Gold, Swords, and Tumulus Grave Goods Forever?

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Gold, Swords, and Tumulus Grave Goods Forever?

From our Neolithic Past to our Radioactive Present — and future? — gold, swords, and tumulus grave goods of hoards of icons of materialistic wealth have been our chosen markers of human achievement; in all a genuflection to the triumph of materialism over intellect and spirit.

Socialism is the economic ideology of abundant prosperity, democracy is its political ideology, and peace is its mythology.

Prosperity is the warmth of good living generated by the consumption of natural resources into the entropy of waste products. The expansion of prosperity is fueled by the diminishment of Nature and the increase of enslavement by the expansion of imperialism vacuuming in new resources to the homeland from ever farther afield. The military, like a wildfire, is an expanding ring of consumption whose center is a widening desert of entropy: resource scarcity and waste with a smattering of capstones of wealth atop pyramids of power. War is the collision of expanding rings of militarism; conquest is the collapse of one against the pressure of another.

A diminishing access to prosperity leads to a narrowing and heightening of political power, and a popular sharpening of competition for resources with a consequent hardening of attitudes of overt racism, and an increasing fragmentation of society into a steepening hierarchy of classes based on submission to and patronage by superiors, until society ultimately degenerates into a dictatorial kingship over a realm of desperation. Fascism is the populist submission in industrialized societies to rising kingships over realms of expanding scarcity.

Sustainability within the Natural World is the conception of frugality as freedom and not poverty. Sustainability is the submergence of human identity into Nature, and seen as a release and not a collapse, instead of being an ever heightening emergence above it. Sustainability is the conceptualization of civilization as organic within the Natural World, instead of a construction caging it. Sustainability is seeing human empowerment as coming from submission to Life, instead of from defiance of it, and of seeing Life as anarchic instead of hierarchical.

God reigns if all are dead. God is dead if all are alive, if all are each infinitesimal glints from the underlying sea of godliness that is Life.

I looked up into the day, shielding my eyes against the brilliance of the sun infusing warmth into my skin, to see low wispy white clouds streaming across the top of my wooded canyon while slowly roiling within themselves, as invisible cascades of crystalline air surged with turbulent reverberations over the hilltops and down into the canyon, splashing into near-chill breezes soughing through the forest green ringing with birdsong scintillating the leaves and rippling their dappled network of reflected sunlight, to brush against me as I stood immersed in wonder once again under the soaring of a black hawk, amazed to be experiencing this immensity of Life, this great outside beyond human limitations. I am a brief instance of all this, and that realization is my share of the eternal.

[Image by Caitlyn Grabenstein]

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Nate Hagens, on Earth and Humanity

Watch the video presentation “Earth and Humanity: Myth and Reality,” (2:52:15) by Nate Hagens, linked below. Hagens presents an analysis and grand synthesis of the multi-entwined crises of unsustainable human society living in the rapidly degrading world climate of an increasingly resource-depleted and increasingly inhospitable Planet Earth.

I guarantee that you will find many of your own views on this topic reaffirmed by Hagens, and also that he will challenge at least one of your cherished beliefs about it. This is good for serious people, it prompts them to think anew, and to rethink their assumptions.

What impresses me about Hagens’ analysis is that it is based on a wealth of data — the lifeblood of any real scientific or economic analysis — and that it is a multidimensional systems analysis, and not merely a “one note Johnny” narrow expertise (just finance, or just physics), single “smoking gun” caused problem (as the “overpopulation” reductionists claim) or a promotion of a single route to salvation solution (as the “nuclear power” reductionists claim). Hagens’s is an integrated description of the dysfunctional global system, which Nature plus Humanity has become, rather than merely being an uncoordinated list of a myriad of disconnected disasters, pathologies, ruins and wrecks.

Hagens does make specific recommendations near the end of his video, aimed at getting us (particularly in the U.S.A.) to begin dealing with our ongoing global systems failure in a substantive manner. After that he adds a few seconds of wordless video that will delight all lovers of wildlife.

Any abstraction of Hagens’ presentation to a single phrase would wash away all its insights and nuance, and would be unjust to the cause of transmitting understanding to the public. But, if you want an indicative soundbite, here is my maximally reductionist summary: humanity needs to scale back its use of energy very very significantly, and permanently, and now — an energy diet — just like a forever-maintained eat-less food-calorie diet needed to break an individual free from obesity.

Hagens’ video will make any serious person think (and we all better get serious), and that is the first essential step for us ever having a chance to get out of the mess we’re in.

Earth and Humanity: Myth and Reality
16 May 2021 (Nate Hagens)
https://youtu.be/qYeZwUVx5MY

The following two paragraphs are my abstraction and consolidation of internet descriptions of Nate Hagens, with much of this information drawn from The Post Carbon Institute (https://www.postcarbon.org/our-people/nate-hagens/).

Nate Hagens has a Masters Degree in Finance from the University of Chicago and a PhD in Natural Resources from the University of Vermont. He is a former editor of The Oil Drum and worked on Wall Street for a decade before “seeing the light.” Since 2003 Nate has shifted his focus to understanding the interrelationships between energy, environment, and finance and the implication this synthesis has for human futures. Previously, Nate was President of Sanctuary Asset Management and a Vice President at the investment firms Salomon Brothers and Lehman Brothers. Currently, he teaches a systems synthesis Honors seminar at the University of Minnesota ‘Reality 101 – A Survey of the Human Predicament.’

Nate focuses on the interrelationship between debt-based financial markets and natural resources, particularly energy, and the unplanned for risks from the coming ‘Great Simplification.’ He also addresses the evolutionarily-derived underpinnings to status, addiction, and our aversion to acting about the future and offers suggestions on how individuals and society might better adapt to the coming decades.

Jeff Gibbs 2019 video “Planet of the Humans,” released publicly on Earth Day 2020, was the most important presentation on the realities of our global “climate change” crisis to be made available in many years (https://planetofthehumans.com/). Nate Hagens’ new video “Earth and Humanity: Myths and Reality” is of much grander scope and at least of equal importance. See it and don’t get defensive, then refine your own stance from your points of disagreement with Hagens, and/or improve his systemic analysis, which is the type of thing needed to converge politically on what in all honesty would have to be called a World Plan for guiding human civilization through a transition — the Great Simplification — to a post carbon future, without suffering a catastrophic and life-ending collapse.

As a 20th century mechanical engineer who focused himself on the 19th century science of thermodynamics (and got away with a career in experimental nuclear explosions), I’ve said all what little I was competent to say about the physics and economics of “climate change.” So at this point all I can offer on the topic is bad poetry, and I’ll spare you that. But I can also recognize the value of new presentations like those of Gibbs and Hagens, and urge others to see them, study them, and act on them.

I am mindful of the urgent and totally justified demand posed by the next generation onto us world-controlling and world-destroying adults, through the voice of Greta Thunberg, for “action!” Nate Hagens’ systemic analysis is a very important step toward answering the questions of “what actions?” and “how do we implement them?”, and of actually working on Greta’s demand.

[Thanks to Isabel Ebert for pointing me to Nate Hagens’ video.]

