Forever and a Day

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Forever and a Day

The opposite of death is love.

Come now sweet darling
Don’t be that way
The world may be changing
Fire ’n ice have their way
But don’t you be fretting
For come here what may
I’ll be your lover
Forever and a day

We’ll shiver in winter
We’ll sweat in the heat
We’ll drink the brown water
We’ll live without meat
Your young skin will toughen
Under hot suns
Your young brow will furrow
As years have their run

We’ll find our right living
Beneath ashen skies
We’ll always be yearning
For young dreams’ reprise
The world’s always changing
Uncertain to be, but
With my arms around you
You’ll always be free.

For our world is burning
Its green hopes lost smoke
As our hearts are learning
To hold strong as oak
The wars will be fearsome
And peace will elude
But love for each other
Will give fortitude

So come now sweet darling
Don’t take on so
Though our world is changing
Our love will grow
And we smiling through
Our sweet time alive
For each we’ll be lovers
Till forever dies

And this world will crumble
Freeze, burn away
Our lives flicker out
Must happen one day
The red suns are burning
The grey moon’s cold hope
Lost children are turning
From fear’s lonely yoke

But fret not my darling
For all things must pass
Yet there is one constant
One thing to last
Despite all the grieving
Our love is so brave
The smiles of whose being
Will live past the grave

We are so lucky
Past mere survival
We can both dream
Of nature’s revival
Mourning the children
Lost in the floods
Whose stilled lives are bubbles
Of me in the bud

Memories wistful
And not a lament
Hearts filled with love
And spirits unbent
The loss and the lack
Cannot kill the soul
Where love for another
Has once taken hold

We’ve been so lucky
In this life so graced
Though our world is changing
And we’ll be displaced
Amor y candela
La noche nos daré
Corazones contentos
La vida brillaré

So fret not my darling
For come now what may
I’ll be your lover
Forever and a day
Yes, our world is changing
And our time will pass
But through all the dreading
Our love will last

Come now the winter
Come now the drought
Lost is salvation
Of that there’s no doubt
The fire and the ice
Will each have their way
But through all the changes
Love constant will stay

So don’t you be fretting
Come now what may
You’ll fill my tomorrows
Like my yesterdays
Through all of the changes
One constant will be
That I’ll be your lover
And you will live free

Come now my darling
Send fear away
Though our world is changing
Our love will stay
Don’t you be fretting
Your sweet grace away
We will be loving
Forever and a day

16 November 2019

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Letter to a Man Dejected by a Woman’s Leaving

Mother and Boy-Child

We received your “fish out of water” poem today, and each read it. I know how disappointed you are, and we are each sorry for you.

I can’t offer any advice, because that’s always unwise, and because I wouldn’t have the faintest idea of what to suggest that might do any good. I think it’s all a matter of luck.

Over time I have observed that every woman is the hub of a wheel, and that wheel is a family. The family can be real in the sense of actually existing children, or perhaps other emotional dependents to whom she is “necessary” (as Ralph Waldo Emerson defined it), and at the pathetic extreme maybe just house cats or a husband-on-a-leash dog.

For most younger women their family-wheel — beyond their parents, grands and uncles and aunts — is potential. It may be the conscious thoughts and plans for the future application of their fertility, or (more likely) the unconscious behaviors that work toward the accumulation of resources and the “building of the nest,” which in our capitalist society is conceived of as “security.”

We males are merely pollinating drones to these queen bees, so they can sprout the entangling vines of their family-wheel potentialities, regardless of whether we are lovingly used over a long period, or briefly squeezed like a travel-size tube of toothpaste then immediately discarded. It’s just nature’s way. Romantic love for a man is nature’s way of short-circuiting his intellect so he will enjoy falling for the mating interaction long enough to possibly help fulfill the statistical necessities of maintaining the species by reproduction.

As I said, whether the experience of any man’s use by a woman to fulfill her biological (including psychological) imperative (whether overtly conscious, or unconsciously instinctive) is a happy or unhappy expenditure of a portion (or all!) of his life-force, is a matter of luck, pure luck.

