartlessness. In this most important artistic-literary aspect, The Twilight Zone has not been surpassed by television shows since.

The Twilight Zone is a sequence of — usually — morality tales (interspersed with occasional comedies) whose telling is freed imaginatively and dramatically by allowing for the arbitrary actions of mysterious metaphysical forces. It’s as if Lafcadio Hearn, Ambrose Bierce and H. P. Lovecraft had been transported 60 years into their futures to write for television. One of the most thrilling aspects of Rod Serling’s Twilight Zone is the intense social consciousness, and anti-war, anti-greed, anti-bigotry and anti-cruelty attitudes nearly every minute of the entire series exudes. The acting, by many many actors, is uniformly excellent; and the production values of all the technicalities are also very good, but also very obviously more modest than in the costly productions of TV fare today.

In seeing the entire 156 episodes in one concentrated period of time, I have gotten a very clear appreciation of The Twilight Zone’s beauty and value as art. Without intending to be blasphemous, pretentious or dumb, let me say that I can see The Twilight Zone representing, for discerning American (and beyond?) viewers of the 1960s, a thought-provoking and socially instructive film-electronic art form in the same way that the plays of Sophocles, Euripides and Aristophanes were thought-provoking and socially instructive theatrical art forms to the Fifth-century Athenians.

The bubbling cauldron of social tensions, aspirations and fears of dynamic yet troubled societies were artistically abstracted and polished into the diamond-sharp facets of intense dramatic plays, reflecting the whole of contemporary society back into itself through the fascinated gaze of its individual people. If “the eyes are the mirror of the soul” then The Twilight Zone, through TV screens, was the mirror of the collective or societal American soul, which soul is always hidden behind a flashy loud and positivist front.

If you see the whole series, looking past the incidentals of its presentation, but deep into the essence of its conception, literateness and soul, you will see and hear as sharp and accurate depictions of the personalities and preoccupations of our society today as was the case for the American society of the early 1960s, during the show’s first run 61 to 56 years ago.

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John Keats, poet

Much feeling here, combined with a tremendous amount of work to present that feeling with refinement and grace of language, without dilution of the emotion, and without making it all seem a labored construction. Also wonderful feeling for nature and the natural world. I can’t criticize anything here, only try to learn from it. To my mind, Keats is to English poetry what Mozart is to music. Keats was a major influence on F. Scott Fitzgerald, who I see as an American “3rd generation” English Romantic poet who expressed his artistry in prose.

I have to dig into Shelley next (I have a huge tome), who was more “ferocious” than Keats. Both were very focussed artists. I’m struck by the idealism they felt and worked from.

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In Pursuit of the Unknown: 17 Equations That Changed the World, by Ian Stewart

Hello math lovers! (sic),

At one time or another a member of my family or friends has expressed an interest in:

Pythagoras’s Theorem (triangles, distance, areas, surfaces), or

Calculus (rates of change of anything and everything), or

Newton’s Law of Gravity (planetary motion, satellite trajectories), or

Pure Math (Napier’s Bones, the weirdness of the square root of -1, and Möbius Strip topology), or

Normal Distribution (the probability distribution of IQ, and “The Bell Curve” book), or

The Wave Equation (tones, semitones, musical scales, even tempering, beats within harmony), or

Fourier Transform (sines and cosines, single frequency/pitch modes and equalizers, digital camera images), or

The Navier-Stokes Equation (fluid flow, aerodynamics, F1 car design, global warming computation), or

Maxwell’s Equations (electricity, magnetism, radiation, wireless communication, TSA body scanners), or

Thermodynamics (entropy, efficiency of engines and renewable energy technology, disordering of the universe), or

Relativity (curved space-time, bent light rays, black holes, Big Bang, dark matter, dark energy), or

Quantum Mechanics (Schrödinger’s Cat, many parallel worlds, semiconductor electronics), or

Information Theory (codes, coding, data compression, digital communications), or

Chaos (species population dynamics with explosive growth and collapse, erratic unpredictability), or

Black-Scholes Equation (insane financial speculation, options, futures, derivatives, credit default swaps, the banking/real estate/financial crash of 2007-2008).

Because of that, here is my review of Ian Stewart’s 2012 book: In Pursuit of the Unknown: 17 Equations That Changed the World. Stewart says of his book: “This is the story of the ascent of humanity, told through 17 equations.”

This is an excellent enthralling book: interesting, very informative, very well written clear explanations of the mathematics and the applications of that mathematics to: classical mathematical calculations, lots of physics and related technology, information theory (codes and computers), chaos (wild swings in species populations), and the insane 21st century finance economics of our previous financial crash and its inevitable successors. This brief description does not in any way convey the complete range of this book.

On the front cover you can see the 17 (sets of) equations, which Stewart describes (and their many uses) over the course of 17 chapters. Of the 13 equations I feel confident about knowing something about (all “basic” math and/or mathematical physics), I find Stewart to be accurate and masterfully clear in his descriptions.

My only quibble is where he states about the main causes of global warming being the production of carbon dioxide and methane (gases) that: “These are greenhouse gases: they trap incoming radiation (heat) from the Sun.”

This is a collapsing of the actual mechanism, which is: the the capture of outgoing heat radiation (infrared radiation) by CO2 (most importantly) and CH4 (along with other heat-trapping molecular gases in trace amounts in the atmosphere), which upward radiated heat energy is derived from the earlier absorption (by the oceans and lands) of incoming light energy; a necessary process for cooling the Earth and stabilizing its temperature (if we didn’t mess with the process). So I would rephrase the Stewart sentence quoted as: “These are greenhouse gases: they trap outgoing radiation (heat) from the Earth.”

[If you think about it you will see that wherever the biosphere captures the incoming LIGHT from the Sun — in the air, lands or oceans — it ultimately heats to the same degree; but when our pollution intercepts and stores a greater portion of the re-radiated outward going HEAT (infrared radiation) from the biosphere than would be the case “naturally,” that the Earth’s “cooling system” is impaired and the biosphere warms up steadily, for an Earth out of heat balance.]

Regardless of this quibble, Stewart knows much much more about all the mathematics he presents and all the uses of it than I do. The 4 equations I knew nothing about (and learned about from Stewart) are: #1 Euler’s formula for polyhedra (topology); #2 information theory; #3 chaos theory (I know a little a bit about nonlinear dynamics, sensitivity to initial conditions, and limit cycles: similar to the “butterfly effect”); and #4 the Black-Scholes, or “Midas” equation that was heavily abused to produce the financial meltdown of 2007-2008. On these four, I learned a great deal from Stewart (basically everything I know about them now), and in the reading of this book I gained a sense of trust in his descriptions and pronouncements.

My only other critique of the book (and a minor one) is that there are a number of proofreading lapses (both of text and substance) that show up as typographical errors, and/or what I presume to be mischosen words (some obviously errors, others didn’t make sense to me). The few instances of these errors occur most frequently in the later chapters of the book, and none is fatal (especially if you don’t notice them). So, I agree with the praise for the book highlighted on the back cover.

I especially recommend the book for its explanation (in 8 chapters) of the physics of: classical gravity (Newtonian mechanics), waves, heat flow, fluid flow, electrodynamics, thermodynamics (entropy), relativity and quantum mechanics. I also appreciate his logical and scathing take-down of the modern hyperactive derivative-based financial speculation that dominates and threatens the world’s economies today. For me, the 8 physics chapters are superb; but there is no part of the book that is weak: “a wonderfully accessible book.”

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Upanishads

Juan Mascaró was a superb poetic translator. His selections from the Upanishads is enthralling. His translation of the Dhammapada was also wonderful:

“As the bee takes the essence of a flower and flies away without destroying its beauty and perfume, so let the sage wander in this life.” — The Dhammapada, 49

Joseph Campbell (author of The Hero With A Thousand Faces, editor of Heinrich Zimmer’s book The Philosophies of India) said of the Upanishads: “It’s all there.”

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Books I must add to my list of essential classics:

History of the Peloponnesian War (Thucydides, translated by Rex Warner)
The Plays of Euripides
The Plays of Sophocles
L’Avare (The Miser, a play by Molière)
Phèdre (Phaedra, a play by Racine)
The Picture of Dorian Gray (Oscar Wilde)
The Moon and Sixpence (W. Somerset Maugham)
The Razor’s Edge (W. Somerset Maugham)
Brave New World (Aldous Huxley)
Homage to Catalonia (George Orwell)
1984 (George Orwell)
Collected Essays (2002, George Orwell)
Bhagavad Gita (Swami Prabhavananda and Christopher Isherwood)
Bhagavad Gita (Juan Mascaró)
Memories, Dreams, Reflections (Carl Gustav Jung)
The Autobiography of Malcolm X (Malcolm X, with Alex Haley)
Cadillac Desert (Marc Reisner)

…and others as I think of them.

A History of Humanity’s Future

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A History of Humanity’s Future

Our variety of the human species, homo sapiens sapiens, emerged from out of bands of more primitive yet contemporaneous older variants of humanity well over 200,000 years ago and rapidly expanded in both their numbers and the range of their occupancy on our planet. The competitive pressure by this efflorescence of homo sapiens sapiens against the older variants of humanity reduced the numbers of the latter to the point of extinction over the course of 1600 centuries, leaving just our variety of the human species to range over the Earth for 40,000 years up to the beginning of the 21st century. The story of our species from then up to the present moment is the subject of this work.

Calendar Year 2032

During at least the decade prior to CY2032, Planet Earth had experienced a continuous sequence of weather event catastrophes spawned from an immense and increasingly powerful undercurrent of climate change. Trains of maximally energetic hurricanes scythed through Caribbean islands and into the southeastern coasts of the United States of America, and similarly destructive typhoons swept westward out of the Pacific Ocean to blast into the islands and eastern fringes of Southern Asia.