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ADDENDUM:

Richard Heinberg both appears in “Planet of the Humans,” and leads the Post Carbon Institute.

The Most Colossal Planning Failure in Human History
May 2021
Richard Heinberg
https://richardheinberg.com/museletter-339-the-most-colossal-planning-failure-in-human-history

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For A Better World

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For A Better World

Utopia is an illusion that can be experienced dynamically, not statically; locally, not universally. You can maintain it for yourself for a while by a continuous effort, in the same way that a juggler maintains the ephemeral sequential image of three, four or five balls suspended as a constellation in midair. Your utopia is like that flickering image of uplift defying the gravity of oblivion because it is entirely an expression of your unrelenting artful input of purposeful energy: it is you. The constellations you juggle into flickering existence have as elements the people you relate to and trade influences with. When your juggling and theirs have resonances, your utopias become shared and sympathetic. If such sympathetic resonances have sufficient scope their utopian dynamic may last beyond a human lifetime, being passed on to subsequent generations. But, how large a scope and long a duration can we reasonably expect such personal utopias to have? Probably that of a family’s experience for a generation or less.

So, the challenge for the person who wishes to live in a world of compassion, of enlightenment and of justice, is to make and continue the effort to juggle a bubble of utopia into existence, despite the evident lack of compassion, enlightenment and justice throughout human history, and throughout so much of the world of the present day: to be ethical, generous, moral and tolerant in a world that seems forever dominated by venality, greed, lack of principles, and brutal intolerance. The challenge is to remain a steadfast and good-humored agent of good while being carried away by a torrent of corruption cascading to perdition: it is to be quixotic without shame. How is one to maintain such a purpose and find fulfillment in such a thankless role? Oblivion’s gravity is endlessly capable of sapping your energies to exhaustion, and oblivion’s glitter is endlessly capable of shattering your ambitions by ridicule and by trapping you into temporal failure: a lone monkey shunned by the collaborationist troop.

Why would anyone persist as such a challenger then? It seems clear that such perseverance emanates out of a sense of self-respect and self-worth: the maintenance of personal character measured against an absolute scale of moral conduct, without reliance on social bonds for the support of morale. This is pure defiance and pure celebration, the ultimate in self expression and self abnegation. It is the brave social insanity of a fully aware and fully sane person immersed in the insanity of a cowardly and tribal world, and resisting it. The radiation of such personal power, by lived example, is what can influence and resonate with others and possibly coalesce into the psychological and physical forces that levitate what few utopias exist at any given moment.

“Character is fate,” and utopia is personal character maintained in defiance of the overwhelming forces of assimilation, decay and inertia. To fret about “the end of the world,” which is always increasingly likely to occur as our history advances, is to pin our hopes on the illusory externality of a general coming together of human vision onto a consensus for moral action for the common good. The self-realized quixotic challengers for utopia know this is impossible, and that the continuation of whatever decency of existential experience they have managed to juggle into being are only propelled by self-generated and self-directed efforts independent of societal externalities. For them the end of the world is the collapse of decency consequent to the collapse of self, and the collapse of personal integrity, regardless of the collective course of fractious society. Objectively, our physical and social world could easily end, and soon, catastrophically and painfully. But, subjectively, no one of us is compelled to implode their intellectual and moral selves in collaborationist surrender to the many forces of decay leading to that extinction. We always have the power to seek sharing a nobility of lived experience regardless of what external reality confronts us with. Survival is a matter of chance, nobility is a matter of choice. Be well in that realization.

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Human Solidarity and Nature Conservation

“As far as we can discern, the sole purpose of human existence is to kindle a light in the darkness of mere being.” Carl Gustav Jung [1]

Life is the actualization of potentialities embedded within the biochemical processes that form the mechanisms of genetics and evolution. Does life have a purpose, or is it entirely a statistically random fluke made possible by the astronomical number of possibilities available for the expression of molecular chemistry in the wide array of physical conditions interspersed throughout the vastness of space? To believe that life has a consciously intended purpose is to believe that life is an intentional creation by a conscious supernatural entity or entities. If so, what is that purpose?

We know that the most elementary organisms of proto-life, like the SARS-CoV-2 virus that infects people with the deadly COVID-19 disease, have no purpose beyond the mindless mechanical continuation of their genetic formats, by feeding their metabolisms through parasitism. But, what of more conscious organisms, like: plants, animals, us?

We humans pride ourselves as presumably having the most highly developed conscious minds of all life-forms on Planet Earth (though very deep ecologists and naturalists disagree with this presumptuousness). From this human-centric point of view, the various levels of consciousness of living organisms are all evolutionary adaptations enhancing the survivability of individuals, to thus enhance the likelihood of the propagation and continuation of their species as environmental conditions change.

For believers in the supernatural there is an imposed obligation, or supra-natural goal, or “higher purpose” to human consciousness, which can be most generally characterized as finding union with God. For non-believers, the fully conscious experience of being alive is the totality of that higher purpose. In either case, the realization of that purpose is to be had by the combination of human solidarity and nature conservation.

Homo sapiens are social animals, and their full development as individuals — their realization of purpose — requires social connection and connection with Nature.

TALES BY LIGHT

“Tales by Light” [2] is an Australian television series (in 3 seasons) about the use of photography and videography to tell stories visually so as to change society for the better: activism. Here, I am only writing about episodes from Season 3. By its very nature this series is visually “beautiful” — in terms of the technical perfection of the image composition, capture and presentation — even when abysmally grim and ugly situations are being shown in order to advance the complete story. This is about emotional punch delivered visually. And of course, incredibly happy bursts of emotion are delivered in the same way by the presentation of images of lushly colorful nature, and joyful and inspiring scenes of human warmth, kindness and sheer exuberance. The three stories (each given in two parts) that affected me were:

1, CHILDREN IN NEED: This story, by Simon Lister, is about the children of Dhaka, Bangladesh, who scrounge through the most disgusting, unsafe and unsanitary heaps of rubbish to find scraps of material that can be recycled locally — like plastic forks and containers — in the abysmal poverty of their society; or who do difficult work in unsafe and toxic conditions to support their families. There are millions of these kids in Bangladesh.

Many Bangladeshi kids work in primitive workshops with zero health and safety codes, procedures and equipment, for example to produce pans and bowls by hands pressing sheet metal against spinning mandrels, again with no protective shields from whirling machinery gears and belts right at hand; nor any proper ventilation and filtration to protect them from toxic metal dust, or fumes in workshops using solvents and chemicals.

The story of such child laborers in the poorest societies on Earth is being documented as part of a UNICEF program to bring world (rich world) attention to the problem of child labor, and to generate financial resources to then provide safe and sanitary spaces for such children to be able to get food, education, rest, shelter for the night off the streets, and the joyful companionship of other children. But, since the money these children gain from their difficult and hazardous work is always the lifeline for the support of their families, often of single mothers, such a labor force is considered “normal” in their societies, and lamentably economically essential for these individuals.

The ultimate “solution” for eliminating this heartbreaking situation would be a worldwide awakening to an actual commitment to species-wide human solidarity. That that idea becomes self-evident through the medium of photography testifies to its power as an art-form.

