On Wings of Light over Canyons of Blight

On Wings of Light over Canyons of Blight

Beam me up, Scotty!

I’ve got to get off this doomed planet dominated by Archie Bunkers, Gomer Pyles, Karen Dingbats, and their Toxic Bratspawn!

Power up the Phasers and load in the Photon Torpedoes when I get there!

We’ve got to blow all this wasted cytoplasm and ectoplasm back into the Gravitational Recycler of the Galaxy!

What I’ve learned from 9/11 ‘truthers’, anti-vaxxers and climate change deniers is that there is comfort in stupidity because it offers certainty in a world of doubts!

What can I teach? Nothing! Everybody already knows how they want to be ignorant!

Isn’t it amazing how something as brainless as a virus can outwit multitudes of the most pampered technologically-enriched populations of humanity: an emotional commitment to suicide by anti-thinking!

I am living out the opposite polarity of The Cabinet Of Doctor Caligari!

And so I cry out today… But…, a century earlier:

Nikola Tesla is sitting on his park bench on a crystalline crisp February morning tossing seeds and crumbs to New York City’s flocks of Rock Doves, who know him well for the regularity of his largesse. They wheel about him gracefully and wing down so elegantly to scuttle about his feet, pecking at the bounty of nourishing granules offered to them.

I have no doubt he would long watch them approvingly, delighting in their cooing and motions, while thinking to himself:

How different they are from the race of men: reliable in their behaviors, in expressing their wants honestly and without shame, and never pretending to be unselfish or — despicably — to be betrayers. How admirable they are as pure, unpolluted works of Nature. If only men could be like this instead of the myopically petty self-absorbed self-limiting disappointments they insist on condemning themselves into being.

It is so refreshing and enlivening to just sit in this cathedral of bright chill sunlight, sliced by long fingers of canyon-wall shade, immersed in the expansive subaural hum of Nature’s breath, and just watch the infinite cascade of Life’s eddies surrounding and enveloping me.

How sad that all the midget blind cyclopses of my species will never know they can live — transformed — in a Paradise they could extend forever. But here on this bench, at least, I have the comfort of experiencing that infinitude of joy for myself, alone.

“The snake which cannot cast its skin has to die. As well the minds which are prevented from changing their opinions; they cease to be mind.” — Friedrich Nietzsche

I sat out under the high sun in front of my tall trees this morning, looking out across my modest wooded creek canyon as the gliding shadows of two hawks — their trailing edges emblazoned by the warm cascading radiance — passed over me in waves. What fools these mortals be that blind themselves to wonders such as these.

ON BEING A SUCCESS:

My great discovery — and rueful awakening — about “being successful” occurred when I was at ‘peak career’, and had gained enough experience and produced enough technical successes to apply for and deserve a promotion into “management.” Then it was all made very clear to me, not just by rejection, but by seeing who got promoted and why. The essential quality sought by higher-ups for moving ‘you’ up — below them — is a proficiency at lying to bring money into the organization and making the boss look good, and a demonstrated bullet-proof reliable loyalty at servicing the career advancement schemes of your boss and the boss class above you.

YOUR advancement comes when a bigger boss poaches you from your smaller boss, and your success is assured by applying the same technique for acquiring your own growing troop of faithful vassals below you. The organizational hierarchy looks like a troop of monkeys in a tree. The leader sits at the top, and the other monkeys are arrayed in the branches below him in descending rank order. The leader looks down to see a sea of smiling faces. The bottom ranked monkey looks up to see a sea of assholes. And the shit always rains down.

What I also learned from this awakening was that the merit and value, or venality and worthlessness, of any organization is entirely expressed by the actual (not public relations crafted) personal merit and (always cloaked) venality of the management leading and controlling the organization. Successful liars being in charge indicate a lying and exploitative organization — by design.

This may all seem obvious when stated as I have here, but it is not lived and felt as obvious by most people in the real ‘working’ and ‘political’ worlds. And this is why the rueful awakening — if it occurs — leads its no longer naïve sleepers startled out of their dreams, to the sinking realization: everything is a lie.

The one consolation (needed after the loss of income, perhaps precipitous) that can be gained after this point is the thought: do I really want to be the kind of person that becomes a careerist success by being a completely servile lying sycophant and back-stabbing betrayer? If your answer is “no,” you have discovered your self-respect as your central treasure and source of freedom, and you will have saved your soul. I can’t say this will fill your belly, but I can say this will let you die at peace with yourself and without shame.

Acknowledging the achievements of others — especially in your own field, and especially if superior to yours — is a mark of superior character, which too few have.

In the vastness of their popular cranial vacuity, Americans are enthralled with a celebrity culture to which they abjectly submit with expressions of envy over their own insignificance, and for the most deluded with pathetic expressions of self-inflationary grandiosity. Thus, American popular culture is an ocean of bullshit acidified with envy.

Sic transit gloria mundi.

<><><><><><><>

’Stateless’, an Australian Television Drama about Refugee Detention

’The Trojan Women,’ a play was Euripides, was first performed in Athens 2,436 years ago at the height of the disastrous Peloponnesian War. It is considered a commentary on the capture of the Aegean island of Melos and the subsequent slaughter of its men and the enslavement of its women by the Athenians earlier that year, 415 BCE.

This play focuses on four women awaiting their fates after the fall of Troy (~1,200 BCE, in northwest Turkey near the Dardanelles): Hecuba (the wife of the slain king, Priam), Cassandra (the beautiful virginal daughter of Priam and Hecuba, who was blessed and then cursed by a lustful Apollo, with having a gift of prophesy none would listen to), Andromache (the wife of the great Trojan hero, Hector, who was slain by Achilles), and Helen (the Achaean queen and wife of King Menelaus of Sparta, who ran off with Paris to Troy, and which elopement was the purported cause for the Achaeans’s war against Troy).

The three Trojan women would all be made concubines and slaves by the Achaeans (mainland Greeks), and Helen returned to Menelaus. Because the Greeks wanted to ensure there would be no surviving male heir to the Trojan throne, they took Astyanax, the infant son of Hector and Andromache and the grandson of Priam and Hecuba, up to the high parapet of Troy and tossed him down to his death on the rocks below.

In 5th and 4th Century BCE Athens, the playwrights were known as poets and called teachers, and in ’The Trojan Woman’ Euripides was desperately and dramatically striving to teach the Athenians that the horrors of the Peloponnesian War were destroying the soul of their society, and that they should find ways of extricating their city-state from the war. His vehicle to convey that larger message to the Athenians was this dramatization of the final days in the death of the Trojan city-state eight centuries earlier (if in fact it was a single real historical event), as told in Greek myths recounted by legendary poets like Homer and his many forgotten colleagues.

’Stateless’, an Australian 6-part television series that was launched in 2020, is about a refugee and ‘illegal immigrant’ detention center, and strikes me as being similar to ‘The Trojan Woman’ as a societal teaching drama. It is both a searing depiction full of human and political insights about the current refugee crisis in Australia, as well as a close analogy for similar tragic realities along the US-Mexican border, in Libya and southern Italy, in Syria and the Greek Islands; and in other places where minorities and disfavored ‘others’ live precariously without stable statehood and are internally displaced or incarcerated, as in Syria, ‘Kurdistan’, Palestine, and the Xinjiang Uyghur Autonomous Region. The writers of ’Stateless’, Elise McCredie and Belinda Chayko have done a magnificent job. The directors, Emma Freeman and Jocelyn Moorhouse have made an absorbing and compelling visual work (https://www.netflix.com/title/81206211).

How many refugees are there around the world? The UN Refugee Agency, UNHCR (https://www.unhcr.org/figures-at-a-glance.html) states that: “At least 82.4 million people around the world have been forced to flee their homes. Among them are nearly 26.4 million refugees, around half of whom are under the age of 18. There are also millions of stateless people, who have been denied a nationality and lack access to basic rights such as education, health care, employment and freedom of movement. At [this] time 1 in every 95 people on earth has fled their home as a result of conflict or persecution.”

We must add that the deleterious effects of climate change — crop failures and lack of drinking water from extended droughts, and the loss of land, housing and employment due to violent weather and flooding — has also spurred refugee streams.