Wildfires that spanned the horizon burned for months across huge swathes of land desiccated by drought, whether scrub-desert, rolling grassland hills, seemingly limitless prairies and taiga, or logged-out withered jungles, and on every continent except Antarctica. The long droughts that parched Earth’s verdure to the point of tinder were sometimes punctuated by torrential rain, snow and hail storms fed by titanic aerial rivers of evaporated ocean water transported by climatically altered atmospheric currents, and resulted in rapid, deep, turbulent and scouring floods that could wipe away the surface of the land and whatever our human vanity had caused to be built upon it, with the force of an all-devouring tsunami.

The excess heat energy firing the greater wrath of Earth’s weather was stored in the oceans, landmass surface layers, and atmosphere, and had been accumulating for over a century because of the capture by carbon dioxide gas, primarily, of radiant heat emitted from the surface of the Earth as a cooling phenomenon, and thus preventing its escape into space. That carbon dioxide gas, along with methane, nitrous oxide and several similar heat-trapping molecular gases, had been exhausted into the atmosphere as waste products of energy production by the combustion of fossil fuels for humanity’s industrial, recreational and personal uses.

The entwined mutually resonant growth of human population and fossil-fueled energy production caused increasingly massive amounts of heat-trapping gases to be exhausted into the atmosphere every year, and thus an increasing rate of global warming. By CY2032, the average temperature of the surface of the Earth was over 2° Celsius above what it had been a century before, and there was no effort to stop or even attenuate this human-caused global warming. In fact, all human effort was bent on accelerating this trend because it was seen as the mechanism for generating immediate personal financial riches and political power.

Sea ice disappeared from the Arctic Ocean, decimating both seal and polar bear populations, and opening the way for an “Oil Rush” by Russian, Canadian and US oil and gas drilling companies. A few incidents of scuffles between these Oil Rush prospectors prompted the respective governments to send in naval forces to “protect their interests.” Oil extraction platforms were quickly erected along the shallow continental shelves rimming the Arctic Ocean, and the new petroleum output both boosted the profitability and stock market prices of the respective energy companies while also depressing the global price of oil. This proved especially hard for oil-rich countries, like Iran and Venezuela, under economic sanctions by the United States and its economic followers.

Calendar Year 2035

Methane had been bubbling up from the East Siberian Shelf for over 20 years because of ocean warming and tundra permafrost melt, but the rate of such emission increased significantly after CY2032. In CY2033 summer fires along the northern shore of Siberia ignited steady plumes of erupting methane, and the incidence of these “natural” gas flares spread out to sea over the East Siberian Shelf. In CY2034 an oil spill from a shallow water Russian oil well was touched off by offshore methane flares, and the conflagration was quickly spread about the area. Unfortunately there was loss of life, and an increase in the ignition of sea-based gas flares.

Local fires of high intensity were able to survive the winter, and they were the source of later and expanded burning during CY2035. In that year offshore methane flares erupted in the Chukchi and Beaufort Shelves, and caused the US and Canadian Coast Guards to rush counter-fire protective resources to their offshore oil extraction facilities. These efforts required emergency appropriations from the respective governments, which were offset by sudden reductions of social services budgets, along with corporate tax reductions as measures of “emergency relief.”

All of these activities greatly increased the presence of naval forces in the Arctic Ocean in efforts to protect the corporate economic assets associated with each of the Arctic Oil Rush nations, and to erect militarized cordon sanitaires to keep rival and “dirty” methane flare-initiating oil prospecting operations from “infecting” declared “exclusive economic zones.” All this raised international tensions among the nations rimming the Arctic Ocean.

Calendar Year 2036

The average concentration of CO2 in the atmosphere reached 473 parts-per-million (ppm), and an unprecedented melting and sudden calving of glaciers all along the southern coasts of Greenland occurred on April 15th of that year; sea level rose 1.7 meters, though it took till mid-October for that effect to become stabilized and uniform across the globe.

Catastrophic inundation occurred in Bangladesh with tremendous loss of life, and many of the smaller West Pacific islands were made uninhabitable. The Bangladeshi refugee crisis sparked conflict on the Indian subcontinent, and the Australian and Southeast Asian naval forces were all deployed to repel refugee make-shift flotillas. The United States, Europe, Japan, China and Korea each scrambled to build sea walls and other forms of dikes to protect their most economically valuable coastal installations (Dutch construction firms cognizant of the advanced and massive hydrological infrastructure protecting The Netherlands were suddenly avidly sought out and richly rewarded for their work). Again, monies for such construction was appropriated on an emergency basis at the cost of social welfare programs. One tragic loss to world culture was the inundation of the city of Venice.

The drought-fire-hurricane-flood cycles of violent weather had continued with increasing force in the equatorial latitudes during the advance of the preceding years, and by CY2036 huge refugee streams were fleeing north from famine, because of the collapse of subsistence agriculture, and fleeing drug-and-plantation warlord violence. Similar refugee streams attempted to flee north from Africa across the Mediterranean Sea, from sub-Saharan lands devastated by a combination of drought and overwhelming plagues of locusts. As in the Western Pacific, European and American navies were deployed to repel northward bound refugee flotillas. There were reports, impossible to substantiate, of a few incidents of the sinking of refugee ships by drone bombers.

Social unrest increased everywhere. Uniformly, the wealthiest strata of societies increased their efforts at personal enrichment and for government subsidies and tax reductions for their associated corporations, all at increasing costs to public concerns and especially social welfare programs and charitable institutions for the poor. The middle and wage-labor strata of societies increasingly acceded to increased militarization of their national economies, whether in rationalized “logical” beliefs or out of emotional fearful xenophobia-bigotry, to have their governments deploy expanded military forces offshore and along their national borders to repel refugee “invasions.”

Such sentiments quickly hardened with the sudden outbreaks of disease epidemics, feared to become pandemics spread by refugees. Indeed, epidemics were breaking out more often as the globe warmed and pathogens old and new (some unlocked from thawed tundras) expanded latitudinally. Also, tropical bacterial and parasitic pathogens were expanding their ranges northward with the increased warming.

The increasing fractional capture of GDP by military establishments because of all of this boosted the financial gains of war industries and wealthy investors. The fraction of American citizens now living entirely mobile lives in camper vans, trucks and trailers, or cars, or even on foot, now reached 1% of the population. Sentiments similar to the “us versus them” attitudes taken by national populations toward foreign refugees now began to spring up domestically by homeowners (colloquially called “the settled”) toward their fellow citizen transients (“the unsettled”), and many local police forces were morphing into militias manning internal cordon sanitaires ‘protecting’ wealthier areas.

Commendably, there were new and spontaneous popular charitable efforts of both mutual and unrestricted aid, but these occurred only at and among the lower economic strata of societies, and they were often fragile against dissolution by forces of social negativity, and occasionally of criminality.

Calendar Year 2039

This was a year of major disaster. The CO2 concentration reached 489 ppm, and the average global surface temperature was now 2.4° Celsius above the temperature of the late 19th and early-mid 20th centuries. A sudden massive area-wide eruption of methane occurred from the continental shelves rimming the Arctic Ocean with a coincident gas-flame flaring expanding all around that ocean, which included the ignition of thawed and dried peat bogs, into a new “Ring of Fire.”

By the end of the year the CO2 concentration had leaped to 510 ppm. While the initial methane concentration in the atmosphere above the Arctic continental shelves had skyrocketed, the extensive and expanding flaring there burned a significant portion of that methane to carbon dioxide and carbon monoxide, and at higher altitudes much slower paced oxidation also converted some methane to CO2 and CO.

In any case the total load of greenhouse gases in the atmosphere had been vastly increased and the pace of global warming accelerated beyond all previous experience. By year end the global surface temperature had reached 2.6° Celsius above the early 20th century datum.

Calendar Year 2041

The average global temperature broke through 3° Celsius above the datum. The CO2 concentration reached 518 ppm.

For a decade now Australia had been experiencing wildfires that burned continuously throughout the year. Since the Methane Burp of CY2039 those fires had been expanding into horizon-to-horizon “flame deluges” that raced toward the coasts. The much expanded Australian Navy was frantically busy shuttling between open ocean refugee repulsion missions and amphibious coastal operations of wildfire victims evacuation. Despite strident outcry by Australian environmentalists and significant portions of the Australian public, against further Australian coal exportation to China, that economic activity expanded because it was one of Australia’s few remaining sources of revenue that helped pay for its mushrooming military and navel expenses, and firefighting costs, since much of the agricultural and livestock industries had been burned away. Also, there was some absorption of agricultural and animal husbandry unemployment into expanded coal industry labor employment.

Calendar Year 2042

Summer heat deaths in Europe expanded significantly, and many European governments established watering and relief stations throughout their cities in public parks, squares and plazas. Too many medical emergencies were now occurring of people collapsing in the streets and in public transit from heat stroke, to respond to them individually from just the traditional fire, ambulance and emergency services facilities of the past.

Ominously, in an increasing number of localities these stations were also water distribution sites for rationed water. Similar water rationing stations, of a much more haphazard nature and sparsely spaced, were to be found in the Middle East and throughout the globe in historically dry and desert lands. In the most primitive, impoverished and remote of such dry lands, militia level water wars were now common. India and Pakistan were dangerously close to resorting to war over Kashmir, and each had made explicit threats to the other about using nuclear weapons.