2, PARADISE IN PERIL: This story, by Shawn Heinrichs, is of the conservation of the ocean biodiversity and habitat of the Raja Ampat Islands. Here, the art of photography is being used to present the story of the value of an amazing tropical coral reef and mangrove forest environment in New Guinea (Indonesia).

That story is told in two directions, first “upscale” to the societies of the wealthy industrialized and developed economies, to generate financial resources needed to establish locally manned, maintained, patrolled, owned — and in selected zones sustainably fished — marine reserves, and to ensure their continued operation and ongoing scientific study.

That story is also told “downscale,” in video presentations in their own language to the actual people living in the environments that are being protected, so that new generations of conservationists grow out of the youth of that indigenous population, now fired up with a greater understanding of the positive impact their healthy local environment has on their own lives as well as on the global environment.

The emotional impetus to these conservation efforts, both locally and remotely, is sparked by the visual impact of the photos and videos of the stunning and vibrant beauty of life moving in that magical submerged translucent habitat. The Raja Ampat Islands is one of the few places on Earth where all measures of biodiversity and ecological health are improving right now, even despite advancing global climate change; and this is entirely because of cooperative human intentionality.

3, PRESERVING INDIGENOUS CULTURE: This story by Dylan River, an Australian filmmaker with an Aboriginal grandmother, is of the recording for posterity of Aboriginal ways and languages slowly being lost with the passing away of elders, of the stories behind some of their ancient rock art, of ways of living off the land and sea while being intimately connected to the natural environment, and of community as the essence of being.

On a visit to Arnhem Land, Dylan is immersed into a welcoming ritual by the Yoingu people, whose spokesman at the event states that though Dylan is from far away he is “part of the family” as is everybody in spirit. The entirety of this brief and simple greeting conveys a fundamental truth that is more clearly and wisely stated, and lived by the Yoingu, than with any of the fatuous self-satisfied pronouncements by our many supposedly powerful and always hypocritical political leaders, who collectively oversee and exacerbate the poisonous fractiousness and sociological cannibalism of our national and world societies.

The basic truth here is that every human being “is something Nature is doing” — as Alan Watts put it — and that Nature is integral, it is a harmoniously self-entangling network of life. And that is what healthy human community should be.

I recommend this series to you because of its many simultaneous dimensions of beauty.

To my mind, the financial investments made by the executives of Canon Incorporated, National Geographic (a subscription television network in Australia and New Zealand that features documentaries, and is owned by The Walt Disney Company), and Netflix, to produce and broadcast this series were very worthy, even as I know there would necessarily also have been a component of profit motive in those investment decisions.

What is needed in our world is ever the same: more human solidarity and nature conservation. The wider broadcast of these three stories from the series Tales By Light could help awaken more people to that realization, or at a minimum give some comfort to those who already know.

Acknowledgment: Gretchen Hennig perceptively brought Tales by Light to my attention.

Here is a musical ornamentation to all the above; about a child, really any child: “Chihiro.”
https://soundcloud.com/ellasolanagarcia/chihiro

Notes

[1] “Our age has shifted all emphasis to the here and now, and thus brought about a daemonization of man and his world. The phenomenon of dictators and all the misery they have wrought springs from the fact that man has been robbed of transcendence by the shortsightedness of the super-intellectuals. Like them, he has fallen a victim to unconsciousness. But man’s task is the exact opposite: to become conscious of the contents that press upward from the unconscious. Neither should he persist in his unconsciousness, nor remain identical with the unconscious elements of his being, thus evading his destiny, which is to create more and more consciousness. As far as we can discern, the sole purpose of human existence is to kindle a light in the darkness of mere being. It may even be assumed that just as the unconscious affects us, so the increase in our consciousness affects the unconscious.”

C. G. Jung (1875-1961), from the closing chapter of his autobiography “Memories, Dreams, Reflections,” entitled “Life and Death,” written between 1957 and 1961. This excerpt is highlighted and discussed at
https://www.brainpickings.org/2012/03/13/memories-dreams-reflections/

[2] Tales by Light (on Netflix)
https://www.netflix.com/title/80133187

Tales by Light (official website)
https://www.canon.com.au/explore/tales-by-light

Tales by Light (series described)
https://en.wikipedia.org/wiki/Tales_by_Light

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Movie Reviews by MG,Jr. (14 November 2020 – 8 April 2021)

CODED BIAS

“Coded Bias” is an exceptional film about how Artificial Intelligence (a.k.a. A.I.), or “algorithms,” has become powerful technology used without accountability, and despite its high level of harmful failure, all for extending the Big Brother type authoritarian control of the public by the state (which is being done overtly in China, and covertly in the U.S., England, and who knows?); and also about the unaccountable manipulation of the public for the financial gains of the small group of very rich people (overwhelmingly white males) who own and control that technology. The title “Coded Bias” comes from the fact that the racial biases (against darker-skinned and ethnic minority people, and ‘different’ sexual-identification people, and physically challenged people) and class biases (against poor people, the more poor the more discriminated against) of those controlling self-aggrandizing white men, and the Big Brother authoritarians, are literally coded into the mathematics that constitutes the mechanisms of the algorithms used to surveil you, to alert police if you are a criminal (very, very many false positives with this), to determine what job opportunities you will be allowed, what prices you will pay for online goods, what financial services you will be granted, and in many ways what punitive actions will be taken against you — and for none of that will you be given any warning nor told how such determinations were made. Complete violation of your 14th Amendment rights (to due process, and which can be logically explained and independently verified; i.e., not a Black Box with a red eye called HAL9000). This important film is available on Netflix now (see website), and also has its own website (see comment). An especially uplifting part of this film is seeing the amazingly talented technically trained and technically savvy women — which include incredible Black Women — who are on the forefront of the citizens’s effort to correct, regulate and ban, as needed, this technology. This is a film about POWER and its use of AI technology to remove freedom from the mass of the public, and to implement its biases through the Internet (for example as regards economic disparities based on race, and the swinging of elections to undermine democracy). I urge you to watch this film (I was pointed to it by a woman, Gretchen, who knows how to pick them).
Coded Bias
https://www.netflix.com/title/81328723