Those refugee streams flow out of the tropical and sub-tropical latitudes: from Africa northward across the Mediterranean Sea to Europe, up from Central America and Mexico and across the Caribbean Sea to North America, southward from Eastern Asia to Australia, and from the arid interior of the Middle East westward toward the Mediterranean Sea and Europe.

Americans, Europeans and Australians see these refugee streams as incoming waves of impoverished humanity comprised of dark-skinned people with cultures, mind frames and languages vastly different from their own, and thus a threat to American, European and Australian prosperity, and their existing ethnic balances, if too large an influx. We must realize that these refugee streams course back up along the gradients of wealth leading from the Global South to the Global North (and Australia), propelled by the pent up pressure of economic disparity created by over half a millennium of conquest and imperialism with over three centuries of slavery, by the White people of the north: the Europeans and the descendants of their American and other colonists.

The Australian television series ’Stateless’ is composed of a weave of four sub-plots, each about a person caught up in and then piteously twisted to the breaking point by the day-to-day reality of escalating crisis in the asylum-seeker Braxton Detention Center. All these stories are based on actual case histories. Threatened men and women become refugees and are driven to acts of desperation, they are victimized, families are torn apart, some eventually find sanctuary while many others languish indefinitely or perish. Low-level workers in the host countries looking to hang onto paychecks are shoved by higher level bureaucrats and policy-makers to go in and do the dirty work of “keeping a lid on” and also “making it look good for the public.” And the sanctimonious of all stripes on the outside are more often than not “virtue signaling” for their own ego boosts, than having any useful empathy for all the individuals mired in the toxic tangle of “the system.”

One story in ‘Stateless’ is based on the real case of Cornelia Rau, an Australian woman citizen who was emotionally disturbed at the time and who was inadvertently — and unlawfully — incarcerated by the Australian government’s Department of Immigration and Multicultural and Indigenous Affairs (DIMIA), and held for 10 months during 2004-2005 under the country’s mandatory detention policy for refugees, until Cornelia was traced to Braxton by a relative, and correctly identified and released to a hospital.

Another sub-plot focuses on an Afghani family fleeing the Taliban, being cheated and robbed by criminal human traffickers in Pakistan, being separated while attempting to make the perilous sea voyage to Australia in rickety boats, with the survivors eventually finding each other at Braxton. But the effort of the Afghani father to gain entry visas for his surviving family proves to be a very heartbreaking and essentially impossible effort. Despite some commendable humanitarian impulses by Australian workers tasked with maintaining the day-to-day operations of the center, and of some right-minded procedures embedded in the immigration policy, that policy is nevertheless largely fueled by a great deal of officially mandated bigotry and prejudice.

The conflict between offering a welcoming humanitarian response to the desperation of the trapped refugees terrified of being deported back to certain death, and the politically motivated mandates from the central government to maintain this bureaucratic structure for continuing exclusion, and without arousing public attention to it, is personified by the story of the woman appointed as the new director of the center. She is emotionally torn apart by the inherent cruelty of the job, and her political expendability to the remote higher-ups.

The last of the four sub-plots in ‘Stateless’ centers on a local rural freelance mechanic who seeks to leave precarity behind and support his young family with a steady paycheck earned working as a ‘prison’ guard at the detention center — though he is instructed that it is a refugee center and not a prison since its residents, despite having no freedom of motion, have not been placed there for the commission of crimes. This individual is a good-hearted fellow who quickly comes under unrelenting strain because of his repulsion at the cruelty toward unruly refugees by a sadistic guard, and because of the numerous requirements for him to perform rough enforcement actions on people exhibiting outbursts of anger, fear and madness. Both the emotional and physical traumas sustained in doing his job while trying to thread the needle between the frayed edges of UNHCR compassionate supervision of a precarious population, and the barbed razor sharp edges of bureaucratically enforced nationalism, nearly deaden his heart and rip apart his family.

Each of the four sub-plots in ‘Stateless’ is populated with many supporting characters who enrich the presentation, and the entire ensemble presents the full spectrum of human experiences that take place in the turbulent focal point of mixing-nonmixing between Australian society and Asian refugees at the Braxton Detention Center.

The ultimate solution to the world’s refugee crisis is so far out of view: ending all wars to establish a lasting world peace, and ensuring intelligent economic development up to decent standards everywhere so that people can remain in their countries with their families experiencing physical and economic security and good health down through the generations. Achieving these conditions would obviate the need for anyone to become a refugee and seek foreign asylum.

Yes, this is idealistic (naïvely so?, impossibly?), like wanting equitable worldwide cooperation to stop anthropogenic greenhouse gas emissions so as to tamp down the acceleration of global warming. But neither of these ideals is intrinsically impossible to actualize, and that is why the continuation of the refugee and climate crises are such tragedies: they are fundamentally unnecessary sorrows, open and festering wounds on the body of humanity.

What we have today is a compounded system of exploitation through tiered victimhood, a system commanded by über capitalists and nationalistic warlords living luxuriant lives, and served by hierarchical cascades of lower level petty boss bureaucrats, their functionaries, and in turn their laborers and armed enforcers. This system is so abhorrent that Nature itself has abandoned us, and is trying to burn us off the land and wash us away into the seas and oceans we have thoughtlessly poisoned with our wastes. An added cruelty to this accelerating rejection of humanity by Nature is that those who are suffering now, and first, and will suffer the most from the increasing hostility of Earth’s climatic conditions to human life are the people of the Global South (the Third World), the regions from which today’s refugee streams emerge, the poorest of Earth’s people, those who lead the most precarious lives, and those who contributed the least to the creation of the global climate crisis.

Coda: a Meditation on ’Stateless’

Must I have a stone heart to preserve a sane mind in a world of pure suffering I am luckily insulated from — for now? How does one combat compassion fatigue and empathy burnout? Does one sink into survivor’s guilt for blamelessly being born lucky?; for living in a bubble of comfort, freedom and justice that is much rarer than one had previously imagined?; and that seems to be diminishing by national policy out of view of its lucky inhabitants confident in their unawareness? But of those lucky people who do become aware, how do they survive and stay human without deadening their souls? We have become a race of monomaniacal blind cyclopses raging about our freedoms because we cannot conceive of anything beyond our own frustrated infantile selfishness. Becoming aware of the sufferings of others is the first step in the very long journey of personal redemption. That journey has many perils, and no one completes it unscathed.

<><><><><><><>

On Just Societies

In his book, “Republic,” Plato lays out his political philosophy for the establishment and maintenance of a stable, well-ordered and just society. In his time societies were city-states, like Athens in the time of Socrates, Plato and Diogenes. The essential element of Plato’s scheme is the “guidance” of the city — “governing” is too strongly “micro-management” of a word — by a class of “guardians” who were carefully selected and trained from youth for the task, and who were wholly devoted to it for their lifetimes: basically philosopher-guru-priests.

However, I note that the viability of Plato’s political formulation for the construction and operation of just societies rests primarily on the incorruptible moral character of its central and guiding personnel, the guardians, and secondarily on the reasonably stable decency of behavior of the citizens: that is to say, their morality.

Please note that by “moral” I do not at all mean “religious”; there is no functional correlation between the two (and in my view more likely an anti-correlation).

At least since the end of the Neolithic, the idea developed that a stable, well-ordered society (whether just or unjust, but always to the liking of its rulers) could be established solely by political means, such as in: monarchies, parliamentary democracies, socialist and communists states (most pointedly those sharply Marxist materialist), and dictatorships (whether purely materialistic or theocratic).

By political I mean social arrangements for societal management that are constructions external to the individual person. Note that such political structures can include elements of physical compulsion on individual behavior, and elements of thought-control by indoctrination and propaganda to capture, shape and distort individual thought, and that such political structures will still be external to the individual as a moral being.

So, I do not believe it is possible to ensure the stable continuation of any momentarily just society, whatever its political structure, solely on the basis of the forced maintenance of that political structure, nor solely on the basis of a change of political structure whether that change is reformist or revolutionary. Justice as societal stability requires a taproot into incorruptible moral character by a majority of the citizens. Justice is good politics and good political structure, and is a natural outgrowth of good and intelligent morality, which in turn is individually personified as character.