The drought-wildfire-hurricane-flooding cycles in the United States had also increased, and economic devastation of the agricultural and livestock industries of the vast center of the country was now severe with a doubling of food prices from just five years earlier. Again, economic benefits were increasingly restricted to a diminishing sliver of the American population at the uppermost rungs of the economic ladder, and economic costs of militarization and high-end wealth protection were increasingly shifted to the lowermost economic classes. None of this was hidden anymore.

The panic for wealth protection increased in desperation the higher one went up the economic ladder. The vast majority of the American public, in the rapidly shriveling “middle class,” were increasingly panicked about straightforward economic survival: even with many successful “socialist” minimum wage increase reforms, income increasingly lagged expenses since rent, food and loan costs ramped up relentlessly, and the number of decent-paying (usually corporate sponsored) jobs was shrinking. The lowest stratum of American society, the poor, were consumed with a panic for elementary physical survival.

Calendar Year 2043

This was a calamitous year. A virulent pathogen that had lain dormant in Arctic permafrost for millennia was now finally able to escape into the open air, and it spread widely and quickly, borne on windblown dust and water droplets, and attached to avian and insect bodies. It produced a pulmonary illness of high mortality. The causative virus was robust against the disinfecting actions of time, sunshine, oxygen and natural antiviral chemicals in plants, and unfortunately also in human immune systems. Hundreds of millions would die within the year.

Complicating the cure was the fact that the viral agent was quick to mutate into equally lethal forms, some of which caused fatal heart and liver infections. All the viral strains remained active. The pandemic emergency of this Arctic Flu caused real panics: naval operations to repel refugee flotillas now routinely and openly fired upon and sank them. Triage centers were set up by nearly all countries, and in the more impoverished ones mass burials by bulldozer were implemented.

The first instance of the intentional shoot-down of an inbound commercial airliner with infected passengers occurred. Internationally, protests to this outrage were muted because all nations were quietly steeling themselves to accept this practice if need be, “for protection.” The accelerating death toll everywhere from the Arctic Flu took some of the bellicose fervor out of the numerous chronic conflicts underway at that time, from Indonesia through Southeast and Central Asia, the Indian subcontinent, the Middle East from Pakistan to Syria, Israel and Turkey, the Arabian peninsula, and across much of Africa east to west and north to south.

Large populist socialist and anti-capitalist movements in both North and South America had been active for years now, some in Central and South America engaging in outright guerrilla warfare against their oligarchic and neoliberal governing regimes, while others as in the United States were agitating politically to gain increased political power through electoral victories. In all cases the governing political establishments, which were after all entirely subsidiaries of incorporated wealth, worked against all types of popular reforms by both legal and illegal means. The undermining of populist and socialist electoral campaigns was standard, as were election interference and tampering by establishment agencies, both private and governmental.

While insurrections were common throughout much of the more impoverished world, there now began to appear more instances of political violence against state and federal authority in the United States, though such incidents remained isolated. Some observers believed that popular frustrations that had traditionally sought relief through school and shopping mall mass shootings were now being refocused into anti-government violence.

The CO2 concentration reached 527 ppm; the global average temperature reached 3.9° Celsius above baseline; steady glacial melt over the last seven years had increased the sea level rise to 3 meters above the “normal level” of the 20th century.

Calendar Year 2045

By now large coastal areas everywhere were inundated to some degree, continental interiors were becoming unlivable, and internal social unrest and politically destabilizing pressures had reached levels that were between frightening to nearly overwhelming, depending of the degree of development of the society in question, and the extent of the firepower, militarized police forces and security infrastructure its government had available for social control.

The Arctic Flu was now reducing national populations at noticeable rates. For years already, wealthy individuals had been building underground bunker retreats both at home and abroad, intended to house them for long periods with stores of food, water and energy supplies, with air filtration and disinfection systems, and waste disposal systems. For the most well-heeled, such bunkers-redoubts would include stand-alone air and water generation, recycling and re-purification systems. The super wealthy would have a colony of such clustered shelters so as to maintain protective private militias around them as well. New Zealand did a brisk business of catering to this high-end real estate demand.

The CO2 concentration reached 535 ppm that year, average global surface temperature reached 4° Celsius above baseline. No reliable cure had yet been found for the Arctic Flu, and massive famines added to the death toll from the flu. Because of the shrinking area of previously habitable terrain, due to unbearable heat in dry continental interiors and inundation of coastal areas, human crowding was very uncomfortably increased and fueled social unrest and insurgencies, and this despite the population reductions by the Arctic Flu.

The ski industry everywhere collapsed due to year-round elevated temperatures and lack of winter snow. Marine life was rapidly dying out, and the seafood industry as well as subsistence fishing was in sharp decline. Severe earthquakes in California, Iran, Turkey, Japan, Missouri and Tennessee, and volcanic eruptions in the Philippines added to the chaos and misery in their respective countries. A rebellion broke out in Western China; Israel, Saudi Arabia and Iran exchanged missile attacks for aerial bombardments in an uncoordinated manner. On August 9th of that year a nuclear bomb exploded in Pakistan.

After CY2045 global communications and air travel became more erratic and it became increasing difficult to acquire the data necessary to form a comprehensive picture of global events. The prospects for peaceful international cooperation in facing many of the current difficulties seemed exceedingly dim.

Calendar Year 2046

It was now clear that the world had lapsed into isolationist regionalism with severe social unrest or insurrections and wars within each region. The American government completed vast underground complexes from which to operate in future. Fatal pandemics continued. Attacks had been made against satellites and space platforms, and it seemed evident that weapons platforms had been put into Earth orbit, conceivably with nuclear tipped missiles. Nuclear explosions had occurred on the Eurasian landmass. Radioactivity levels in the atmosphere were rising. The average citizen came to realize he and she was going to be left out on their own, there wasn’t enough room “underground” for everybody.

Calendar Year 2049

We saw the night sky whiten then glow red for hours. Liquor stores and gun shops were looted with abandon. Electrical power and electronic communications failed here. What was happening elsewhere was unknown. People hunkered down with their families around here, or else fled in their cars if they had saved-up gasoline to use. I will report more later, given the opportunity.

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War, the Unending Theft

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The following is my response to an old friend about his fear and disgust with the new Iran War fever being stirred up by the Trump Administration.

 

Why Does War Exist?
https://manuelgarciajr.com/2017/09/05/why-does-war-exist/

Attacking Iran Will Save The World (redux)
5 January 2020 (26 March 2012)
https://manuelgarciajr.com/2020/01/05/attacking-iran-will-save-the-world-redux/

 

The war is “a great big noisy rather stupid game that doesn’t make any sense at all. None of us know what it’s all about or why. Here we are going at it hammer and tongs, and I bet you those fellows over there feel exactly the same way about it, the enemy… Then one day I suppose it will all end as suddenly as it began. We’ll go home till some other bunch of criminalated* sitting around a large table shoves us into another war and we go at it again… Do you remember my father used to be a professor of biology at Queen’s? He always used to say: man is a savage animal who periodically to relieve his nervous tension tries to destroy himself.”

— Errol Flynn’s monologue in the 1938 film “The Dawn Patrol.”
[* origin of word described at https://manuelgarciajr.com/2019/11/11/criminalated-warmongers/]

 

 

Iraq War protest SF 2003
https://manuelgarciajr.com/2016/04/10/iraq-war-protest-sf-2003/

An Iraq War Retrospective
https://manuelgarciajr.com/2012/01/05/an-iraq-war-retrospective/

Through My Lens, Clearly
https://manuelgarciajr.com/2019/08/11/through-my-lens-clearly/

What’s Wrong With The United States?
https://manuelgarciajr.com/2019/04/09/whats-wrong-with-the-united-states/

Civics 911
https://manuelgarciajr.com/2016/09/14/civics-911/

Heartrending Antiwar Songs
https://manuelgarciajr.com/2019/11/15/heartrending-antiwar-songs/

 

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Attacking Iran Will Save The World (redux)

(March 26, 2012, reposted unchanged)

A US-Israeli military attack on Iran will save the world. How?

The U.S. today is the world’s Polyphemus, a maddened Cyclops obsessed with chewing up a planet it seeks to control, and only recognizing this behavior by belching it into consciousness as “profits.” Such an attack would allow Iran to close the Strait of Hormuz by bombardment, instantly shutting off 40% of the world’s maritime traffic of oil exports, and rapidly collapsing the US economy along with many others around the globe. This would be the Mother Of All Oil Embargoes, the poke in the eye of a ravenous and myopic Cyclops by an Iran pushed into the role of Odysseus (Ulysses). As Uri Avnery persuasively argues, [1] it would not be a quick and simple matter for the U.S. to reverse the situation by a combined air and ground war aimed at controlling Iran’s vast territory to destroy all the missile sites capable of launching attacks on oil tankers in the Persian Gulf, and enemy military forces in the region and in Israel.

The subsequent economic collapse would be so swift and devastating that it would cut deeply into the ability of the U.S. to prolong the war, a mercy to Iran. The ensuing economic suffering by the US public would most likely fatally sour the popular view of Israel, and new American politicians would surf that tsunami of anger into successful careers untangling Israel’s political tentacles from the gears of the US policy-making machinery, a mercy to the Palestinians (Avnery argues that the entire purpose of the Israeli Likud government’s incessant war talk against Iran is to distract official and public attention in the U.S. from the continuing Israeli depredations against the Palestinians, a tactic that has succeeded).

Aside from the conjectural relief for the Palestinians, the consequences of a US-Israeli war on Iran would be an irredeemable global catastrophe except for one positive effect: it would prompt the U.S. to rapidly develop alternative sources of energy, probably breaking the psychological impasse of climate-change denial in the mentality of the decision-making and profit-making elite. [2]

The first US reaction to the Mother Of All Oil Embargoes would be to tap into the Strategic Petroleum Reserve, but that only holds about five weeks’ supply at the current rate of consumption.