Coded Bias
https://www.codedbias.com/

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SATAN & ADAM

“Satan and Adam” is a lovely documentary about “an aging blues guitarist and a grad student form an unlikely duo while busking on the street corners of 1980s Harlem.” Their music is REAL, authentic; and their story: together, apart, together, old age, is both a reflection of the racial attitudes and politics of the U.S. over the last 35 years, and also a reflection of their own distinctive and idiosyncratic personalities. It is also a very touching story of the power of music to heal individual human spirits, and collective human communities. And also, these guys kick ass when they play!
https://www.netflix.com/title/81077539

https://en.wikipedia.org/wiki/Satan_and_Adam

https://www.modernbluesharmonica.com/satan_and_adam.html

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LORENA

“Lorena” is a short 2019 documentary film about a 25 year old Tarahumara woman (Lorena Ramírez, Native American, living in the northern state of Chihuahua, Mexico,) who runs and wins ultra-marathons wearing sandals and her native dress (skirt!). Her whole family lives a pastoral life deep in hilly country, and they are all runners. Lorena Ramírez has won some of the hardest races in Mexico, like the Guachochi Ultramarathon in 2017, where she ran 100 kilometers wearing her sandals and traditional dress. Because of her prowess as a long distance runner she has been invited to other countries to compete. In 2018, Lorena traveled to Spain to run the Tenerife Bluetrail and came in third place after running 102 kilometers, also running with her sandals, with which she has run more than 500 kilometers in total, including Mexico City’s Marathon in the same year. Unlike her brothers, Lorena doesn’t speak Spanish because she didn’t have the opportunity to attend school and learn the language. She speaks Tarahumara in a soft voice, with words that sound so sweet and musical that you just want to listen to her telling her story. [Some of these lines came from the culturacolectiva website.]
https://www.netflix.com/title/80244683

https://culturacolectiva.com/movies/lorena-ramirez-light-footed-woman-runner-netflix-documentary

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BIRDERS

“Birders” is a short 2019 documentary about the crucial natural habitat for migratory birds, spanning both sides of the Rio Grande and along the Gulf Coast on either side of its confluence with the sea. This area has the highest concentration of birds in the U.S. because it lies along the flyways for many species of birds that migrate between North and South America. So, it attracts bird watchers, both professional (who do banding) and amateur, from all over the world. And this natural environment is threatened, and in parts has already been destroyed, by the clearing of land to build Trump’s Wall. There are Americans and Mexicans, each working on their side of the border to monitor, protect and preserve this natural habitat, and to count birds to help quantify the waxing or waning of the health of their many species; and they also teach and enthuse people (children and adults) about the loveliness of avian life and the value of seriously appreciating and effectively preserving Nature.
https://www.netflix.com/title/80244682

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MAGICAL ANDES

“Magical Andes” is a beautiful series; it is about the love of mountains, the pristine expansive wild, and lives closely entwined with that environment far from human congestion. Season 1 has six ~24 minute episodes and spans the entire 8,500km length of that mountain chain from south to north; Season 2 has four ~24 minute episodes and touches on different points of the same regions, from north to south. Brief and elegant narration is in English, interspersed with many reflections, in Spanish, by Andean residents from Patagonia to Venezuela; in Season 2 the English subtitles to the Spanish speakers is dropped. Photography is breathtaking throughout, clearly camera-carrying drones were used to great advantage. The music accompaniment is very tasteful, and guitar music for the most part. Throughout the series one can catch a few glimpses of people whose way of living reflects what I imagine a post de-growth lifestyle might be like for more of “us.” If you love Nature, and have a poetic sensibility, you would enjoy this series.
https://www.netflix.com/title/81154549

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CAPITAL IN THE TWENTY-FIRST CENTURY

“Capital in the Twenty-First Century” (2019) [1:42] is an excellent, very informative, and provocative (TRUTHFUL!) documentary. I recommend it as the single best “economics class” (under 2 hours) you can take today. The presentation is clear and easy to understand, without being “dumbed down.” It explains exactly why your economic situation today is the way it is, whatever your economic class and generation happens to be. The system is rigged (duh) and this documentary show how, why and for whom; and it clearly shows what needs to change if we (all of us) are to avoid a cataclysmic social breakdown, another WWI/WWII type catastrophe on a worldwide scale. I especially recommend it to my kids and their generation: to help them know why we need a revolution, and where and how that revolution should be aimed.
https://www.netflix.com/title/81239470

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DAVID FOSTER, OFF THE RECORD; CLIVE DAVIS, THE SOUNDTRACK OF OUR LIVES; QUINCY.

These 3 documentaries are about famous music producers and industry/finding-talent executives. These 3 guys are famous, and have splashy documentaries made about them because they promoted many singers from obscurity to superstardom, and made them rich, while making their music corporations very, very much richer. So, naturally, the biz and Hollywood are very awed by and interested in them.

They each have certain personality and character traits that I do not care for, but of course people are all different, and it is always a bit hazardous to judge (and yet of course I do).

What I think is most valuable in these documentaries is that there is a great deal of discussion of and presentation on the nitty-gritty work in the studio: music and song composing, arranging, recording, working (and/or fighting) with the singers and instrumentalists. I found those parts quite interesting.

These 3 guys are “legendary” because they were behind many of the mega-hits from 1968 to today, and in a wide variety of popular music genres.

The documentary I think stars-in-their-eyes people are most likely to find interesting is about David Foster, an incredibly talented and capable musician who is regarded as the “best” music producer alive (along with Quincy Jones).

David Foster, Off The Record
https://www.netflix.com/title/81214083

The second and third, and closely related documentaries are about Clive Davis and Quincy Jones, respectively, legendary music moguls who discovered and promoted many pop-music superstars.

Clive Davis, The Soundtrack of Our Lives
https://www.netflix.com/title/80190588

Quincy
https://www.netflix.com/title/80102952

Quincy Jones was a formidable jazz musician in the 1950s, then did jazzy film scores for 1960s movies, and went on to become a “legendary” music producer.

While these three producers/executives were focused on making mega-hits for corporate mega-bucks, what these documentaries can show that also applies to independent music production (recorded music) in less-mainstream more artistic and smaller-audience fields of music is the technicalities of working out the final recorded tracks, which combine the talents of a variety of people.

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FIVE CAME BACK

FIVE CAME BACK (2017) is very interesting as American film history, BUT the real value here is the reminder by series’ end that previous generations — some of whose survivors still live among us — included many many people who sacrificed a great deal in order to allow our society to continue, and which despite its many dire failings still provided very good lives to most who are reading this. It is important to keep gratitude for those who preceded us and strived and suffered to do their best to pass on chances for decent lives for the young of their time, and those yet unborn. And the only useful way to express that gratitude is to emulate the best efforts of our parents’ and grandparents’ and great-grandparents’ generations, for the benefit of our children, which is to say all of today’s children, and those yet unborn. And we cannot expect they will notice, or realize, or acknowledge or honor us. We can’t have such selfish expectations: why should today’s kids be any different from us when it comes to being grateful for the good things they get? They have to learn just as the more thoughtful of us have had to learn: in part by becoming more aware of the realities of the past, and in part by the struggles and frustrations of our own experiences. It all comes out of self-respect. Let me reassure you, I am not preaching here. I am reflecting for myself about my own always-expanding awareness and understanding of “life,” and how I should conduct myself if I can summon enough courage to do so. I think gratitude and self-respect should be the sources of individual human actions, that those actions should be decent and for authentic good, and that any nation improves as more of its people take on that sense of personal responsibility, because it preserves and strengthens the commonwealth: the interconnectedness of us.
https://www.netflix.com/title/80049928

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GREATEST EVENTS OF WWII IN COLOR; THEY SHALL NOT GROW OLD

I just finished seeing the Netflix documentary series, “Greatest Events of WWII In Color” (2019), and can recommend it. What the film restoration and colorization does is to bring the frightening intensity and reality of the events much closer to the viewer. This is the kind of startling effect, from old grainy originally black and white war documentary films, pioneered by Peter Jackson with his visual restoration, sound reconstruction, and colorization of World War I films, for the riveting compilation released in 2018 as “They Shall Not Grow Old.”