Given the above, I believe that any social movement aiming to “permanently” evolve, reform or revolutionize a society in need of anything from improvement to drastic change in order to make it universally just, has to base its efforts on developing the moral character of its movement adherents and the mass of citizens it wishes to convince, for lifetime incorruptibility. Here, we have faith that a society with a majority of its citizens being of incorruptible moral character will ensure the continuation of such in succeeding generations, by the operation of its educational systems.

Of course any serious movement for social change will act politically whenever it can to counter existing injustices and respond to humanitarian emergencies. But it must never lose sight of its chronic fundamental task regardless of the frequency and variety of crisis flare-ups it reacts to during the daily spectacle.

Yes, this prescription for engineering permanent social change for the better is an idealization that may seem impossible to implement, as witnessed by the history of human civilization, but I think it is nevertheless true and has been the most powerful force that has helped bring about whatever degree of decency any of our human societies possesses today.

<><><>

For Americans, the 1950s began in 1947, as Gore Vidal bemoaningly told us, and collapsed in 1964 after June 21. The 1960s began on 1 January 1959, in Havana, and disappeared steadily from October 1973, vanishing completely by 1978. The 1970s erupted on 11 September 1973 and died on 4 November 1980, when the Collapse of American Civilization lurched downward into freefall, which it continues plunging to this day as our Neoliberal Dark Age. While it is still deeply submerged, scattered faint glimpses of the Next Age have broken through the pall of our Neoliberal Dark Age with increasing frequency since 17 September 2011. Whether that Post Fossil Capitalism Next Age is strangled in zeitgeist utero by neofascism, or withered in its infancy by global warming, or lives to emerge into the open and break free to flourish, is for the future to tell.

<><><>

Climate Change is like an enormous steamroller that is inching slowly but implacably along the open road of our projected expectations, to roll over and flatten our comfortable situations.

Since we are all “cemented in place” in those personal comfort situations, that steamroller is bit by bit squashing us: first ‘here’ then ‘there’; some by sea level rise; some by hurricanes razing all; some by wildfire; some by deepening and eternal heat and drought; some by waves of disease pathogens sprung from out of formerly deep recesses in the wild; some by the increasing withdrawal of food availability; and some by the infighting all this sparks among us and that causes casualties from our war with ourselves.

First we lose our illusions, then we lose our money, and finally we lose our lives.

Those who refuse to face reality and relinquish their illusions will cause the most damage to their fellow human beings, by being rabidly competitive, as they slide down the cascade of suffering longer and ever obsessed to the death with their unrelieved anxieties of avoiding losses and pain. Those who jettison their illusions and face reality will a least gain the comfort of finding the company of similar people.

Even as the steamroller inches forward toward us, for everyone “the future is uncertain, and the end is always near.” One can pin oneself to an obsession with “the end,” and its avoidance; or one can open oneself to an appreciation for the processes of life, and to the sharing of such appreciation.

Climate Change is now our great teacher, and its lessons range from stark terror to transcendence. We have no choice but to live out those lessons, but we do have some choice in which of those coming experiences we can aim our personal selves to.

<><><><><><><>

The Lethal Hypnosis

<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>

The Lethal Hypnosis

The more stupid you are, the easier it is to be racist. The more racist you are, the easier it is to be more stupid. Racism — and gun toting — is the pathetic effort by ignorant people, who are fearful about their irrelevance, to hide their lack of self-confidence behind racist bravado and “manliness.” Self-cure is the only way out of it, but the individual has to become motivated for that by going through some difficult or traumatic experience. They can’t just be talked out of it by “friends.”

The 2nd Amendment is both a religion and a mental illness. That illness is the psychosis of seeing oneself as a self-guiding unit entirely divorced from the organic integration known as Nature. One is then the hunter, the survivalist, the extractor, miner, chemical factory farmer and rancher, the conqueror, the capitalist, the owner, the dominator.

The biome within our gut mirrors the biodiversity without; the deforestation and soil denudation without has its connection to the parallel destruction of our gut biome, and consequently of our immune system. When we are thus weakened we become allergic to and even poisoned by the food that Nature provides, and the many microbes that flood the entire World Biome that is both outside us and within us.

That the biome within mirrors the biodiversity without, and vice versa, is an incredible insight (for those of us who did not previously have it) wonderfully presented in Episode 3 of the new television series HUMAN: The World Within (https://www.netflix.com/title/81139212).

So many of our autoimmune diseases are from the loss of microbial biodiversity within our guts. Those microbes feed on the insoluble fiber within the vegetables and fruits that we eat. We feed on the sugars, carbohydrates and protein those foods convey to our guts where they are processed to produce glucose, which is absorbed with the aid of insulin by our blood and carried to all our cells to feed those 37 trillion little metabolic engines.

Each of us is organically entwined within Nature, whether we recognize that fact or choose to believe in the anti-organic schizo-materialistic psychosis. We are not only connected through our guts to the World Biome and World Biodiversity without, but we are also connected with each other — whether we like it or not (and I do not always like it) — not merely through conscious awareness and volition as expressed in our acknowledged emotional attachments and in our civic awareness and political attitudes, but also through many unconscious connections made by both our physical reflexes mediated by our electro-chemical nervous systems, and our instinctual emotional reactions mediated chemically by our amygdalas sprouting from our brain stems, and even by our thoughts, memories, feelings and behaviors triggered by our olfactory systems sensing pheromones: each others’ smell, and also some of the immense olfactory sensory field of the external world that all other animals and insects sense so much more of than we do. Up to half of a dog’s brain is connected to olfactory sensors.

The economic structures in that part of the Human World we called Developed are nearly all capitalistic, despite how they are labeled in each national jurisdiction, and the political structures erected by their capitalist owners to maintain their capitalist economics are thus entirely dominated by the mentality of anti-organic schizo-materialistic psychosis. That illness within the human species infects the Natural World as a whole, so that it reacts feverishly in the manner which we have labeled “climate change” and “biodiversity loss,” and which pathological complex includes the vast inequities in the Human World, all of which is encompassed by the name: Planetary Crisis.

To the psychosis mind all problems invade the human isolates from an external world, and all solutions to those problems are technological assaults against it. But look at the human history of “developed economics”: nothing ages faster than technology, and nothing matures more slowly than human thought and morality. The difference between the collisions of deer-in-the-headlights, and “developed” humans-facing-climate-change, is that the humans have their eyes closed.

Snapping our species out if its lethal hypnosis by the anti-organic schizo-materialistic psychosis will doubtless require a widespread traumatic shock equivalent to that required to snap a racist individual out of his or her racist mental fog and into a genuine thirsting for self-cure from that malady. One symptom of the popular denial of our interconnectedness during this time of the COVID-19 pandemic is the laxity displayed by many regarding compliance with the infection-prevention protocols: conscious person-to-person social distancing, the wearing of exhalation-filtering face masks, and becoming doubly vaccinated with the newly developed anti-viral serum.

In essence, a responsible recognition of our interconnectedness would see us all expand the mesh-spacing of our social network, while containing our effluent breath plumes, and immunizing ourselves as soon as possible; all so the SARS-CoV-2 virus does not propagate further through our species by exploiting our human interconnectedness that so many ignore and are even hostile to. Much COVID-19 death is a consequence of denialism by anti-organic schizo-materialistic psychotics.

Can we humans overwhelmingly snap into an awareness for organic reintegration before being decimated by our own fearful and willful denial of it? Uncertain. Yet, Nature, which includes our marvelous human bodies, is wondrously responsive to new conditions, including new human attitudes and actions, so we already know that the organic reintegration of humanity into the long cycles of healthy Nature, and thus the ensuring of long-term sustainability for all planetary life, is more likely to occur the sooner we try to achieve it. All must change now. It is that simple.

<><><><><><><>

Gold, Swords, and Tumulus Grave Goods Forever?

<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>

Gold, Swords, and Tumulus Grave Goods Forever?

From our Neolithic Past to our Radioactive Present — and future? — gold, swords, and tumulus grave goods of hoards of icons of materialistic wealth have been our chosen markers of human achievement; in all a genuflection to the triumph of materialism over intellect and spirit.