The second act of response would be to approve the Keystone XL pipeline to transport heat-softened and slurried Athabasca tar sands (strip-mined in Alberta, Canada) to US synfuels plants and oil refineries in Illinois, Oklahoma, and the Gulf Coast of Texas, for the production of liquid hydrocarbon fuels. However, significant quantities of refined Athabasca petroleum could not be expected until at least a year after the project secured government approval, all legal challenges were set aside, and construction began.

The third measure in response to a loss of Middle East oil would be to approve expanded oil exploration and extraction in the United States and along its continental shelves (“drill, baby, drill!”). As Michael Klare points out, [3] since most of the “easy oil” has already been extracted or found, it seems unlikely that domestic production can be increased sufficiently (and rapidly) to compensate for a loss of oil imported from the Middle East.

Coal can be converted to synthetic petroleum, but with greater effort than is needed with the Athabasca oil sands (“oil sands” is used by proponents of the Keystone XL project, and “tar sands” is used by opponents; the material itself is bitumen mixed with sand and gravel). Large diversions of industrial agriculture from food production to the growing of feedstock for the synthesis of biofuels would cruelly add to the economic misery by raising food prices. Building more nuclear power plants to compensate for a loss of petroleum-based electrical power would take years to realize, and in any case never supply liquid fuels for transportation.

Because of the conceptual simplicity of solar energy technologies, and the near universal accessibility to sunlight and wind, these methods of harvesting energy and converting it to electricity offer the quickest ways to greatly expand the generating capacity of the United States, without resorting to fossil fuels. [4] Electrical energy can be packed into rechargeable batteries to power ground transportation vehicles, but electric batteries do not yet provide for as long a range of travel between recharges (“fill ups”) as do liquid hydrocarbon fuels. However, all-electric ground transportation using today’s battery technology would not have to be significantly inferior to our present gasoline-powered auto-mobility if we increase the numbers and types of electrified public transportation networks (trains, light rail, trollies, streetcars, buses), design standardized “quick change” modular battery packs for electric automobiles, and convert gas stations into battery exchange and recharge stations.

The Mother Of All Oil Embargoes would also spark a US revival of energy conservation and the construction of energy-conserving and energy-generating buildings and towns. Given that the Iraq War lasted three months shy of nine years (March 2003 to December 2011), and the Afghanistan War continues after more than eleven years (since October 2001), one could guess that a war against Iran, which is larger, more populated, technologically advanced, and has its own highly-developed armaments industry, would take at least a few years to conclude, but might conceivably throttle the export of Persian Gulf oil for a decade.

Few nations are entirely self sufficient, and so most trade on their strengths to then import what they need to compensate for their deficiencies. It is the day-to-day business of diplomats and trade representatives to moderate the unending conflicts that arise from the spillover effects onto the rest of the global community of each nation’s economic activity. Much less tolerable is the spillover, or conscious displacement, of political violence arising from a nation’s internal conflicts. Israel is in a perpetual state of violent spillover where a war in Gaza, or the West Bank, or Lebanon, or now Iran is pursued as a necessary adjunct to the capturing and retention of power by a political party. Israeli war-making is a symptom of its pathological denial of the need to resolve its internal contradictions, [5] the ultimate source of its wars and occupations. The United States has also been a source of too much destructive spillover. Launching a war on Iran because of Israeli-prompted US objections to Iran’s development of nuclear technology (even if with nuclear bombs) would be another terrible spillover of unnecessary political violence.

The carbon dioxide emissions from the United States in 2010 were essentially the same as in 2008; they were 3.6% lower in 2009 during the period of deepest recession after the 2008 economic crash. From the perspective of reducing carbon dioxide emissions so as to limit climate change, an economic collapse is an environmental gain in the absence of conscious efforts to rebuild an economy to minimize the burning of fossil fuels.

If maladroit political managers (perhaps a 2013 Republican administration determined to impress Bibi Netanyahu) carry the Iran War posturing beyond a hysterical public distraction (from the continuing expansion of Israeli apartheid settlements in the West Bank, and the walling off of Palestinians from their own land) into an actual war against Iran, then the consequent economic catastrophes will motivate a popular trend of adopting solar energy technology and of conserving energy. After a significant portion of the US population has experienced the benefits of solar energy (reliable energy wherever the sun shines, conceptually simple and low-hazard technology, recovery from the Mother Of All Oil Embargoes) and adapted to its quirks and maintenance needs, then the psychological barrier of climate-change denial in the U.S. will have been ruptured and this mighty nation can become a leading contributor to a just and intelligent global response to climate change. And, that is what will save the world.

The switch in mentality from climate-change denial to climate-change acknowledgement would be consistent with an attitude of renovating the US economy to operate with as little petroleum and coal as possible, and of stopping the many political and military schemes, like the Iran War, that arise out of the obsession to control global access to fossil fuel resources. Of course, we could achieve the same ends without experiencing the agonies of an Iran War if we were willing to acknowledge facts and accept Nature’s message (global warming).

Notes

1.  Uri Avnery, Attacking Iran, CounterPunch, 12 March 2012.
https://www.counterpunch.org/2012/03/12/attacking-iran/

2.  Olga Bonfiglio, Some Sociological Explanations for Climate Change Denial, olgabonfiglio.blogspot.com, 16 March 2012. Thanks to Gerald Spezio for this reference.
http://olgabonfiglio.blogspot.com/2012/02/some-sordid-explanations-of-climate.html

3.  Michael T. Klare, Why High Gas Prices Are Here to Stay,
TomDispatch.com, 13 March 2012.
http://www.tomdispatch.com/post/175515/tomgram%3A_michael_klare%2C_why_high_gas_prices_are_here_to_stay/

4.  Manuel García, Jr., Energy for Society in Balance with Nature,
[8 June 2015 (27 February 2012)]
https://manuelgarciajr.com/2015/06/08/energy-for-society-in-balance-with-nature/

5.  Gabriel Kolko, The Enigma Of Israel, CounterPunch, 16 March 2012.
https://www.counterpunch.org/2012/03/16/the-enigma-of-israel/
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This article originally appeared as:

Attacking Iran Will Save The World

26 March 2012
http://www.swans.com/library/art18/mgarci44.html
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Climate Change is a War Crime

Climate change is a war crime.

International jurisprudence recognizes the supreme crime as the making of aggressive war. This principle formed the basis of and justification for the Nuremberg and Tokyo War Crimes Tribunals (held variously from 1945 to 1949). Aggressive war is the supreme crime because all other possible crimes can occur in parallel, in association with, and as a consequence of the making of aggressive war; the perpetrators of war having opened a Pandora’s Box of destruction, death and evil. Also, the making of aggressive war is necessarily of international scope even if the combat is confined to one nation as a “civil war,” because any war causes disruptions, displacements and involvements that affect and include other nations.

Aggressive war is a drive to power by its perpetrators to gain dominion over other lands and people, and to consolidate dictatorial power within their own countries, all for the most-desired purposes of: structuring the national economies to enrich themselves exorbitantly; to compress the free will and independent thinking in the dominated societies into a monolithic and slavish obedience to, and adoration of the egos of, the war leaders; and to be able to crush opponents without mercy and to pass judgments and issue punishments without legal restraints or personal hazard.

Throughout history there have been many individuals who have sought success by pouring themselves into warmongering activity. As with any field of endeavor, some succeed spectacularly, some only achieve partial mediocre results, and many are utter failures — in this last case fortunately for humanity. Warmongering is always an activity that is anchored in a socio-political hierarchy, which the warmongers exploit. The job-seeker flunkies, technicians, thugs and bureaucrats — the Class B war criminals, if you will — who seek places in a warmonger-leader’s ideology and hierarchical movement so as to advance their own personal circumstances and social status, form the gear-train between the leadership and the herded masses; they transform the leaders’ intent into actions and forces that compel the movements and work of the masses.

Wars can be prosecuted along many dimensions of social activity. The most obvious is the violent use of technology — guns, bombs, armaments and war vehicles — provided by war-oriented industries. Another is by economic warfare: boycotts, embargoes, sanctions, industrial and agricultural sabotage. A nation with a large, strong and diversified economy can more easily intimidate a nation with a smaller, more primitive and narrowly defined economy. Other aspects of economic warfare are currency manipulation, and the selling of indebtedness to weaker nations under stress. Our early 21st century world is one in which the technology and use of electronic telecommunications have embedded themselves into the moment-by-moment operations of: military coordination; trade and economic transactions; the diffusion of news, entertainment and propaganda; and the transmission of personal messages. Warmongers who can control, manipulate and deny the use of communications infrastructure to an enemy population will have a powerful advantage.

Any warmonger’s drive to political power will require two essential ingredients: sources of physical energy for producing chemical and electro-mechanical power, and money. The most concentrated and transportable sources of such physical power today are fossil fuels, which are provided by petrochemical industries. Fossil fuels are the most easily used substances for powering the transport of the full spectrum of military vehicles; and petrochemicals are essential ingredients in the fabrication of explosives and propellants used in armaments. Money is essential to the schemes of a warmonger in order to purchase the hardware for prosecuting war, to buy the allegiance through employment of the lower level flunkies (patronage), and to sprinkle the herded masses with some minimal palliatives (bread and circuses).