The 10th and final episode of the WWII series is on the atomic bombings in 1945 and the closing out of the war against Japan. All this excruciating history continues to have many essential lessons too few of which have been heeded even in the present day. The total sweep of that history, really from the Treaty of Versailles in 1919 to early August of 1945, is a massively horrible build-up of savagery, and vastly widespread dehumanization of national populations, because of their prosecution of and/or victimization by the industrialized crescendo of the 20th century’s chained sequence of world wars.

That savagery was at its peak, and the ability to see “the enemy” as human beings was at its dehumanized nadir, in 1945 especially in the Pacific War. That poisoned psychology combined with extreme and widespread war weariness, and the press of many antagonistic forces and ambitions embroiled in the overall war effort inexorably led to the atomic bombings despite them being logically unnecessary, a position openly, persistently and yet unsuccessfully championed by Admiral Leahy.

Looking back one can see how the consensus-mind of the American leadership and the public was so hardened by their years of war, and so frightened of that war continuing with even greater ferocity with an invasion of Japan, and so desirous for it all to ‘end now, with victory,’ that it was overwhelmingly in favor of the atomic bombings regardless of any logical considerations contradicting that emotion and in favor of better alternatives. Tragic.

That was then; but now eight decades later the great majority of the American people and other fairly secure people in the industrialized world do not have that soul-sucking war-dread as a constant daily experience, as did the traumatized participants in WWII, and so we all should have the ability to rationally analyze the utility of nuclear weapons today both for our own nation’s use, as well as by others. Logically, they are obsolete and counterproductive.

I see the “great lesson” available to us from Episode 10 of the WWII documentary series mentioned here, as being that we non-traumatized by direct war experience populations CAN and SHOULD apply a psychologically mature and humanized logic to the construction of “national defense” methodology that removes the barbaric and ultimately self-destructive cruelty of nuclear weapons from our military and political thinking, and from our national infrastructure.

By its final episode, the vividness of the colorized documentary of WWII gives one an emotional tug that can act as a visceral push behind such logical efforts to really “ban the bomb.”

We CAN learn from history, IF WE WANT TO.

Greatest Events of WWII In Color (2019, trailer)
https://www.netflix.com/title/80989924

They Shall Not Grow Old (2018, trailer)
https://youtu.be/IrabKK9Bhds

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ASPHALT BURNING

If you are a motorhead, see this movie!! It’s Norwegian, and ends up at Nürburgring. It’s a total motorhead’s dream. We saw it on Netflix (dubbed). It seems there were two earlier ones (movies) in a series in Norway. You’ll love it!! (Global Warming can wait).
https://youtu.be/ViUFEs5cyhY

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HE EVEN HAS YOUR EYES

This is a fabulous movie, both thought provoking and funny. A wonderful take-down of racism in all its colors. This lovely French movie, centered by African-Franco actors, and without any guns, explosions, special effects, CGI or gratuitous violence, manages to say more about racism as habit and fear (two forms of “tradition”) being a great hinderance to having a modern society everyone can enjoy, based on simple human love and honest human connection. This movie is a “comedy” in the sense that it is never a lugubrious heavy drama, neither gratingly hysterical nor deadeningly slow; it is like a fine Burgundy wine: light bodied with a depth of flavor. See it.
https://youtu.be/7mNuKbk01ZA

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ROSE ISLAND

The only foreign military invasion mounted by the post WWII Republic of Italy was against “Rose Island” in 1968. Rose Island was a metal-platform island micro-nation constructed by Giorgio Rosa, an engineer, 500 meters outside Italian territorial waters off the coast of Rimini (6km). The Italian government became incensed by this act of pure independence outside its control, and decided to destroy the island. This prompted Giorgio Rosa to take his case to the United Nations and the Council of Europe, which latter agency was designed to hear disputes between nations, and so decided to hear the case since Rosa was a head of state! During the summer months, Rose Island was essentially a boating party location and discotheque in the Adriatic, but Rosa and his friends created a government, post office, issued passports and received hundreds of application for citizenship. Italian marine forces invaded, forcibly removed the people from Rosa Island and blew it up. Subsequently the European nations changed their laws to extend their territorial waters (and claims of judicial control) out to 12km. The movie is a breezy comedy that relates the whole story. What is clear is that power, especially the imbalance of power, is what actually governs government behavior, not the rule of or the respect for law.
https://www.netflix.com/title/81116948

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ADULT WEDNESDAY

“Adult Wednesday” is a series of short very humorous videos made by Melissa Hunter, based on the idea of Wednesday Addams, of the famous Addams Family cartoons, now on her own. Her various interactions with “normal” society are hilarious. Sadly, the series was ended because the copyright owners of “The Addams Family” objected. The web-link will take you to a starting point for the sequence of the Adult Wednesday videos (if still up). All are good. The one of catcalls to girls is delicious (girl wins).
https://www.youtube.com/watch?v=lXmpC0wpuso&list=PL0XAjui-xK6XE4PRT64WAthU6j1NmrOqU&index=14

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THE SPACE BETWEEN US

I saw “The Space Between Us” (2016) on Netflix. It is a bloated techno-gargantuan cross between a faint echo of “Brave New World” and the trim 1980 movie “Starman” (which was good). The premise is that a kid born as a surprise on a Mars colony is too weak to live in Earth’s gravity, and so must remain “classified.” He is brought back to Earth as a 16 year old in hopes he can be strengthened to survive there; he escapes confinement to look for his mystery father; has a roadtrip romance with a quirky wise-ass runaway foster-kid girl, and everyone has a happy ending to this story. It could have been more tightly constructed for a good 90 minute movie, but it rolls out amiably enough over 2 hours with nice visuals and up-to-the-minute spacey sets and effects to distract you from the numerous logical fallacies and improbabilities linking the elements of the story (easily done if you don’t take a critical attitude). I enjoyed it as simple harmless entertainment; it is not art, it is not deep: it’s meant for a mass audience. Asa Butterfield plays the Mars Boy with the same cute naïveté other-worldliness he displayed in the movie “The House Of The Future” (with Ellen Burstyn, peripherally about Buckminster Fuller’s legacy). Gary Oldham plays the big honcho Space Business (for the Mars Colony) “visionary.” The mama surrogate is played by a Ms. Guglio, who also had a big role in a recent movie where Patrick Stewart (“Jean-Luc Picard”) plays an old ballet master and choreographer (which movie is a 3 person play of sex talk). This movie is a way to spend some COVID lockdown time, after you’ve washed the dinner dishes and you’re tired of reading an actual book for the day.
https://youtu.be/x73-573aWfs