Socialism is the economic ideology of abundant prosperity, democracy is its political ideology, and peace is its mythology.

Prosperity is the warmth of good living generated by the consumption of natural resources into the entropy of waste products. The expansion of prosperity is fueled by the diminishment of Nature and the increase of enslavement by the expansion of imperialism vacuuming in new resources to the homeland from ever farther afield. The military, like a wildfire, is an expanding ring of consumption whose center is a widening desert of entropy: resource scarcity and waste with a smattering of capstones of wealth atop pyramids of power. War is the collision of expanding rings of militarism; conquest is the collapse of one against the pressure of another.

A diminishing access to prosperity leads to a narrowing and heightening of political power, and a popular sharpening of competition for resources with a consequent hardening of attitudes of overt racism, and an increasing fragmentation of society into a steepening hierarchy of classes based on submission to and patronage by superiors, until society ultimately degenerates into a dictatorial kingship over a realm of desperation. Fascism is the populist submission in industrialized societies to rising kingships over realms of expanding scarcity.

Sustainability within the Natural World is the conception of frugality as freedom and not poverty. Sustainability is the submergence of human identity into Nature, and seen as a release and not a collapse, instead of being an ever heightening emergence above it. Sustainability is the conceptualization of civilization as organic within the Natural World, instead of a construction caging it. Sustainability is seeing human empowerment as coming from submission to Life, instead of from defiance of it, and of seeing Life as anarchic instead of hierarchical.

God reigns if all are dead. God is dead if all are alive, if all are each infinitesimal glints from the underlying sea of godliness that is Life.

I looked up into the day, shielding my eyes against the brilliance of the sun infusing warmth into my skin, to see low wispy white clouds streaming across the top of my wooded canyon while slowly roiling within themselves, as invisible cascades of crystalline air surged with turbulent reverberations over the hilltops and down into the canyon, splashing into near-chill breezes soughing through the forest green ringing with birdsong scintillating the leaves and rippling their dappled network of reflected sunlight, to brush against me as I stood immersed in wonder once again under the soaring of a black hawk, amazed to be experiencing this immensity of Life, this great outside beyond human limitations. I am a brief instance of all this, and that realization is my share of the eternal.

[Image by Caitlyn Grabenstein]

<><><><><><><>

Nate Hagens, on Earth and Humanity

Watch the video presentation “Earth and Humanity: Myth and Reality,” (2:52:15) by Nate Hagens, linked below. Hagens presents an analysis and grand synthesis of the multi-entwined crises of unsustainable human society living in the rapidly degrading world climate of an increasingly resource-depleted and increasingly inhospitable Planet Earth.

I guarantee that you will find many of your own views on this topic reaffirmed by Hagens, and also that he will challenge at least one of your cherished beliefs about it. This is good for serious people, it prompts them to think anew, and to rethink their assumptions.

What impresses me about Hagens’ analysis is that it is based on a wealth of data — the lifeblood of any real scientific or economic analysis — and that it is a multidimensional systems analysis, and not merely a “one note Johnny” narrow expertise (just finance, or just physics), single “smoking gun” caused problem (as the “overpopulation” reductionists claim) or a promotion of a single route to salvation solution (as the “nuclear power” reductionists claim). Hagens’s is an integrated description of the dysfunctional global system, which Nature plus Humanity has become, rather than merely being an uncoordinated list of a myriad of disconnected disasters, pathologies, ruins and wrecks.

Hagens does make specific recommendations near the end of his video, aimed at getting us (particularly in the U.S.A.) to begin dealing with our ongoing global systems failure in a substantive manner. After that he adds a few seconds of wordless video that will delight all lovers of wildlife.

Any abstraction of Hagens’ presentation to a single phrase would wash away all its insights and nuance, and would be unjust to the cause of transmitting understanding to the public. But, if you want an indicative soundbite, here is my maximally reductionist summary: humanity needs to scale back its use of energy very very significantly, and permanently, and now — an energy diet — just like a forever-maintained eat-less food-calorie diet needed to break an individual free from obesity.

Hagens’ video will make any serious person think (and we all better get serious), and that is the first essential step for us ever having a chance to get out of the mess we’re in.

Earth and Humanity: Myth and Reality
16 May 2021 (Nate Hagens)
https://youtu.be/qYeZwUVx5MY

The following two paragraphs are my abstraction and consolidation of internet descriptions of Nate Hagens, with much of this information drawn from The Post Carbon Institute (https://www.postcarbon.org/our-people/nate-hagens/).

Nate Hagens has a Masters Degree in Finance from the University of Chicago and a PhD in Natural Resources from the University of Vermont. He is a former editor of The Oil Drum and worked on Wall Street for a decade before “seeing the light.” Since 2003 Nate has shifted his focus to understanding the interrelationships between energy, environment, and finance and the implication this synthesis has for human futures. Previously, Nate was President of Sanctuary Asset Management and a Vice President at the investment firms Salomon Brothers and Lehman Brothers. Currently, he teaches a systems synthesis Honors seminar at the University of Minnesota ‘Reality 101 – A Survey of the Human Predicament.’

Nate focuses on the interrelationship between debt-based financial markets and natural resources, particularly energy, and the unplanned for risks from the coming ‘Great Simplification.’ He also addresses the evolutionarily-derived underpinnings to status, addiction, and our aversion to acting about the future and offers suggestions on how individuals and society might better adapt to the coming decades.

Jeff Gibbs 2019 video “Planet of the Humans,” released publicly on Earth Day 2020, was the most important presentation on the realities of our global “climate change” crisis to be made available in many years (https://planetofthehumans.com/). Nate Hagens’ new video “Earth and Humanity: Myths and Reality” is of much grander scope and at least of equal importance. See it and don’t get defensive, then refine your own stance from your points of disagreement with Hagens, and/or improve his systemic analysis, which is the type of thing needed to converge politically on what in all honesty would have to be called a World Plan for guiding human civilization through a transition — the Great Simplification — to a post carbon future, without suffering a catastrophic and life-ending collapse.

As a 20th century mechanical engineer who focused himself on the 19th century science of thermodynamics (and got away with a career in experimental nuclear explosions), I’ve said all what little I was competent to say about the physics and economics of “climate change.” So at this point all I can offer on the topic is bad poetry, and I’ll spare you that. But I can also recognize the value of new presentations like those of Gibbs and Hagens, and urge others to see them, study them, and act on them.

I am mindful of the urgent and totally justified demand posed by the next generation onto us world-controlling and world-destroying adults, through the voice of Greta Thunberg, for “action!” Nate Hagens’ systemic analysis is a very important step toward answering the questions of “what actions?” and “how do we implement them?”, and of actually working on Greta’s demand.

[Thanks to Isabel Ebert for pointing me to Nate Hagens’ video.]

<><><><><><><>

ADDENDUM:

Richard Heinberg both appears in “Planet of the Humans,” and leads the Post Carbon Institute.

The Most Colossal Planning Failure in Human History
May 2021
Richard Heinberg
https://richardheinberg.com/museletter-339-the-most-colossal-planning-failure-in-human-history

<><><><><><><>

For A Better World

<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>

For A Better World

Utopia is an illusion that can be experienced dynamically, not statically; locally, not universally. You can maintain it for yourself for a while by a continuous effort, in the same way that a juggler maintains the ephemeral sequential image of three, four or five balls suspended as a constellation in midair. Your utopia is like that flickering image of uplift defying the gravity of oblivion because it is entirely an expression of your unrelenting artful input of purposeful energy: it is you. The constellations you juggle into flickering existence have as elements the people you relate to and trade influences with. When your juggling and theirs have resonances, your utopias become shared and sympathetic. If such sympathetic resonances have sufficient scope their utopian dynamic may last beyond a human lifetime, being passed on to subsequent generations. But, how large a scope and long a duration can we reasonably expect such personal utopias to have? Probably that of a family’s experience for a generation or less.