Fossil fuels are how almost all of us acquire the external physical power we use in our daily lives. It powers our automobiles, our airplane and marine transportation; and the combustion of fossil fuels is the major source of the mechanical power used to turn the electric generators that supply our homes and businesses with electricity. It is technically possible to use solar, wind and hydro (gravity) sources of energy to crank our electric generators for civilian electrical power, but those ‘green’ sources are all of low concentration and require large collection areas (solar farms, windmill arrays, rivers and reservoirs and ocean tidal flows), so they are useless for mobile military purposes. Because fossil fuels — and in particular petroleum — are such potent and convenient sources of physical power, they are very highly desired worldwide, and that means that fortunes can be made by producing and selling them, and no serious war-making scheme can advance without them.

The most efficient engine of war that human ingenuity has ever devised is called capitalism. This engine is designed as an economic system that generates money — distributed hierarchically within the system to grease its own operation through cupidity — from the extraction of natural resources that are industrially processed into: fossil fuels, metals and plastics, solid state materials used in our electro-optical and telecommunications infrastructure, and industrialized agriculture. One type of industry that processes raw materials into technological products is that which supplies and maintains military forces. Politics in any society is how the economy is administered, how the costs and the benefits are distributed. Most of us will see a society as “militarist” if the military forces and their associated industries dominate the nation’s politics and the national economy, paying few of the public costs and extracting huge targeted benefits. Similarly, most of us will see a society as “socialist” (or democratic socialist, or capitalist welfare state) if the public costs required and personal benefits produced by its economy are very evenly and equitably distributed throughout the population, and military forces and war industries are only as large as prudent for national self-defense, and represent only minor parts of the economy and the political power-structure.

Capitalist societies (and which ones today aren’t?) that are misshaped to fit the schemes of warmongering elites will be those seeking “to gain dominion over other lands and people and to consolidate dictatorial power within their own countries.” This is aggressive war by a combination of military force, economic intimidation and cyber warfare, as described earlier. These aggressive wars — against the international public — are fossil-fueled, and are the primary sources of the CO2, methane (and hydrocarbon) and NOx emissions that cause global warming (climate change). Now, the globally accepted euphemisms for categorizing these wars are “competitiveness” and “economic competition.” The idea here is that “our” efforts to gain economic and physical advantages (money, resource extraction and privileged use of territory) over “them” is part of an economic-sport competition (“trade,” “free market,” “world market,” “the great game”). But in this arena of competition “it’s not how you play the game, but whether you win or lose,” and “nice guys finish last,” are the attitudes of choice. This is unregulated capitalism, it is war, and this is the source of global warming and its associated environmental degradation.

Therefore, since war in all its forms against the international public interest is always a crime: climate change is a war crime.

The ending of today’s many climate change-producing wars will require — as with so many earlier wars — an international alliance of the “regular people” outside the warmongering political-economic elites, in this case to support each other’s efforts to gain domestic political power to green-socialize their national economies, and to bring to justice in national and international tribunals the leading militarists, industrialists, bankers-financiers and authoritarian politicos whose supremely egotistical drives to power and wealth are withering the humanity, spirits and intellects of the societies they exploitatively herd, and are poisoning the habitability of Planet Earth.

I realize that this monumental task of popular revolutionary transformation will seem politically impossible to most “rational” people. But isn’t the achievement of a just management of national and international economics on an environmentally revitalized Planet Earth with sustainable energy production and use, with less exacerbation of global warming, with internationally cooperative forms of ameliorating the unavoidable effects of advancing localized changes of climate, and with no aggressive wars — both bloody and of “economic competition” — a vision worth investing political activity towards? Such political activity can gain some passion with the realization that:

climate change is a war crime.

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Heartrending Antiwar Songs

What makes for a heartrending antiwar song? Is it a doleful poetic and folkloric lament, or is it a driving martial beat with piercing raging lyrics of protest? Does it need a woman’s plaintive voice to make your heart ache with pain, or a man’s fierce growl to give you that gut-wrenching sinking feeling? I suppose it all depends on your kind of musical ear, and on your own situation with regard to the hazards of war.

I will offer a sequence of antiwar songs here, which for one reason or another have given me pause. Why do this?: because I like music, and because I think it important that none of us ever forget the proper attitude towards war and the prospect of war: rejection and rebellion. Peace is emotionally and politically turbulent when you are stubbornly antiwar, because war is the grease of imperialist capitalism.

The nuclei for this project are the first two songs listed, which both pull on my heartstrings. High Germany is a Celtic song where a Scottish lass laments the loss of her soldier lad to the First World War. This particular song really gets me because the lyrics are so poignant, and because the singer — my younger daughter — does such a good job of conveying the emotion that was very real 100 years ago in Scotland, and, sadly, remains just as real all over the world today.

High Germany
https://youtu.be/2QybAQVv6jE

Soldier, We Love You is an original composition by Rita Martinson, who performed it so eloquently and memorably in the 1972 movie F.T.A. (officially “Free The Army,” and understood to be “Fuck The Army”). F.T.A. starred Jane Fonda, Donald Sutherland and a collection of performers and musicians banded together in a touring satirical revue performing at coffeehouses and parks near American army bases, for G.I.’s opposed to the war in Vietnam. Though I was never a soldier (by pure luck) I have been so touched by Rita Martinson’s performance, and I gratefully wish her a happy life and satisfying career, wherever she is.

Soldier, We Love You
https://youtu.be/7iMusPYq83g

As you will see below, I quote some of the commentary on these songs by people I found on the Internet, many of them veterans, who had offered their suggestions.

“The Robert Shaw Chorale sing Shenandoah, a heartrending soldier’s lament from the American Civil War. The very first, and among the very best of antiwar songs ever… We lost a lot of relatives and close family friends in WW1, WW2 and in Vietnam.” — Fred Wilson

Shenandoah – The Robert Shaw Chorale
https://youtu.be/IBH2QrUyz7o

Eva Cassidy was a gift to us from the universe, of pure soulful heart through song. She left us far, far too early. Her rendition of Danny Boy unfolds the sheer tragedy carried by the lyrics with a radiant vocal eloquence (self accompanied on guitar), and most admirably without any showy attention-seeking bombast. The lyrics present a dead soldier’s call for remembrance and love, from his grave, and Eva had the grace and the perception to honor that sentiment.

“As a full blooded Irish man who has heard this song sung hundreds of times by family and friends at weddings, funerals and every other occasion when Irish people gather together to sing, I can honestly say I have never heard it sung better and with more feeling than sung here by Eva.” — Belfastsoul

Eva Cassidy – Danny Boy
https://youtu.be/oSKM0YiU8LU

War rips apart families, and mothers, who are the hub of their family wheels, are heavily burdened with those painful losses. So it is natural for a woman’s voice to express that universal pain, and to this Joan Baez has lent her beautiful artistry and passion.

Joan Baez – Weary Mothers
https://youtu.be/hqQcaWpwCrM

If war is so bad why does it exist? Why does anyone allow themselves to become a soldier, a lethal tool and sacrificial victim in the war-schemes of the Big Money? Who, ultimately, is responsible for inflicting the scourge of war on humanity? Buffy Sainte-Marie plunges to the core of this question, and arrives at the painful truth (Pogo’s realization).

Buffy Sainte-Marie – Universal Soldier
https://youtu.be/VGWsGyNsw00

Many of the antiwar songs here are from the 1960s, during the Vietnam War, “a time I remember oh so well” since I was nearly swallowed up in it. The songs of that time which I list either had a sound or some turn of phrase that imprinted on my mind either because I heard them so many times during those bright days of hopeful youth, and stoned drunk nights of dreams or despair, or because hearing them coincided with moments of incredible euphoria or tension. Basically, this song-listing exercise is neither a scholarly assemblage of the historically significant, nor a production based on logic. It’s about visceral memories and their reverberations in songs.

Barry McGuire and Buffalo Springfield gave us clues, in 1965 and 1967, of what we high school boys in those years were in for. I was not looking forward to facing the draft when I reached 18.

Barry McGuire – Eve Of Destruction
https://youtu.be/qfZVu0alU0I

Buffalo Springfield – For What It’s Worth
https://youtu.be/gp5JCrSXkJY

Country Joe McDonald spelled out rather explicitly why I did not like being 1A during 1969. The Doors punctuated that feeling of dread all too perfectly.

Country Joe McDonald – I Feel Like I’m Fixin’ To Die Rag
https://youtu.be/3W7-ngmO_p8

The Doors – The Unknown Soldier
https://youtu.be/6LSCoBk8hgU

“I remember the nightly ‘kill’ numbers on the news.” – Andre R. Newcomb. The evening television news broadcasts would give the awful weekly totals of U.S. soldiers killed. Totals of enemy dead issued by the U.S. military were complete fabrications, but the unknown quantities of Vietnamese dead were definitely very very high; America had the most superior firepower. Three Five Zero Zero, a song from the musical, Hair, takes off from its initial reference to a body count. Have you heard as scathing an antiwar song in recent years? And it no, why do you think that is?

Hair – Three Five Zero Zero
https://youtu.be/FAdq3Z-9bsg

As we know from President “Bone Spurs” Trump, Dick “Too Busy Four Deferments” Cheney, George “AWOL” W. Bush, and others of our immune ‘privilatti’ class who breezed past the Vietnam War, “getting out of the draft” in a culture dedicated to materialism and the instinctive worship of power is more easily arranged the more elevated your association to the economic and political hierarchy. Creedence Clearwater Revival give a spirited expression of this class-war truth.

Creedence Clearwater Revival – Fortunate Son
https://youtu.be/ec0XKhAHR5I

For the callow petit bourgeois youth of the time, like me, who felt a continuous sinking feeling of “circling the drain” before ever really stepping into adulthood and savoring the sweet fruits of life, there arose an intense desire to find somebody to love and be loved by, at least for a while before “the end.”