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THE OTHER SIDE OF THE WIND

“The Other Side Of The Wind” is Orson Welles’s last movie and is a satire on movies, movie-making and celebrity culture. It is also a visually stunning 1970s cinematic parody of 1970s art movie pretensions; a comedy about the vacuity of the whole movie and celebrity business, and literally a confection about nothingness. Wind is the flow of air through a volume, it is not an isolated bounded solid object. It has no side since it is the swirl, rippling and eddying of the ocean of atmosphere we live within, and thus can have no ‘other side.’ To those not scientifically minded wind is the sensation of anything between the blushing to the gales of nothingness. To seek deep insights from Welles’s movie is to look for an answer blowing in the wind. Welles gets some delicious payback on movie critics through this film (and it was all actually photographed on film between 1970 and 1976), as well as skewering Antonioni type films like “Zabriskie Point.” Welles does one better on Antonioni’s finger to the American movie moguls by putting his “Zabriskie Point” parody, “The Other Side Of The Wind,” as a film within a film, being an incomplete movie run out of budget and the last hope for a comeback by a Hemingway type directorial titan of Old Hollywood at the end of his rope and trying to connect with youth and the New Hollywood. The actual cinematic technique used is a kaleidoscope of modernity employing black and white, color, quick cuts, enigmatic scenes, mockumentary structure, and zig-zagging progression. Welles had a lot of help from a lot of friends to shoot this movie and then to finally have it assembled as he would have wanted. Welles died in 1985, and the movie finally appeared in 2018. I was fascinated by it, and then tickled to realize that Welles had done a magic trick on me to make me think seriously about nothingness: the cultural vacuity of the flickering lights so many are so obsessed about.
https://youtu.be/nMWHBUTHmf0

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A LIFE AHEAD

“A Life Ahead,” an excellent brand new (2020) film with the legendary Sophia Loren (86!!); very modern, very heartstring-pulling, amazing performance by the young actor playing Momo (all the performers were good) – this is his story. The setting is the seamier side of 2020 Italy (but there are still beautiful souls living there).
https://youtu.be/a0ejncDxgCc

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IO

“IO” is an imaginative realistic speculative fiction about a post end-of-the-world time of environmental poisoning, and its last two survivors. By “realistic” I mean that it is not one of the bombastic live-action special effects fantasy plus horror cartoons that is the popular standard today for science fiction movies. The story is reminiscent of the seminal 1949 novel “Earth Abides.” So, most movie fan comments about IO are quite negative, indicative of an intelligent screenplay thoughtfully filmed. The movie is a largely French production, filmed near Nice, Bulgaria and California. The visuals, acting and pacing are all good as befitting the somber and very lonely situation being portrayed. The types of scientific, literary and artistic references made in the dialogs make for a too cerebral movie for many simple-minded movie fans, but lend this film much of its merit. This film seeks to make you think, not shock and excite you with gimmicks like frenetic pacing and jump cuts. In a rather elliptical way, the ending reminded me of Stanley Kubrick’s “2001: A Space Odyssey.”
https://youtu.be/y3GLhAumiec

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DOWN TO EARTH

“Down To Earth” is a recent (2020) TV series showing varieties of healthy sustainable ways to live, from selected countries in Central and South America, and Western Europe. It’s has a breezy tone but does show quite a variety of interesting an important aspects of “food” and “living” and the damaging effects of human wastefulness and lack of connection to Nature, and thus “climate change.” The episode on Puerto Rico is especially recommended because it shows how people dealt with the catastrophe of back-to-back hurricanes Irma and Maria, and continue to deal with the catastrophe-by-Trump-malice-and US-government-neglect, of loss of homes, electricity and environments. Showcased are examples of how individuals came together to respond to problems left unattended by the failures of government. The “star” of the series is its executive producer Zac Efron, no David Attenborough, but still deserves credit for producing a series with much good in it for the cause of advancing public awareness in favor of revamping American (industrialized, consumer-oriented) society for ecologically enlightened sustainability, and healthier eating habits. It is mainly aimed at typical, and by world standards well off, American viewers – it is no rabble rousing radical revolutionary documentary, but it does make many good points despite the many visits to Michelin multi-star restaurants.
https://www.netflix.com/title/80230601

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Salvation

Painting of the Roiling Ocean, by Ivan Konstantinovich Aivazovsky

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It is sad indeed to see an oppressed people destroying itself through factionalism and civil war, while a far more powerful enemy squeezes them out of their land and lives. I have read of such in Thucydides, but it is too painful to watch in my own time. And, such a sad spectacle turns foreign eyes away, withdrawing their compassion and respect, and leaving “the lost” to their fate of ultimate disappearance. You and I, Nadia Issam Harhash, know that a universal solidarity among humans is the only salvation for all of us, but you and I also know the unfortunate truth that too many of those humans will resist contributing to that salvation to the bitter end: a death cult. What is left to people like you and I is to speak out against the death cult (and hope we are not silenced), and then also retreat into care of our families and immersion in being creative artists, so as to keep our sanity while we live. As an engineer, I always look for solutions to problems, but here as in so many other times and places the “solution” is purely one of choice: unrestrained compassion, respect and solidarity for and with the other members of the homo sapiens species. To me, all politics and all religions are madness, and should disappear. Heraclitus (~500BC) said “Bigotry is the disease of the religious,” and politics is so obviously the mechanisms of organized greed. Salvation will NOT come down from some Sky God in Heaven, nor from Hell out of the barrels of guns; salvation can only come from human hearts and souls who have come to realize that they each are merely momentary wave crests in a sea of humanity flowing within an ocean of Life. Peace.

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The Five Allegiances

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The Five Allegiances

“We be of one blood, ye and I” — Mowgli, in The Jungle Book, by Rudyard Kipling

The hierarchy of the five allegiances is: nepotism, tribalism, classism, nationalism, humanism.

Family connection is the emblem of conformity with nepotism.

Group identity is the emblem of conformity with tribalism. That emblem can be: race, religion, language, ethnicity, cult bondage.

Money wealth is the emblem of conformity with classism.

National identity is the emblem of conformity with nationalism.

Species-wide identification as homo sapiens is the emblem of conformity with humanism.

Each allegiance is a strategy to gain competitive advantage over other human beings. That competitiveness decreases from extremely intense with nepotism, to absent with pure humanism.

For each allegiance, those above it are barriers to its complete success. Humanism, being the least competitive relationship between humans, is also the most stymied by the combination of: nationalism, classism, tribalism and nepotism. We see this reflected in the inhumanity of homo sapiens world society, for which deprivation there is no compelling physical nor sociological reason.

Nationalism is stymied by the combination of classist greed, tribalist bigotry and family-linked corruption; and it is slightly diluted by expansive humanist cosmic consciousness. The managers of national governments, who are too often motivated by the three higher ranked allegiances, may at times try to unite a multicultural national population with the imagery of democracy, equality, inclusion and diversity. This is particularly so when armies have to be raised for wars of national defense and foreign conquest.

Nationalism is most successful when applied through a lush and expansive economy providing a high standard of living for all. In providing secure and fulfilling jobs with good pay, and which ease the existential anxieties of individuals and gives them roles they can adopt as emblems of self worth, economic nationalism in essence pays people off to relinquish their reliance on classism, tribalism and nepotism. As the equitable economics of any nation withers, so does its mass appeal to national allegiance, and deepens its fragmentation by classist greed, tribalist bigotry and nepotistic corruption.