So, the challenge for the person who wishes to live in a world of compassion, of enlightenment and of justice, is to make and continue the effort to juggle a bubble of utopia into existence, despite the evident lack of compassion, enlightenment and justice throughout human history, and throughout so much of the world of the present day: to be ethical, generous, moral and tolerant in a world that seems forever dominated by venality, greed, lack of principles, and brutal intolerance. The challenge is to remain a steadfast and good-humored agent of good while being carried away by a torrent of corruption cascading to perdition: it is to be quixotic without shame. How is one to maintain such a purpose and find fulfillment in such a thankless role? Oblivion’s gravity is endlessly capable of sapping your energies to exhaustion, and oblivion’s glitter is endlessly capable of shattering your ambitions by ridicule and by trapping you into temporal failure: a lone monkey shunned by the collaborationist troop.

Why would anyone persist as such a challenger then? It seems clear that such perseverance emanates out of a sense of self-respect and self-worth: the maintenance of personal character measured against an absolute scale of moral conduct, without reliance on social bonds for the support of morale. This is pure defiance and pure celebration, the ultimate in self expression and self abnegation. It is the brave social insanity of a fully aware and fully sane person immersed in the insanity of a cowardly and tribal world, and resisting it. The radiation of such personal power, by lived example, is what can influence and resonate with others and possibly coalesce into the psychological and physical forces that levitate what few utopias exist at any given moment.

“Character is fate,” and utopia is personal character maintained in defiance of the overwhelming forces of assimilation, decay and inertia. To fret about “the end of the world,” which is always increasingly likely to occur as our history advances, is to pin our hopes on the illusory externality of a general coming together of human vision onto a consensus for moral action for the common good. The self-realized quixotic challengers for utopia know this is impossible, and that the continuation of whatever decency of existential experience they have managed to juggle into being are only propelled by self-generated and self-directed efforts independent of societal externalities. For them the end of the world is the collapse of decency consequent to the collapse of self, and the collapse of personal integrity, regardless of the collective course of fractious society. Objectively, our physical and social world could easily end, and soon, catastrophically and painfully. But, subjectively, no one of us is compelled to implode their intellectual and moral selves in collaborationist surrender to the many forces of decay leading to that extinction. We always have the power to seek sharing a nobility of lived experience regardless of what external reality confronts us with. Survival is a matter of chance, nobility is a matter of choice. Be well in that realization.

<><><><><><><>

Human Solidarity and Nature Conservation

“As far as we can discern, the sole purpose of human existence is to kindle a light in the darkness of mere being.” Carl Gustav Jung [1]

Life is the actualization of potentialities embedded within the biochemical processes that form the mechanisms of genetics and evolution. Does life have a purpose, or is it entirely a statistically random fluke made possible by the astronomical number of possibilities available for the expression of molecular chemistry in the wide array of physical conditions interspersed throughout the vastness of space? To believe that life has a consciously intended purpose is to believe that life is an intentional creation by a conscious supernatural entity or entities. If so, what is that purpose?

We know that the most elementary organisms of proto-life, like the SARS-CoV-2 virus that infects people with the deadly COVID-19 disease, have no purpose beyond the mindless mechanical continuation of their genetic formats, by feeding their metabolisms through parasitism. But, what of more conscious organisms, like: plants, animals, us?

We humans pride ourselves as presumably having the most highly developed conscious minds of all life-forms on Planet Earth (though very deep ecologists and naturalists disagree with this presumptuousness). From this human-centric point of view, the various levels of consciousness of living organisms are all evolutionary adaptations enhancing the survivability of individuals, to thus enhance the likelihood of the propagation and continuation of their species as environmental conditions change.

For believers in the supernatural there is an imposed obligation, or supra-natural goal, or “higher purpose” to human consciousness, which can be most generally characterized as finding union with God. For non-believers, the fully conscious experience of being alive is the totality of that higher purpose. In either case, the realization of that purpose is to be had by the combination of human solidarity and nature conservation.

Homo sapiens are social animals, and their full development as individuals — their realization of purpose — requires social connection and connection with Nature.

TALES BY LIGHT

“Tales by Light” [2] is an Australian television series (in 3 seasons) about the use of photography and videography to tell stories visually so as to change society for the better: activism. Here, I am only writing about episodes from Season 3. By its very nature this series is visually “beautiful” — in terms of the technical perfection of the image composition, capture and presentation — even when abysmally grim and ugly situations are being shown in order to advance the complete story. This is about emotional punch delivered visually. And of course, incredibly happy bursts of emotion are delivered in the same way by the presentation of images of lushly colorful nature, and joyful and inspiring scenes of human warmth, kindness and sheer exuberance. The three stories (each given in two parts) that affected me were:

1, CHILDREN IN NEED: This story, by Simon Lister, is about the children of Dhaka, Bangladesh, who scrounge through the most disgusting, unsafe and unsanitary heaps of rubbish to find scraps of material that can be recycled locally — like plastic forks and containers — in the abysmal poverty of their society; or who do difficult work in unsafe and toxic conditions to support their families. There are millions of these kids in Bangladesh.

Many Bangladeshi kids work in primitive workshops with zero health and safety codes, procedures and equipment, for example to produce pans and bowls by hands pressing sheet metal against spinning mandrels, again with no protective shields from whirling machinery gears and belts right at hand; nor any proper ventilation and filtration to protect them from toxic metal dust, or fumes in workshops using solvents and chemicals.

The story of such child laborers in the poorest societies on Earth is being documented as part of a UNICEF program to bring world (rich world) attention to the problem of child labor, and to generate financial resources to then provide safe and sanitary spaces for such children to be able to get food, education, rest, shelter for the night off the streets, and the joyful companionship of other children. But, since the money these children gain from their difficult and hazardous work is always the lifeline for the support of their families, often of single mothers, such a labor force is considered “normal” in their societies, and lamentably economically essential for these individuals.

The ultimate “solution” for eliminating this heartbreaking situation would be a worldwide awakening to an actual commitment to species-wide human solidarity. That that idea becomes self-evident through the medium of photography testifies to its power as an art-form.

2, PARADISE IN PERIL: This story, by Shawn Heinrichs, is of the conservation of the ocean biodiversity and habitat of the Raja Ampat Islands. Here, the art of photography is being used to present the story of the value of an amazing tropical coral reef and mangrove forest environment in New Guinea (Indonesia).

That story is told in two directions, first “upscale” to the societies of the wealthy industrialized and developed economies, to generate financial resources needed to establish locally manned, maintained, patrolled, owned — and in selected zones sustainably fished — marine reserves, and to ensure their continued operation and ongoing scientific study.

That story is also told “downscale,” in video presentations in their own language to the actual people living in the environments that are being protected, so that new generations of conservationists grow out of the youth of that indigenous population, now fired up with a greater understanding of the positive impact their healthy local environment has on their own lives as well as on the global environment.

The emotional impetus to these conservation efforts, both locally and remotely, is sparked by the visual impact of the photos and videos of the stunning and vibrant beauty of life moving in that magical submerged translucent habitat. The Raja Ampat Islands is one of the few places on Earth where all measures of biodiversity and ecological health are improving right now, even despite advancing global climate change; and this is entirely because of cooperative human intentionality.

3, PRESERVING INDIGENOUS CULTURE: This story by Dylan River, an Australian filmmaker with an Aboriginal grandmother, is of the recording for posterity of Aboriginal ways and languages slowly being lost with the passing away of elders, of the stories behind some of their ancient rock art, of ways of living off the land and sea while being intimately connected to the natural environment, and of community as the essence of being.

On a visit to Arnhem Land, Dylan is immersed into a welcoming ritual by the Yoingu people, whose spokesman at the event states that though Dylan is from far away he is “part of the family” as is everybody in spirit. The entirety of this brief and simple greeting conveys a fundamental truth that is more clearly and wisely stated, and lived by the Yoingu, than with any of the fatuous self-satisfied pronouncements by our many supposedly powerful and always hypocritical political leaders, who collectively oversee and exacerbate the poisonous fractiousness and sociological cannibalism of our national and world societies.

The basic truth here is that every human being “is something Nature is doing” — as Alan Watts put it — and that Nature is integral, it is a harmoniously self-entangling network of life. And that is what healthy human community should be.

I recommend this series to you because of its many simultaneous dimensions of beauty.