Jefferson Airplane – Somebody to Love
https://youtu.be/5Jj3wZVc7nw

Phil Ochs was a songwriter and political activist of sharp wit, sardonic humor and earnest humanism, whose songs were graced by insightful lyrics of literate elegance. He wrote hundreds of songs in the 1960s and 1970s. In 1976 at the age of 35 he succumbed to his own demons, and left us. Phil Ochs was a man of very keen perception, and immersed in the bubbling cauldron of intense antiwar activism during the Vietnam War, I think his psyche was eventually overwhelmed by that searing experience. I think the reason more of us “ordinary people” — those with reasonably decent moral character — don’t go completely mad over the poisonous nature of American politics and national character is because we are shielded by duller wits from perceiving the full reality of the kind of society we live in. There are hazards to being a seer.

Phil Ochs – Draft Dodger Rag
https://youtu.be/tFFOUkipI4U

“Funny thing is I’m in the Army and I don’t know anyone in my unit over 30 years old who doesn’t know all the words to this song [I Ain’t Marching Anymore]” – ‘Joe Blow’

Phil Ochs – I Ain’t Marching Anymore
https://youtu.be/gv1KEF8Uw2k

Phil Ochs – The War Is Over
https://youtu.be/ZOs9xYUjY4I

The Reverend Martin Luther King, Jr. was assassinated on 4 April 1968, and many large, deadly and terribly destructive urban riots broke out and continued for weeks. Federal troops were called out, and the television images of them patrolling the streets of burning cities was a hellacious realization of “bringing the war home.” Up to 1968 half of the American casualties in the war were made up of ethnic minorities, mainly Blacks and Latinos, despite their much lower proportions of the national population. This was a rather ugly manifestation of America’s formative — and apparently forever — race and class war. Edwin Starr gave voice to the deep resentments by Blacks over their exploitation as cannon fodder, in his song War.

Edwin Starr – War
https://youtu.be/dQHUAJTZqF0

On 4 May 1970 the Ohio National Guard, called out to Kent State University during a mass protest by unarmed college students against the bombing and invasion of neutral Cambodia by United States military forces, fired approximately 67 rounds over a period of 13 seconds at the demonstrators, killing four students and wounding nine others, one of whom suffered permanent paralysis.

Crosby, Stills, Nash & Young – Ohio (1970, Kent State University)
https://youtu.be/68g76j9VBvM

The Vietnam War ended with the fall of Saigon on 30 April 1975. The Vietnamese would then continue to sort out their politics without the overt highly destructive interference of the United States (the covert interference would continue). What did any of all this mean to a young American war widow? Was it worth her pain and sacrifices? Of course not, but this was always a knowable truth. So where was justice?

Steve Goodman – Penny Evans
https://youtu.be/K0I59AN_z2k

It is important to realize that the most significant reason the American government withdrew from its Vietnam War effort was because of the widespread and persistent rebellion against it by active duty military personnel, and the ferocious activism of the antiwar veterans who had returned from that war. The civilian antiwar activism and public demonstrations helped to increase a public consciousness in sympathy with the military rebellions, most ad hoc and personal. Rank-and-file soldiers who had come face-to-face with the realities of that war, and who took their Soldier’s Oath seriously, realized that their duty to protect and defend the United States was actually at odds with the dictates from their military chains of command and from their country’s political leadership. Their duty was to the people of the United States, not to one of its transitory government administrations whose policies were clearly not in the interests of the American people, even though there were special interests who profited from them.

The British Soldier is a “song about the troubles in Northern Ireland. It was written and performed by folk singer Harvey Andrews, and banned when it was released. It is based on an actual event which occurred in the early ’70s.” — SuperNutty23. “Remember Sgt Michael Willets GC of 3rd Battalion the Parachute Regiment whose sacrifice inspired this song.” — Archie Carter

Harvey Andrews – The British Soldier (1972)
https://youtu.be/8NpaT5LDFgM

Eric Bogle wrote and performed the song My Youngest Son Came Home Today. “When I played this during an interview on Cairns FM89.1, Eric asked me if I had heard Mary Black sing the song. When I said I hadn’t he said her version was far better, as a woman can put more emotion into a song.” — Johnson28316

Mary Black – My Youngest Son Came Home Today
https://youtu.be/1H6-OrLpiPk

99 Luftballons is a German protest song against nuclear war, written in 1983. “The premise was that 99 balloons crossing over the Berlin Wall would be mistaken by radar as an attack, causing jets to scramble, starting a war that would leave both sides in ruins. The singer, walking through the ruins, finds one balloon, is reminded of her lover and lets it slowly fly away.” – TheJenr8tr

This song, band and performance are from before the Berlin Wall fell (9 November 1989), when tactical nuclear-tipped U.S. missiles stationed in Western Europe, and similar Soviet Russian missiles poised in Eastern Europe, had Germany between them under the potential arcs of their flight paths, and also very obviously in the crosshairs of their targeting in the event of a boiling over of the Cold War.

An English translation of the German lyrics of 99 Luftballons is given immediately below; it was made by my wonderful daughter-in-law, Sabrina García, from the Black Forest.

Nena ‎- 99 Luftballons
https://youtu.be/La4Dcd1aUcE

99 Luftballons
(translation by Sabrina García)

Do you have some time for me?
Then I’ll sing a song for you
About 99 air balloons
On their way to the horizon
Do you perhaps think of me just now?
Then I’ll sing a song for you
About 99 air balloons
And how one thing comes from another

99 air balloons
On their way to the horizon
Mistaken for UFOs from space
Therefore a general sent
A squadron after them
To raise the alarm if they had to
Yet there on the horizon were
Just 99 air balloons

99 fighter pilots
Each one was a great warrior
Regarding themselves as Captain Kirk
There were great fireworks
The neighbors didn’t understand anything
And thought they were under attack
Yet there on the horizon they fired
At 99 air balloons

99 War Minister
Matches and gasoline cans
Regarding themselves as smart people
Already smelling a big fat prey
Crying “War!” and wanting power
Man, who would have thought
That it would ever get this far?
Because of 99 air balloons
Because of 99 air balloons
99 air balloons

99 years of war
Left no room for winners
There are no more War Minister
And no fighter pilots either
Today I’m doing my rounds
I see the world in ruins
I’ve found a balloon
I think of you and let it fly….

A classic antiwar song is Where Have All The Flowers Gone?, by Pete Seeger. Marlene Dietrich, who was deeply and very visibly committed to antifascist activity during World War II, included Seeger’s song in her one-woman musical show, which toured the world. Burt Bacharach had arranged many songs of interest to Marlene, to accommodate the limited vocal range of her contralto voice. This enabled Marlene to continue as a singer during her later years, and she was quite open about gratefully giving Bacharach credit for this.

“Marlene Dietrich performed a German language version of Where Have All the Flowers Gone? during her 1960s tour of Israel. She sang in German only after receiving the consent of the audience, thus breaking the unofficial taboo against the use of that language in Israel. Many in the audience were German expatriate Holocaust survivors.” — Hollie Willetts

Marlene Dietrich – Sag Mir Wo Die Blumen Sind – with English Subtitles
https://youtu.be/YIoF-Q6yGpk

Well, the political management class of the United States managed to survive the “Vietnam Syndrome” years of popular distaste for war and opposition to foreign adventures that might require the use of military forces, mainly from 1975 to 1979, during the Gerald Ford and Jimmy Carter administrations. But Zbigniew Brzezinski, President Jimmy Carter’s National Security Advisor from 1977 to 1981, was able to convince Jimmy Carter to initiate the first action of what would become our current Forever War in Central Asia: the covert arming of the mujahideen in Afghanistan after the Soviet invasion there in January 1980. And so Osama Bin Laden got his start.

As the US and allied wars of the 1980s and 1990s metastasized into our Forever Wars, new antiwar songs sprouted from the dragon’s teeth of pain and death sown in the wake of those wars.

Dire Straits – Brothers in Arms (1985)
https://youtu.be/Dqok5m4lqeE

Scorpions – Wind Of Change (1990)
https://youtu.be/n4RjJKxsamQ

“The video of ‘Smile Empty Soul – This Is War’ hits me very hard. I am a combat veteran who now advocates for peace. I took part in the bloodiest battle of the Iraq War, Fallujah 2004. My heart broke in that place, though it took me years to realize it.” — Lucas B.

Smile Empty Soul – This Is War
https://youtu.be/-PFk4SXpb-8

And so it goes. There will certainly be antiwar songs from other times, from many cultures and in other languages, which I would not know about. I am sure that the fundamental sentiments of all such songs are universal, because they spring from the deepest and most fundamental aspirations and disappointments of the human experience.

The antiwar songs of the pop music supernovas Bob Dylan (Blowin’ in the Wind, Masters of War, The Times They Are A-Changin’) and John Lennon (Give Peace a Chance, Imagine, Happy Christmas, I Don’t Want To Be A Soldier) are so well known that I feel no need to say more about them.

Every instance of war is a failure of political leadership. Good antiwar songs can help us all see this, and motivate us to find better leaders, to devise better politics, and to reawaken feelings in our hearts of genuine human connection to everyone.

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Criminalated Warmongers

Errol Leslie Thomson Flynn (20 June 1909 – 14 October 1959)

The Dawn Patrol is a 1938 film about British World War I fighter pilots, roistering and dying in an aerial war of attrition in France with their German counterparts. It was directed by Edmund Goulding from a screenplay written by Seton I. Miller and Dan Totheroh, which was adapted from a story by John Monk Saunders. The film starred Errol Flynn (Captain Courtney), Basil Rathbone (Major Brand), David Niven (Scott), Donald Crisp (Phipps), and Morton Lowry (Donnie Scott), and was produced by the Warner Brothers Studio as a remake of their earlier 1930 film of the same story.