Homo sapiens world society is devolving through a planetary sustainability crisis, of which global warming climate change is one compelling symptom. That crisis is driven by classism — economic greed — which is exacerbated by the other allegiances except humanism. The solution for overcoming that crisis is well-known: humanism applied with reverence for Nature and All Life, and in perpetuity.

Merely stating that solution illuminates all the barriers to its implementation. Besides being structural and non-personal in the sense of nationalistic competitions and economic exclusivities, such barriers are also weaves of egotistical personal attitudes and failures of moral character dominated by selfishness and bigotry.

It is clear, from looking at the aggregate of homo sapiens world society today, that the prospects for reversing that devolutionary planetary crisis are very dim indeed. For too many people, the idea of eliminating all the old socio-economic structures along with all their personal prejudices, and replacing them with a planetary humanism of species-wide solidarity to fashion a sustainable human-with-Nature world and truly radiant civilization, is just too fearful to even imagine let alone seriously consider. Certain death inequitably distributed by relentless impoverishment is by far preferred, even though most people suffer from it. The tragedy of human existence is that most people prefer to live out their lives and die without changing their ideas even when those ideas are harmful to them.

Frustrated humanists can easily imagine a worldwide French Revolution breaking out in defiance of that tragedy, with the decapitation of the nepotistic, tribalist and classist national managements, and with the eruption of a liberating world socialist nirvana. This is like the aspirational dream of Christianity held by the millions of slaves in the Roman Empire.

But in the sad reality of our present world, could any violent outburst by the impoverished and oppressed be motivated by a globalist liberating humanism, instead of merely reactionary survivalism for family, tribe and class? What few revolutions of this type not quashed in their embryonic stages by the economic and national managers, would soon recycle the same poisonous exclusivities of former times but with a new cast of leading characters.

To transcend this pernicious eddy and actually evolve humanity out of its present decaying stagnation would require a universal enlightenment of human attitudes and consciousness. And that is an unrealistically utopian thought indeed. But incredibly, it is neither a logical nor physical impossibility, just an extreme improbability.

Is it possible for us as individuals to increase that probability? Based on a realistic view of the long arc of human history the clear answer is “no,” despite the numerous temporary blooms of localized enlightened society that have occurred during the lifetime of our homo sapiens species. But it is depressing and dispiriting to live with that “no” dominating one’s thinking. The mere fact of having been born entitles you and every other human being with the right to enjoy a fulfilling life with a liberated consciousness, the right to seek achieving your full human potential.

One can seek that fulfillment along the simultaneous parallel paths of supporting a family of whatever kind, caring for others through both personal and societal means, creative immersion in arts, sciences and craftsmanship, and championing global socialist humanism by both intellectual allegiance to it and personal engagement with it in the political and societal arenas you are a part of, at whatever level. Ultimately, the course and fate of humanity is the sum total of the courses and fates of the individual lives comprising it, and the greatest impact we each can have on helping to steer that great stream is made by the quality of the choices we each make regarding the conduct of our own personal lives.

Achieving a morally enlightened personal fulfillment in no way guarantees the morally enlightened success of any subgroup the homo sapiens species — your family, your tribe, your class, your nation — and least of all of humanity as a whole; but it helps! And living with that as personal experience is very satisfying indeed.

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The Artistry of Gifting

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The Artistry of Gifting

In the book The Gift, Lewis Hyde described (among other things) how Bob Dylan benefitted enormously by having copyright-free access to traditional folksongs with which to hone his craft (and gain young artist income for performing them). The production of new art needs the free nourishment of old art in order to continue the cycle of cultural rebirth. http://www.lewishyde.com/publications/the-gift

Bob Dylan just sold his entire catalog of songs (to Universal Music Group) for probably upwards of $300,000,000. Stevie Nicks (of the band Jefferson Airplane, etc.) had previously sold her entire catalog for $100,000,000. Yea Heavy And A Bottle Of Bread, the Summer of Love has withered into the Winter Of Our Discontent: COVID spiking, mass loss of income, mass foreclosures, mass you’re on your own healthcare (mass health don’t care), mass social contamination, exclusive celebrity indemnification.

Tom Lehrer (now 92), the wickedly funny satirist and songwriter, has put his entire music catalog — lyrics and sheet music — in the public domain. He grants everyone permission to do anything they want with his entire artistic/musical output, without cost and in perpetuity. You have till 31 December 2024 to download any or all of Tom’s songs, before he closes his website. https://tomlehrersongs.com/

Who knew in 1959 that “Poisoning Pigeons In The Park” would morph into official U.S. government public health policy (for us homo sapiens pigeons) in 2020? https://youtu.be/yhuMLpdnOjY

Jonas Edward Salk (1918-1995) was a medical researcher who developed the first vaccine against the polio virus. Before the Salk injected vaccine was introduced in 1955, polio was considered one of the most serious public health problems in the world. The 1952 U.S. epidemic, in which 3,145 people died and 21,269 were left with some form of paralysis, was the worst polio outbreak in the nation’s history, and most of its victims were children. According to a 2009 PBS documentary, “Apart from the atomic bomb, America’s greatest fear was polio.” During 1953 and 1954, the average number of polio cases in the U.S. was more than 45,000; by 1962 that number had dropped to 910. https://en.wikipedia.org/wiki/Jonas_Salk

“Salk never patented the vaccine or earned any money from his discovery, preferring it be distributed as widely as possible.” https://www.salk.edu/about/history-of-salk/jonas-salk/

Between 1954 and 1961, Albert Sabin (born Abram Saperstein, 1906-1993), a medical researcher, went through a tremendous effort to develop and test an oral vaccine against all three strains of the polio virus. To develop and prove the safety of Sabin’s oral vaccine, upwards of 100 million people — in the USSR, Eastern Europe, Singapore, Mexico and the Netherlands — were tested with it.

The success of that campaign by 1960 opened the door to testing in the United States, on 180,000 school children in Cincinnati. The mass immunization techniques that Sabin pioneered with his associates effectively eradicated polio in Cincinnati, and that technique along with the oral vaccine itself broke the chain of transmission of the virus, and has led over the last four decades to nearly eradicating the disease worldwide.

“Sabin refused to patent his vaccine, waiving every commercial exploitation by pharmaceutical industries, so that the low price would guarantee a more extensive spread of the treatment. From the development of his vaccine Sabin did not gain a penny, and continued to live on his salary as a professor.” https://en.wikipedia.org/wiki/Albert_Sabin

On 12 April 1922, Frederick Grant Banting (1891-1941), Charles Herbert Best (1899-1978), James Bertram Collip (1892-1965), John James Rickard Macleod (1876-1935), and John Gerald “Gerry” FitzGerald (1882-1940) — the key participants in the project (in Canada) to develop therapeutic insulin, a project initiated by Banting in 1920 — wrote jointly to the president of the University of Toronto to propose assigning the patent for the artificial production of insulin to the Board of Governors of the University in such a way that:

“The patent would not be used for any other purpose than to prevent the taking out of a patent by other persons. When the details of the method of preparation are published anyone would be free to prepare the extract, but no one could secure a profitable monopoly.”