To my mind, the financial investments made by the executives of Canon Incorporated, National Geographic (a subscription television network in Australia and New Zealand that features documentaries, and is owned by The Walt Disney Company), and Netflix, to produce and broadcast this series were very worthy, even as I know there would necessarily also have been a component of profit motive in those investment decisions.

What is needed in our world is ever the same: more human solidarity and nature conservation. The wider broadcast of these three stories from the series Tales By Light could help awaken more people to that realization, or at a minimum give some comfort to those who already know.

Acknowledgment: Gretchen Hennig perceptively brought Tales by Light to my attention.

Here is a musical ornamentation to all the above; about a child, really any child: “Chihiro.”
https://soundcloud.com/ellasolanagarcia/chihiro

Notes

[1] “Our age has shifted all emphasis to the here and now, and thus brought about a daemonization of man and his world. The phenomenon of dictators and all the misery they have wrought springs from the fact that man has been robbed of transcendence by the shortsightedness of the super-intellectuals. Like them, he has fallen a victim to unconsciousness. But man’s task is the exact opposite: to become conscious of the contents that press upward from the unconscious. Neither should he persist in his unconsciousness, nor remain identical with the unconscious elements of his being, thus evading his destiny, which is to create more and more consciousness. As far as we can discern, the sole purpose of human existence is to kindle a light in the darkness of mere being. It may even be assumed that just as the unconscious affects us, so the increase in our consciousness affects the unconscious.”

C. G. Jung (1875-1961), from the closing chapter of his autobiography “Memories, Dreams, Reflections,” entitled “Life and Death,” written between 1957 and 1961. This excerpt is highlighted and discussed at
https://www.brainpickings.org/2012/03/13/memories-dreams-reflections/

[2] Tales by Light (on Netflix)
https://www.netflix.com/title/80133187

Tales by Light (official website)
https://www.canon.com.au/explore/tales-by-light

Tales by Light (series described)
https://en.wikipedia.org/wiki/Tales_by_Light

<><><><><><><>

Movie Reviews by MG,Jr. (14 November 2020 – 8 April 2021)

CODED BIAS

“Coded Bias” is an exceptional film about how Artificial Intelligence (a.k.a. A.I.), or “algorithms,” has become powerful technology used without accountability, and despite its high level of harmful failure, all for extending the Big Brother type authoritarian control of the public by the state (which is being done overtly in China, and covertly in the U.S., England, and who knows?); and also about the unaccountable manipulation of the public for the financial gains of the small group of very rich people (overwhelmingly white males) who own and control that technology. The title “Coded Bias” comes from the fact that the racial biases (against darker-skinned and ethnic minority people, and ‘different’ sexual-identification people, and physically challenged people) and class biases (against poor people, the more poor the more discriminated against) of those controlling self-aggrandizing white men, and the Big Brother authoritarians, are literally coded into the mathematics that constitutes the mechanisms of the algorithms used to surveil you, to alert police if you are a criminal (very, very many false positives with this), to determine what job opportunities you will be allowed, what prices you will pay for online goods, what financial services you will be granted, and in many ways what punitive actions will be taken against you — and for none of that will you be given any warning nor told how such determinations were made. Complete violation of your 14th Amendment rights (to due process, and which can be logically explained and independently verified; i.e., not a Black Box with a red eye called HAL9000). This important film is available on Netflix now (see website), and also has its own website (see comment). An especially uplifting part of this film is seeing the amazingly talented technically trained and technically savvy women — which include incredible Black Women — who are on the forefront of the citizens’s effort to correct, regulate and ban, as needed, this technology. This is a film about POWER and its use of AI technology to remove freedom from the mass of the public, and to implement its biases through the Internet (for example as regards economic disparities based on race, and the swinging of elections to undermine democracy). I urge you to watch this film (I was pointed to it by a woman, Gretchen, who knows how to pick them).
Coded Bias
https://www.netflix.com/title/81328723

Coded Bias
https://www.codedbias.com/

<><><><><><><>

SATAN & ADAM

“Satan and Adam” is a lovely documentary about “an aging blues guitarist and a grad student form an unlikely duo while busking on the street corners of 1980s Harlem.” Their music is REAL, authentic; and their story: together, apart, together, old age, is both a reflection of the racial attitudes and politics of the U.S. over the last 35 years, and also a reflection of their own distinctive and idiosyncratic personalities. It is also a very touching story of the power of music to heal individual human spirits, and collective human communities. And also, these guys kick ass when they play!
https://www.netflix.com/title/81077539

https://en.wikipedia.org/wiki/Satan_and_Adam

https://www.modernbluesharmonica.com/satan_and_adam.html

<><><><><><><>

LORENA

“Lorena” is a short 2019 documentary film about a 25 year old Tarahumara woman (Lorena Ramírez, Native American, living in the northern state of Chihuahua, Mexico,) who runs and wins ultra-marathons wearing sandals and her native dress (skirt!). Her whole family lives a pastoral life deep in hilly country, and they are all runners. Lorena Ramírez has won some of the hardest races in Mexico, like the Guachochi Ultramarathon in 2017, where she ran 100 kilometers wearing her sandals and traditional dress. Because of her prowess as a long distance runner she has been invited to other countries to compete. In 2018, Lorena traveled to Spain to run the Tenerife Bluetrail and came in third place after running 102 kilometers, also running with her sandals, with which she has run more than 500 kilometers in total, including Mexico City’s Marathon in the same year. Unlike her brothers, Lorena doesn’t speak Spanish because she didn’t have the opportunity to attend school and learn the language. She speaks Tarahumara in a soft voice, with words that sound so sweet and musical that you just want to listen to her telling her story. [Some of these lines came from the culturacolectiva website.]
https://www.netflix.com/title/80244683

https://culturacolectiva.com/movies/lorena-ramirez-light-footed-woman-runner-netflix-documentary

<><><><><><><>

BIRDERS

“Birders” is a short 2019 documentary about the crucial natural habitat for migratory birds, spanning both sides of the Rio Grande and along the Gulf Coast on either side of its confluence with the sea. This area has the highest concentration of birds in the U.S. because it lies along the flyways for many species of birds that migrate between North and South America. So, it attracts bird watchers, both professional (who do banding) and amateur, from all over the world. And this natural environment is threatened, and in parts has already been destroyed, by the clearing of land to build Trump’s Wall. There are Americans and Mexicans, each working on their side of the border to monitor, protect and preserve this natural habitat, and to count birds to help quantify the waxing or waning of the health of their many species; and they also teach and enthuse people (children and adults) about the loveliness of avian life and the value of seriously appreciating and effectively preserving Nature.
https://www.netflix.com/title/80244682

<><><><><><><>

MAGICAL ANDES

“Magical Andes” is a beautiful series; it is about the love of mountains, the pristine expansive wild, and lives closely entwined with that environment far from human congestion. Season 1 has six ~24 minute episodes and spans the entire 8,500km length of that mountain chain from south to north; Season 2 has four ~24 minute episodes and touches on different points of the same regions, from north to south. Brief and elegant narration is in English, interspersed with many reflections, in Spanish, by Andean residents from Patagonia to Venezuela; in Season 2 the English subtitles to the Spanish speakers is dropped. Photography is breathtaking throughout, clearly camera-carrying drones were used to great advantage. The music accompaniment is very tasteful, and guitar music for the most part. Throughout the series one can catch a few glimpses of people whose way of living reflects what I imagine a post de-growth lifestyle might be like for more of “us.” If you love Nature, and have a poetic sensibility, you would enjoy this series.
https://www.netflix.com/title/81154549

<><><><><><><>

CAPITAL IN THE TWENTY-FIRST CENTURY

“Capital in the Twenty-First Century” (2019) [1:42] is an excellent, very informative, and provocative (TRUTHFUL!) documentary. I recommend it as the single best “economics class” (under 2 hours) you can take today. The presentation is clear and easy to understand, without being “dumbed down.” It explains exactly why your economic situation today is the way it is, whatever your economic class and generation happens to be. The system is rigged (duh) and this documentary show how, why and for whom; and it clearly shows what needs to change if we (all of us) are to avoid a cataclysmic social breakdown, another WWI/WWII type catastrophe on a worldwide scale. I especially recommend it to my kids and their generation: to help them know why we need a revolution, and where and how that revolution should be aimed.
https://www.netflix.com/title/81239470

<><><><><><><>

DAVID FOSTER, OFF THE RECORD; CLIVE DAVIS, THE SOUNDTRACK OF OUR LIVES; QUINCY.