The film features wonderful aerial combat sequences, filmed in 1930 with real and old World War I fighter planes, and with additional realistic scenes of action in the air and on the ground filmed in 1938. This film has no female characters at all, which was also true of the 1962 film Lawrence of Arabia, also a World War I spectacle.

While ostensibly an action picture set in wartime, with the riotous camaraderie among young, enthusiastic, free-spirited, gung-ho, fun-loving and serially drunk air aces, The Dawn Patrol unfolds as an increasingly grim and unrelenting Greek tragedy of the loss of human connections and human lives into the maw of a vast industrialized plague of mechanized warfare. I think this film reflected the end of the period of unanimous American antiwar isolationist sentiment prior to World War II (1939-1945), which was most vividly reflected by the 1930 film All Quiet On The Western Front, which was based on Erich Maria Remarque’s incredible and timeless 1929 book of that title.

The Dawn Patrol is an excellently made film, it never drags as the sequence of scenes, whether action-packed, comedic, tense or reflective, flow smoothly across the viewing screen to present us with the braided threads of the story.

To my mind the gem among these scenes is one where Errol Flynn, as Squadron Commander Captain Courtney, is speaking privately with a fresh replacement pilot with no combat experience, Lieutenant Donnie Scott, played by Morton Lowry. Captain Courtney is welcoming this new man into the squadron, and giving him a feeling of full inclusion into the camaraderie of his fighter pilot group, before Donnie Scott’s first mission the next day, which will also sadly be Donnie’s last as we learn later. Courtney’s little speech is quiet, warm, personal, friend-to-friend and bracingly honest about the war, instead of being officious, patriotic and militaristic, from a superior to a junior officer. Courtney tells Donnie that:

The war is “a great big noisy rather stupid game that doesn’t make any sense at all. None of us know what it’s all about or why. Here we are going at it hammer and tongs, and I bet you those fellows over there feel exactly the same way about it, the enemy… Then one day I suppose it will all end as suddenly as it began. We’ll go home till some other bunch of criminalated sitting around a large table shoves us into another war and we go at it again… Do you remember my father used to be a professor of biology at Queen’s? He always used to say: man is a savage animal who periodically to relieve his nervous tension tries to destroy himself.”

When I first heard this monologue, I heard “criminal idiots” for “criminalated.” But over many repeated listenings to the recorded monologue, I could only hear 5 syllables as in “criminalated” and not 6 as in “criminal idiots.” Is “criminalated” an English word that has fallen into disuse, or is perhaps archaic?

In the trailer to The Dawn Patrol, which includes a part of this scene, one clearly hears “criminal fools,” which would be logically appropriate but is only 4 syllables. In the actual film itself the recorded speech of that scene contains the 5 syllable word which I can only decode as “criminalated.” This is true on 2 separate DVDs issued by Warner Brothers, one of the complete movie, The Dawn Patrol, and one of a documentary on Errol Flynn, The Adventures of Errol Flynn, which includes this entire scene.

Through the wonders of the Internet I learned that “criminalated” appears in the text of The Enchanceried House, a short story for juvenile readers written by Edith Nesbit (1858-1924), and included in her 1905 book Oswald Bastable and Others. One of the features of Nesbit’s stories was the misconstruction of words spoken seriously by the fictional boy Oswald Bastable, for a comedic effect on the reader. “Criminalated” appears as follows:

“No English gentleman tells a lie — Oswald knows that, of course. But an English gentleman is not obliged to criminalate himself. The rules of honor and the laws of your country are very puzzling and contradictory.”

We can imagine that Donnie Scott was born in 1897, and as an 8-year-old in 1905 read The Enchanceried House. So, in 1915 as an 18-year-old hearing from superior officer Captain Courtney, probably four years older at 22, about the meaning of World War I, that Courtney would characterize the criminality of the perpetrators of the catastrophe that would engulf them both, by using a childhood and childish reference — “criminalated” — to belittle the remote statesmen who blundered Europe into that early 20th century effort of man to destroy himself.

Men and women filmgoers in their 40s in 1938, who had read and remembered Oswald Bastable stories, could easily have recognized the “criminalated” reference in Captain Courtney’s monologue to Donnie Scott. If so, it would have given the scene added poignancy for them, since it would cast the tragedy of World War I fighter pilot deaths as a meaningless sacrifice of children.

In 1938, when Errol Flynn gave one of his best performances in The Dawn Patrol, his biologist father, Theodore Thomson Flynn, served as the Chair of Zoology at Queen’s University of Belfast. It seems Flynn’s script included a reference to his real father-son relationship, as an inside joke.

Regardless of whether one hears “criminalated,” “criminal fools” or “criminal idiots,” the accuracy of Captain Courtney’s description of the futility and criminality of World War I is indisputable. This is a gem of antiwar expression that remains relevant to the present day, within a fundamentally antiwar film that connects with its mass audience as an exciting aviation action cinema entertainment.

World War I, “the war to end all wars” lasted from 28 July 1914 to 11 November 1918. It ended 101 years ago today.

The Dawn Patrol (1938 film)
https://en.wikipedia.org/wiki/The_Dawn_Patrol_%281938_film%29

The Dawn Patrol (1938)
https://www.imdb.com/title/tt0030044/

The Dawn Patrol — Trailer
https://youtu.be/RGQYpP60J70

“But an English gentleman is not obliged to criminalate himself.”
https://en.wikisource.org/wiki/Page:Oswald_Bastable_and_Others_-_Nesbit.djvu/141

High Germany
25 February 2018
https://youtu.be/2QybAQVv6jE

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Antoine de Saint-Exupéry, Lyrical Aviator

Antoine Marie Jean-Baptiste Roger, comte de Saint-Exupéry, simply known as Antoine de Saint-Exupéry (29 June 1900 – 31 July 1944), was a French writer, poet, aristocrat, journalist and pioneering aviator. He became a laureate of several of France’s highest literary awards and also won the United States National Book Award. He is best remembered for his novella The Little Prince (Le Petit Prince) and for his lyrical aviation writings, including Wind, Sand and Stars and Night Flight.

Saint-Exupéry was a successful commercial pilot before World War II, working airmail routes in Europe, Africa and South America. At the outbreak of war, he joined the French Air Force (Armée de l’Air), flying reconnaissance missions until France’s armistice with Germany in 1940. After being demobilised from the French Air Force, he travelled to the United States to help persuade its government to enter the war against Nazi Germany. Following a 27-month hiatus in North America, during which he wrote three of his most important works, he joined the Free French Air Force in North Africa, although he was far past the maximum age for such pilots and in declining health. He disappeared and is believed to have died while on a reconnaissance mission over the Mediterranean on 31 July 1944.

Prior to the war, Saint-Exupéry had achieved fame in France as an aviator. His literary works – among them The Little Prince, translated into 300 languages and dialects – posthumously boosted his stature to national hero status in France. He earned further widespread recognition with international translations of his other works. His 1939 philosophical memoir Terre des hommes (titled Wind, Sand and Stars in English) became the name of an international humanitarian group; it was also used to create the central theme of the most successful world’s fair of the 20th century, Expo 67 in Montreal, Quebec. Saint-Exupéry’s birthplace, Lyon, has also named its main airport after him.

The above three paragraphs (out of many more) are from:

Antoine de Saint-Exupéry
https://en.wikipedia.org/wiki/Antoine_de_Saint-Exup%C3%A9ry

The Little Prince, published in 1943, is estimated to be the 3rd best-selling book ever, with 140 million copies sold.

List of best-selling books
https://en.wikipedia.org/wiki/List_of_best-selling_books

Today’s blog post was motivated by my reading of Wind, Sand and Stars, a book described as follows:

Wind, Sand and Stars (French title: Terre des hommes, literally “Land of Men”) is a memoir by the French aristocrat aviator-writer Antoine de Saint-Exupéry, and a winner of several literary awards. It deals with themes such as friendship, death, heroism, and solidarity among colleagues, and illustrates the author’s opinions of what makes life worth living. It was first published in France in February 1939, and was then translated by Lewis Galantière and published in English by Reynal and Hitchcock in the United States later the same year.

in the wikipedia article about it:

Wind, Sand and Stars
https://en.wikipedia.org/wiki/Wind,_Sand_and_Stars

It is an excellent book. My copy is a 222 page book published by Time-Life Books in 1965, with a preface by “The Editors of Time,” an introduction by Pierre Clostermann (a leading Free French fighter-plane pilot of World War II, who was also a member of the French National Assembly), and the 10 chapters of Saint-Exupéry’s English language version of his book Terres des hommes. Those chapters are titled: The Craft, The Men, The Tool, The Elements, The Plane and the Planet, Oasis, Men of the Desert, Prisoner of the Sand, Barcelona and Madrid (1936), Conclusion.

Chapter 2, The Men, is about the pioneering long-distance air-mail flights (over the Sahara Desert, the Atlantic Ocean and Andes Mountains), exploits, crashes and survival epics of two French aviators active in the 1920s and 1930s, Mermoz, and Guillaumet. Besides being entirely captivated by the romance and adventure of early mechanized flight, they were also entirely committed to expanding the reach of aviation to advance the development of human civilization.