The assignment to the University of Toronto Board of Governors was completed on 15 January 1923, for the token payment of $1.00. Following further concern regarding (drug company) Eli Lilly’s attempts to separately patent parts of the manufacturing process, Robert Defries (Assistant Director and Head of the Insulin Division at Connaught Laboratories, which administered the insulin patent) established a patent pooling policy which would require producers to freely share any improvements to the manufacturing process without compromising affordability. https://en.wikipedia.org/wiki/Insulin#Discovery

“Tell me someone who’s not a parasite, and I’ll go out and say a prayer for him.” — Bob Dylan

Some people are successful in life and lucky, but some are successful at life and are radiant.

Seisetsu, a Zen master in ancient Kamakura, required larger quarters to alleviate the overcrowding of his many students. Umezu Seibei, a well-to-do merchant, decided to donate 500 piecers of gold (called ryo) for that purpose. “All right, I’ll take it,” said Seisetsu. But Umezu was dissatisfied with Seisetsu’s response because a person could live a whole year on 3 ryo, and Umezu had expected an effusive thanks. So he reminded Seisetsu that 500 ryo was a lot of money that he had been donated. “Do you want me to thank you?” asked Seisetsu. “You ought to,” replied Umezu. “Why should I?” asked Seisetsu, “the giver should be thankful.” [see #53 in the book Zen Flesh, Zen Bones, by Paul Reps (1895-1990)].

And that’s it, isn’t it?: you donate because you are grateful that you are able to do so. Gratitude is enlightenment, and that is the artistry of gifting.

The Gift is an excellent book, if you are an artist, or at least appreciate art, read it (try your public library). http://www.lewishyde.com/publications/the-gift

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Guy de Maupassant, and America Today

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Guy de Maupassant, and America Today

Having now read 98 of the 290 short stories written by Guy de Maupassant (1850-1893), from 4 English translation anthologies with many repeats between them, I am convinced that he was the best short story writer ever. The quality of his stories range from “good” to “masterpieces,” there are no mediocre nor bad ones.

Any writer aspiring to be a literary artist must read and learn from de Maupassant. He was a master of economy of style, brisk pacing, even-tempered wit, deep insights into human psychology that remain entirely relevant to this day, and of devising imaginative plots with deliciously apt denouements (endings).

He was superb at describing food, dining and cuisine, and also of sensory impressions like smells, with vividness. Also, he was a lyrical artist with his many passages describing natural settings: the sky at various times of the day and during various seasons, river environments, the woods, open hilly grasslands and plains, and weather day or night. The best equivalent I can recall in American literature is Mark Twain’s lyrical passage in “Huckleberry Finn,” on the early morning mists on the Mississippi River.

It is easy to find critics, from de Maupassant’s day to ours, who dislike him. This is because he was so truthful, and so matter-of-fact about it; never an appealing trait for people protecting cherished illusions and prejudices. Indeed, Guy de Maupassant does not show any prejudices, except perhaps for a marked dislike of cruelty, and a marked enjoyment of life, from which springs his enormous compassion for the very very flawed creatures that we human beings are.

Reading Guy de Maupassant as a social critic of the French Second Empire (1852-1870) and Third Republic (1870-1940), it is easy to see why that Third Republic fell in 1940. Jean Renoir’s 1939 film, “The Rules of the Game,” is a gem in this regard. The health of a nation is based on the attitudes of its people, and the attitudinal corruption riddling the Third Republic, despite its wonderful cultural elegance peaking during its Belle Époque (1880-1914), undermined its political strength against the subsequent assaults by fascism.

The attitudinal weakness and sociopathology of Americans today, as say compared with the awesome fortitude of the Russians of Leningrad (St. Petersburg) during the 2 year 4.5 month siege of that city during 1941-1944, or of the Cuban population for over half a century since 1961, is similar to the classism and dissolution of the French bourgeoisie during the Third Republic. But, today’s Americans are practicing their dissolution and societal enervation without the culture, grace or elegance of the 19th and early 20th century French.

That 70 million Americans could vote for Donald Trump in 2020 is the saddest commentary one can imagine on the abysmal state of the American Public Mind. While I have now read many thoughtful and statistically supported analyses, from November 2020, of the erosion of Trump’s political support and the electoral collapse of his regime, I remain convinced that his appeal was always based on one factor: bigotry by white people (and minority individuals who hankered to join the capitalist übermensch club) whose xenophobia is expressed as fear of being economically swamped by demographic dilution.

I acknowledge that Marxist analyses of the November 2020 election, based on their economic focus using their class analysis dissection of American society, are excellent; and that perhaps a few of the pop-psychology and ‘cultural’ commentaries on that election’s aftermath also offer some insights; but I think it all boils down to identity politics (voting for the projected ‘me’ reflected by a candidate), electorally, and gut “race-consciousness” emotionalism, which is stronger the less educated the individual. That very highly educated very rich people would also vote consistently for Trump and the Republican Party is entirely a function of their parasitism, but even with them gut-level racism is a factor in their sociopathological outlook on human society.

What is wonderful in Guy de Maupassant’s stories is that they are filled with a wide variety of characters, and many of these reflect the attitudes I just described with respect to American voters in 2020. So, one gets sharply drawn personified images of the many shades of those attitudes. Another aspect of his sharp insights into human nature is that we are not strictly governed by our rational minds (which rationalist-materialist stricture I see as the biggest gap in the Marxist analysis of human society), because humans in fact are much compelled by genetically programmed behaviors and tendencies erupting out of our ancestral evolutionarily honed instincts: our monkey genes. It is so easy to see Trump’s rabidly naïve functionally psychotic evangelically bigoted zombie horde as a purely reactive monkey troop defending its imaginary territory from “them!”

As regards American society in November 2020, the best that I can see is the growth of refreshing and enlightened attitudes in so much of the young population (under 45 years old), which was crucial to the electoral defeat of Donald Trump; and the best I can hope for is that a revival of real education occurs so that an increasing fraction of our younger citizens can learn how to better enjoy life by developing their minds beyond the limbic tendencies embedded in our monkey genes. It is such people who will propel any economic and political improvements that may occur in American society in the coming years, and which are absolutely essential for making credible organized responses to the challenges posed by the SARS-CoV-2 pandemic, the destruction of world environments and the loss of biodiversity, and the overarching threat from global warming climate change.

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Last Words

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Last Words

They hate us because we remind them of what they fear most — dying — and so they torture us, withholding morphine to punish us for our dying, to deny us some final joy, and they call that morality, righteousness against the sin of addiction. But, I know what it really is, deep down, it is the pleasure of cruelty inflicted on the helpless by terrified weaklings. Our only vengeance is knowing that in time they too in all likelihood will suffer this if they are unfortunate enough to fall under the power of those now young whom they abuse by training, which they call religion, to carry on with the same dreary deadness of soul and emptiness of mind and spirit. So open the valve, then turn out the light and go home, and you will have fulfilled your humanity by letting me fulfill mine.

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