These 3 documentaries are about famous music producers and industry/finding-talent executives. These 3 guys are famous, and have splashy documentaries made about them because they promoted many singers from obscurity to superstardom, and made them rich, while making their music corporations very, very much richer. So, naturally, the biz and Hollywood are very awed by and interested in them.

They each have certain personality and character traits that I do not care for, but of course people are all different, and it is always a bit hazardous to judge (and yet of course I do).

What I think is most valuable in these documentaries is that there is a great deal of discussion of and presentation on the nitty-gritty work in the studio: music and song composing, arranging, recording, working (and/or fighting) with the singers and instrumentalists. I found those parts quite interesting.

These 3 guys are “legendary” because they were behind many of the mega-hits from 1968 to today, and in a wide variety of popular music genres.

The documentary I think stars-in-their-eyes people are most likely to find interesting is about David Foster, an incredibly talented and capable musician who is regarded as the “best” music producer alive (along with Quincy Jones).

David Foster, Off The Record
https://www.netflix.com/title/81214083

The second and third, and closely related documentaries are about Clive Davis and Quincy Jones, respectively, legendary music moguls who discovered and promoted many pop-music superstars.

Clive Davis, The Soundtrack of Our Lives
https://www.netflix.com/title/80190588

Quincy
https://www.netflix.com/title/80102952

Quincy Jones was a formidable jazz musician in the 1950s, then did jazzy film scores for 1960s movies, and went on to become a “legendary” music producer.

While these three producers/executives were focused on making mega-hits for corporate mega-bucks, what these documentaries can show that also applies to independent music production (recorded music) in less-mainstream more artistic and smaller-audience fields of music is the technicalities of working out the final recorded tracks, which combine the talents of a variety of people.

<><><><><><><>

FIVE CAME BACK

FIVE CAME BACK (2017) is very interesting as American film history, BUT the real value here is the reminder by series’ end that previous generations — some of whose survivors still live among us — included many many people who sacrificed a great deal in order to allow our society to continue, and which despite its many dire failings still provided very good lives to most who are reading this. It is important to keep gratitude for those who preceded us and strived and suffered to do their best to pass on chances for decent lives for the young of their time, and those yet unborn. And the only useful way to express that gratitude is to emulate the best efforts of our parents’ and grandparents’ and great-grandparents’ generations, for the benefit of our children, which is to say all of today’s children, and those yet unborn. And we cannot expect they will notice, or realize, or acknowledge or honor us. We can’t have such selfish expectations: why should today’s kids be any different from us when it comes to being grateful for the good things they get? They have to learn just as the more thoughtful of us have had to learn: in part by becoming more aware of the realities of the past, and in part by the struggles and frustrations of our own experiences. It all comes out of self-respect. Let me reassure you, I am not preaching here. I am reflecting for myself about my own always-expanding awareness and understanding of “life,” and how I should conduct myself if I can summon enough courage to do so. I think gratitude and self-respect should be the sources of individual human actions, that those actions should be decent and for authentic good, and that any nation improves as more of its people take on that sense of personal responsibility, because it preserves and strengthens the commonwealth: the interconnectedness of us.
https://www.netflix.com/title/80049928

<><><><><><><>

GREATEST EVENTS OF WWII IN COLOR; THEY SHALL NOT GROW OLD

I just finished seeing the Netflix documentary series, “Greatest Events of WWII In Color” (2019), and can recommend it. What the film restoration and colorization does is to bring the frightening intensity and reality of the events much closer to the viewer. This is the kind of startling effect, from old grainy originally black and white war documentary films, pioneered by Peter Jackson with his visual restoration, sound reconstruction, and colorization of World War I films, for the riveting compilation released in 2018 as “They Shall Not Grow Old.”

The 10th and final episode of the WWII series is on the atomic bombings in 1945 and the closing out of the war against Japan. All this excruciating history continues to have many essential lessons too few of which have been heeded even in the present day. The total sweep of that history, really from the Treaty of Versailles in 1919 to early August of 1945, is a massively horrible build-up of savagery, and vastly widespread dehumanization of national populations, because of their prosecution of and/or victimization by the industrialized crescendo of the 20th century’s chained sequence of world wars.

That savagery was at its peak, and the ability to see “the enemy” as human beings was at its dehumanized nadir, in 1945 especially in the Pacific War. That poisoned psychology combined with extreme and widespread war weariness, and the press of many antagonistic forces and ambitions embroiled in the overall war effort inexorably led to the atomic bombings despite them being logically unnecessary, a position openly, persistently and yet unsuccessfully championed by Admiral Leahy.

Looking back one can see how the consensus-mind of the American leadership and the public was so hardened by their years of war, and so frightened of that war continuing with even greater ferocity with an invasion of Japan, and so desirous for it all to ‘end now, with victory,’ that it was overwhelmingly in favor of the atomic bombings regardless of any logical considerations contradicting that emotion and in favor of better alternatives. Tragic.

That was then; but now eight decades later the great majority of the American people and other fairly secure people in the industrialized world do not have that soul-sucking war-dread as a constant daily experience, as did the traumatized participants in WWII, and so we all should have the ability to rationally analyze the utility of nuclear weapons today both for our own nation’s use, as well as by others. Logically, they are obsolete and counterproductive.

I see the “great lesson” available to us from Episode 10 of the WWII documentary series mentioned here, as being that we non-traumatized by direct war experience populations CAN and SHOULD apply a psychologically mature and humanized logic to the construction of “national defense” methodology that removes the barbaric and ultimately self-destructive cruelty of nuclear weapons from our military and political thinking, and from our national infrastructure.

By its final episode, the vividness of the colorized documentary of WWII gives one an emotional tug that can act as a visceral push behind such logical efforts to really “ban the bomb.”

We CAN learn from history, IF WE WANT TO.

Greatest Events of WWII In Color (2019, trailer)
https://www.netflix.com/title/80989924

They Shall Not Grow Old (2018, trailer)
https://youtu.be/IrabKK9Bhds

<><><><><><><>

ASPHALT BURNING

If you are a motorhead, see this movie!! It’s Norwegian, and ends up at Nürburgring. It’s a total motorhead’s dream. We saw it on Netflix (dubbed). It seems there were two earlier ones (movies) in a series in Norway. You’ll love it!! (Global Warming can wait).
https://youtu.be/ViUFEs5cyhY

<><><><><><><>

HE EVEN HAS YOUR EYES

This is a fabulous movie, both thought provoking and funny. A wonderful take-down of racism in all its colors. This lovely French movie, centered by African-Franco actors, and without any guns, explosions, special effects, CGI or gratuitous violence, manages to say more about racism as habit and fear (two forms of “tradition”) being a great hinderance to having a modern society everyone can enjoy, based on simple human love and honest human connection. This movie is a “comedy” in the sense that it is never a lugubrious heavy drama, neither gratingly hysterical nor deadeningly slow; it is like a fine Burgundy wine: light bodied with a depth of flavor. See it.
https://youtu.be/7mNuKbk01ZA

<><><><><><><>

ROSE ISLAND

The only foreign military invasion mounted by the post WWII Republic of Italy was against “Rose Island” in 1968. Rose Island was a metal-platform island micro-nation constructed by Giorgio Rosa, an engineer, 500 meters outside Italian territorial waters off the coast of Rimini (6km). The Italian government became incensed by this act of pure independence outside its control, and decided to destroy the island. This prompted Giorgio Rosa to take his case to the United Nations and the Council of Europe, which latter agency was designed to hear disputes between nations, and so decided to hear the case since Rosa was a head of state! During the summer months, Rose Island was essentially a boating party location and discotheque in the Adriatic, but Rosa and his friends created a government, post office, issued passports and received hundreds of application for citizenship. Italian marine forces invaded, forcibly removed the people from Rosa Island and blew it up. Subsequently the European nations changed their laws to extend their territorial waters (and claims of judicial control) out to 12km. The movie is a breezy comedy that relates the whole story. What is clear is that power, especially the imbalance of power, is what actually governs government behavior, not the rule of or the respect for law.
https://www.netflix.com/title/81116948