Chapters 6, 7 and 8, Oasis, Men of the Desert, Prisoner of the Sand, involve numerous recollections of Saint-Exupéry’s three years flying over the Sahara, of being stationed at remote desert outposts, and in Prisoner of the Sand (the central story of the book) of crashing in the Libyan Desert and nearly dying of thirst during a four day ordeal of hallucinatory trekking, along with his mechanic Prévot.

Chapter 9, Barcelona and Madrid (1936), is a fascinating eye-witness account of Saint-Exupéry’s time in Republican Spain during the first year of its Civil War, getting close to the fighting, and trying to understand the willingness of simple people to voluntarily risk (and sacrifice) their lives in very sketchy, under-equipped and under-manned operations for the defense of the Republic.

An excellent photo-essay about the Prisoner of the Sand airplane crash, and struggle of human survival, is given at:

29 December 1935: Wind, Sand and Stars
[Saint-Exupéry’s desert crash in the Simoun airplane]
https://www.thisdayinaviation.com/30-december-1935-wind-sand-stars/

The author of the above blog, This Day In Aviation (which is excellent for its topic), Bryan Swopes, has also posted a nice summary (with numerous photos) of Saint-Exupéry’s life;

Antoine de Saint-Exupéry (29 June 1900–31 July 1944)
[nice summary, with photos]
https://www.thisdayinaviation.com/29-june-1900/

Saint-Exupéry’s 1935 Prisoner of the Sand experience was the inspiration for his story 8 years later, The Little Prince. Saint-Exupéry’s writing has more of a lyrical-philosophical nature than of a thriller adventure story of the kind adolescent boys (including me) and B-movie producers love. But those more thoughtful musings on the human condition, and on the interactions of strangers from vastly different cultures in the much wider and less-connected world of the 1930s, arose out of Saint-Exupéry’s immersion in the professional life of a remote-country and endurance-flight aviator, and have been the compelling draw to his many aviator-readers worldwide for over 80 years. And one needn’t be an aviator to also fall under the spell of their elegance.

Despite his age and less than ideal health during World War II, Saint-Exupéry managed to gain an assignment with the Free French Air Force as a pilot, flying a F-5B-1-LO unarmed photo-reconnaissance variant of the Lockheed P-38J Lightning twin-engine fighter. On 31 July 1944 he took off from his base on the island of Corsica for a mission in the Rhône Valley. He was never seen again. “In 1998 a fisherman found his silver identity bracelet on the sea floor south of Marseilles. Parts of the aircraft were recovered in 2003.” Bryan Swopes summarizes that day in his brief photo-essay:

31 July 1944
[Saint-Exupéry’s loss in his P-38]
https://www.thisdayinaviation.com/31-july-1944/

As a mechanical device, the P-38 Lightning was a beautiful thing from the perspective of form-following-function, that function being aerial performance. But, sadly, the purpose for that function was to be a tool of war, a killing machine; and from today’s greater appreciation of green energy and the understanding of global warming, the P-38 and all its war-plane kin, past and present, are terribly wasteful carbon polluters relative to the few people they carry and the destructive uses they are put to. Aside from these regrettable realities, I think the P-38 has beautiful lines from every perspective, and I can imagine the exhilarating experience of flying one.

Was Saint-Exupéry shot down on 31 July 1944, or did he experience a fatal mechanical failure? Hard to say, conclusive evidence either way is lacking. Records of Luftwaffe (the air force branch of the German Wehrmacht military forces) operations for southern France at that time are lacking due to their wartime destruction, and the debris patch of Saint-Exupéry’s P-38 is long and wide, and the pieces mostly all quite small, implying a high speed impact on the water. The highly fragmented nature of the debris, along with its corroded state after over 60 years on the sea floor, has made it impossible to detect any bullet holes that one would suppose to exist if a Luffewaffe fighter-plane had shot down Saint-Exupéry’s P-38.

Saint-Exupéry expressed his ethos this way, on pages 126-127, in Prisoner of the Sand, in my edition of Wind, Sand and Stars:

My world was the world of flight. Already I could feel the oncoming night within which I should be enclosed as in the precincts of a temple — enclosed in the temple of night for the accomplishment of secret rites and absorption in inviolable contemplation.

Already this profane world was beginning to fade out: soon it would vanish altogether. This landscape was still laved in golden sunlight, but already something was evaporating out of it. I know nothing, nothing in the world, equal to the wonder of nightfall in the air.

Those who have been enthralled by the witchery of flying will know what I mean — and I do not speak of men who, among other sports, enjoy taking a turn in a plane. I speak of those who fly professionally and have sacrificed much to their craft. Mermoz said once, “It’s worth it, it’s worth the final smash-up.”

An artist’s impression of Saint-Exupéry’s last flight.

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See “Official Secrets”

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See “Official Secrets”

The movie Official Secrets, which is just out, is about Katharine Teresa Gun, the British translator in the U.K. government’s equivalent to the U.S.’s NSA, who leaked a top secret memo in an effort to prevent the Iraq War (in which up to 1 million Iraqis and over 35 thousand U.S. and U.K soldiers died, and many hundreds of thousands of others were injured).

That war was entirely illegal because: 1, Saddam Hussein (Iraq’s dictator in 2003) did not have weapons of mass destruction — as G.W.Bush and Tony Blair lyingly claimed, so there was no “necessity” of preemptive war as an act of self defense by the U.S. and U.K; and 2, because the U.S. and U.K. did not get a U.N. Security Council resolution to go to war against Iraq, because the world body did not see Iraq as a threat to the rest of the world. The failure to get that U.N. resolution was a result of the publication of Katharine Gun’s leaked information.

The memo Katharine Gun exposed was from a “Frank Koza” at the U.S. National Security Agency (NSA) to the U.K. Government Communications Headquarters (GCHQ, the U.K.’s NSA equivalent) asking the Brits to help bug the communications of other members of the U.N. Security Council (the non-permanent members at the time) to dig up dirt to be used to blackmail them into voting for war as Bush and Blair wanted — despite the lack of evidence (no WMDs) that war was justified.

Gun’s information eventually made it to the public, and caused such embarrassment to the British Government that after a year of terrifying harassment of Gun (including almost deporting her Turkish Kurdish husband), and taking her to trial (with a long sentence if found guilty of “treason,” and she had confessed), they dropped the case rather than reveal the government documents requested as evidence by the defense, because those documents (findings on the question of the legality of the proposed war, by Lord Goldstone, the U.K. attorney general) in fact explicitly stated that the war was illegal and Bush and Blair were fabricating fake intelligence to try and pull the wool over the eyes of the U.N. and the American and British public.

Katharine Gun (and the reporters and attorneys who worked to expose the government lies and defend Katharine) were exonerated, and she is a real-life heroine of historical significance — Daniel Ellsberg stated that her actions were more significant than his! Bush, Blair and their government associates, who perpetrated the massive Iraq War Crime (20 March 2003) — whose massively bloody and tragic consequences continue to this very moment — remain free, wealthy, untroubled by even a hint of Nuremberg style prosecutions, and are now even nostalgically “rehabilitated” (in the media stories aimed at the gum-chewing ADHD public, as by a sweet-smiling Michelle Obama cozying up to “oh gosh” Georgie Porgie) by comparisons to Trump today.

Once again, America managed to destroy a country, Iraq, and consume monumental amounts of American national treasure, and sacrifice thousands of American lives (as well as thousands of British lives, and hundreds of thousands to perhaps a million Iraqi lives) to lose a war — “lose” since it had no value to the public from the get-go — a war of choice, and an illegal war of aggression (just like Hitler’s war in Poland on 1 September 1939) which our highly privileged war criminals perpetrated. But, they got away with it.

America as a nation failed again (remember Vietnam?). The United Kingdom as a nation failed. To the extent that the American people and the UKanian people do not remember all this, and apply the tragic lesson of the Iraq War — and the Vietnam War — today to prevent the new called-for wars: on Iran, or in Yemen (to help the war criminal Saudis? to help the war criminal Israelis?, really?) and elsewhere that our highly privileged war criminals think they can make a buck and puff up their Wall Street portfolios; to the extent that these publics are so out of touch that they have no flaming anti-war consciousness, they and their nations are failing miserably. Failure is paid for in oceans of blood shed by innocent, naïve, common people, both foreign and domestic.

So I urge you to see the movie Official Secrets. It is well-made, well-played, literate, intelligent, riveting, honest. By doing so you can thank and honor an incredibly brave woman of inspiringly solid moral principle — Katharine Teresa Gun — as well as the journalists and lawyers who made their best efforts to prevent an illegal and unnecessary war; and you can use that viewing experience to help invigorate you own convictions to become aware of truth and not be lulled by indolent comfort or stupid bigotry into acquiescing to the war crime schemes (and the theft from the public commons schemes) of our all-too immune highly privileged war criminals, past and present.

By the way, a kid in my high school class (1968) was called “Frank Koza.” Don’t know if he’s the same one.

Here is the trailer to “Official Secrets”
https://youtu.be/V3vIYy38Fys

Here are the two parts of a round table interview of Katharine Gun, conducted by Amy Goodman on Democracy Now!; as well as of the movie’s director, and the two key journalists who broke the story using Katharine’s information.

PART 1:
This U.K. Whistleblower Almost Stopped the Iraq Invasion. A New Film Tells Her Story
July 19, 2019
https://youtu.be/u6n1VFDJ3CY

PART 2:
15 Years Later: How U.K. Whistleblower Katharine Gun Risked Everything to Leak Damning Iraq War Memo
July 19, 2019
https://youtu.be/CWtIu7mbnbM

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For more about my photo taken at the Iraq War protest in San Francisco, in 2003, see:

https://manuelgarciajr.com/2016/04/10/iraq-war-protest-sf-2003/

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