<><><><><><><>

ADULT WEDNESDAY

“Adult Wednesday” is a series of short very humorous videos made by Melissa Hunter, based on the idea of Wednesday Addams, of the famous Addams Family cartoons, now on her own. Her various interactions with “normal” society are hilarious. Sadly, the series was ended because the copyright owners of “The Addams Family” objected. The web-link will take you to a starting point for the sequence of the Adult Wednesday videos (if still up). All are good. The one of catcalls to girls is delicious (girl wins).
https://www.youtube.com/watch?v=lXmpC0wpuso&list=PL0XAjui-xK6XE4PRT64WAthU6j1NmrOqU&index=14

<><><><><><><>

THE SPACE BETWEEN US

I saw “The Space Between Us” (2016) on Netflix. It is a bloated techno-gargantuan cross between a faint echo of “Brave New World” and the trim 1980 movie “Starman” (which was good). The premise is that a kid born as a surprise on a Mars colony is too weak to live in Earth’s gravity, and so must remain “classified.” He is brought back to Earth as a 16 year old in hopes he can be strengthened to survive there; he escapes confinement to look for his mystery father; has a roadtrip romance with a quirky wise-ass runaway foster-kid girl, and everyone has a happy ending to this story. It could have been more tightly constructed for a good 90 minute movie, but it rolls out amiably enough over 2 hours with nice visuals and up-to-the-minute spacey sets and effects to distract you from the numerous logical fallacies and improbabilities linking the elements of the story (easily done if you don’t take a critical attitude). I enjoyed it as simple harmless entertainment; it is not art, it is not deep: it’s meant for a mass audience. Asa Butterfield plays the Mars Boy with the same cute naïveté other-worldliness he displayed in the movie “The House Of The Future” (with Ellen Burstyn, peripherally about Buckminster Fuller’s legacy). Gary Oldham plays the big honcho Space Business (for the Mars Colony) “visionary.” The mama surrogate is played by a Ms. Guglio, who also had a big role in a recent movie where Patrick Stewart (“Jean-Luc Picard”) plays an old ballet master and choreographer (which movie is a 3 person play of sex talk). This movie is a way to spend some COVID lockdown time, after you’ve washed the dinner dishes and you’re tired of reading an actual book for the day.
https://youtu.be/x73-573aWfs

<><><><><><><>

THE OTHER SIDE OF THE WIND

“The Other Side Of The Wind” is Orson Welles’s last movie and is a satire on movies, movie-making and celebrity culture. It is also a visually stunning 1970s cinematic parody of 1970s art movie pretensions; a comedy about the vacuity of the whole movie and celebrity business, and literally a confection about nothingness. Wind is the flow of air through a volume, it is not an isolated bounded solid object. It has no side since it is the swirl, rippling and eddying of the ocean of atmosphere we live within, and thus can have no ‘other side.’ To those not scientifically minded wind is the sensation of anything between the blushing to the gales of nothingness. To seek deep insights from Welles’s movie is to look for an answer blowing in the wind. Welles gets some delicious payback on movie critics through this film (and it was all actually photographed on film between 1970 and 1976), as well as skewering Antonioni type films like “Zabriskie Point.” Welles does one better on Antonioni’s finger to the American movie moguls by putting his “Zabriskie Point” parody, “The Other Side Of The Wind,” as a film within a film, being an incomplete movie run out of budget and the last hope for a comeback by a Hemingway type directorial titan of Old Hollywood at the end of his rope and trying to connect with youth and the New Hollywood. The actual cinematic technique used is a kaleidoscope of modernity employing black and white, color, quick cuts, enigmatic scenes, mockumentary structure, and zig-zagging progression. Welles had a lot of help from a lot of friends to shoot this movie and then to finally have it assembled as he would have wanted. Welles died in 1985, and the movie finally appeared in 2018. I was fascinated by it, and then tickled to realize that Welles had done a magic trick on me to make me think seriously about nothingness: the cultural vacuity of the flickering lights so many are so obsessed about.
https://youtu.be/nMWHBUTHmf0

<><><><><><><>

A LIFE AHEAD

“A Life Ahead,” an excellent brand new (2020) film with the legendary Sophia Loren (86!!); very modern, very heartstring-pulling, amazing performance by the young actor playing Momo (all the performers were good) – this is his story. The setting is the seamier side of 2020 Italy (but there are still beautiful souls living there).
https://youtu.be/a0ejncDxgCc

<><><><><><><>

IO

“IO” is an imaginative realistic speculative fiction about a post end-of-the-world time of environmental poisoning, and its last two survivors. By “realistic” I mean that it is not one of the bombastic live-action special effects fantasy plus horror cartoons that is the popular standard today for science fiction movies. The story is reminiscent of the seminal 1949 novel “Earth Abides.” So, most movie fan comments about IO are quite negative, indicative of an intelligent screenplay thoughtfully filmed. The movie is a largely French production, filmed near Nice, Bulgaria and California. The visuals, acting and pacing are all good as befitting the somber and very lonely situation being portrayed. The types of scientific, literary and artistic references made in the dialogs make for a too cerebral movie for many simple-minded movie fans, but lend this film much of its merit. This film seeks to make you think, not shock and excite you with gimmicks like frenetic pacing and jump cuts. In a rather elliptical way, the ending reminded me of Stanley Kubrick’s “2001: A Space Odyssey.”
https://youtu.be/y3GLhAumiec

<><><><><><><>

DOWN TO EARTH

“Down To Earth” is a recent (2020) TV series showing varieties of healthy sustainable ways to live, from selected countries in Central and South America, and Western Europe. It’s has a breezy tone but does show quite a variety of interesting an important aspects of “food” and “living” and the damaging effects of human wastefulness and lack of connection to Nature, and thus “climate change.” The episode on Puerto Rico is especially recommended because it shows how people dealt with the catastrophe of back-to-back hurricanes Irma and Maria, and continue to deal with the catastrophe-by-Trump-malice-and US-government-neglect, of loss of homes, electricity and environments. Showcased are examples of how individuals came together to respond to problems left unattended by the failures of government. The “star” of the series is its executive producer Zac Efron, no David Attenborough, but still deserves credit for producing a series with much good in it for the cause of advancing public awareness in favor of revamping American (industrialized, consumer-oriented) society for ecologically enlightened sustainability, and healthier eating habits. It is mainly aimed at typical, and by world standards well off, American viewers – it is no rabble rousing radical revolutionary documentary, but it does make many good points despite the many visits to Michelin multi-star restaurants.
https://www.netflix.com/title/80230601

<><><><><><><>

Salvation

Painting of the Roiling Ocean, by Ivan Konstantinovich Aivazovsky

<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>

It is sad indeed to see an oppressed people destroying itself through factionalism and civil war, while a far more powerful enemy squeezes them out of their land and lives. I have read of such in Thucydides, but it is too painful to watch in my own time. And, such a sad spectacle turns foreign eyes away, withdrawing their compassion and respect, and leaving “the lost” to their fate of ultimate disappearance. You and I, Nadia Issam Harhash, know that a universal solidarity among humans is the only salvation for all of us, but you and I also know the unfortunate truth that too many of those humans will resist contributing to that salvation to the bitter end: a death cult. What is left to people like you and I is to speak out against the death cult (and hope we are not silenced), and then also retreat into care of our families and immersion in being creative artists, so as to keep our sanity while we live. As an engineer, I always look for solutions to problems, but here as in so many other times and places the “solution” is purely one of choice: unrestrained compassion, respect and solidarity for and with the other members of the homo sapiens species. To me, all politics and all religions are madness, and should disappear. Heraclitus (~500BC) said “Bigotry is the disease of the religious,” and politics is so obviously the mechanisms of organized greed. Salvation will NOT come down from some Sky God in Heaven, nor from Hell out of the barrels of guns; salvation can only come from human hearts and souls who have come to realize that they each are merely momentary wave crests in a sea of humanity flowing within an ocean of Life. Peace.

<><><><><><><>