So poetry is an excellent tonic to accompany, or wake, the experience.

Specifically about the family-wheel, I observe that any man wooing a women with children is doomed to fail unless and until those children become enthusiastic supporters of his aims. This is not usual. The children (regardless of age) always want primary access (and for some even control) of their mother (biological or not). This grows out of their dependency/survival psychology, as I’m sure you can see (the needy id).

Also, as already noted, mother’s first allegiance (except for sociopath and deep narcissist moms, like drug addicts) is always to her “children,” whether human, animal or imaginary. It is a foolish man who tries to separate a mother from her children in order to capture her love for himself. The good quality or dysfunctionality of these children is irrelevant. Little Red Mother Hen will always clutch her chicks under her wings rather then strut off with Rooster Cockburn no matter how long and loudly he crows. That Rooster Cockburn does get in every now and then is purely a matter of luck and on the run.

My own sweetie has recently been renting a lot of “modern” movies of old people finding love even as they and their best friends are dying off. It makes some sense that after one is retired (these movies are about white people with more than adequate financial means living in advanced countries — like the well-paid actors playing the parts), and the kids are grown and “gone” that senior citizens who would like some canoodling could find each other for some periods of enjoyable shared company.

But these movies would not be nearly as enjoyable if they included the many dreary realities and personal compromises that are necessary to keep two mature adults in an extended romantic haze. Older people have their ways, their quirks, their likes and dislikes pretty well cemented in, and it is not such an easy thing for any two oldsters to mesh these without serious compromise. It would seem to me that “dating” for old people would work best as a smattering of sequential quickies. For me of course this aspect of love remains theoretical, and I have no inclination whatever to engage in experimentation to verify my theoretical analysis of senior citizen romance.

I think the best we can do at any point in our lives is to work and play at those activities and tasks that give us our sense of fulfillment. I’m thinking of artistic, intellectual, manual and body-active, and social activities — not “work” or “business” activities — that just absorb you and make you feel alive. Things that are the best use of your irreplaceable time; things that may seem “boring” and “trivial” and “selfish” to others because such personal activities don’t make you an accessory to fulfilling the desires of these “friends” for receiving unearned entertainment and attention. You act out of a sense of appreciation and enjoyment in being alive — almost autistically, rather than acting so as to define yourself by the approval of others, and in the hope of happiness coming from the outside world into you: independent centeredness versus a hollowness of dependency at the mercy of a fundamentally selfish and uncaring world.

Anyway, a man of independent centeredness (emotionally, psychologically) toodling away happily in whatever his form of engaging craziness may be, could bump into another independently centered person (possibly female) who shares enough of his interests that the idea of sharing company for a while seems appealing. I think this is the best way to luck into love. It requires a light touch, as regards pressing requirements on the other person’s way of life so as to make it “better” for you. I think the required light touches are more likely to occur with partners (it’s always “temporary” but of unknown duration) who meet in this independently centered way.

Don’t misunderstand me, I don’t discount the possibility of deep love and strong long-term emotional (and financial) commitments between couples. It’s just that I think they are best, and most likely to succeed (be fulfilling to both), when the individuals are independently centered and aware to relate — and extend their caring — with a light touch. Even so, whether if turns out “good” or “bad” is mostly luck.

I suppose this is all just a theory of karma. If I’m just leading a fulfilling life in an honest way then I’m more likely to find myself in the company of another person (or persons) who are doing the same thing in their own way. Maybe there will be enough overlap of interests to make it attractive for both to share (some of, all of?) the doing. Even in this ideal though, you know that “the other” is always an independent life-force entity whose flight plans and orbits are never slavishly determined by the gravity of your being (or at worst your self-centeredness).

So, like you I have at times both surfed the waves of love with incredible exhilaration (1), and I have also been dashed to smithereens against the rocks of bitter dejection, by catastrophes of ruptured love (2). What I’ve learned is that it is pointless for me to even pretend I now know something about romantic love (even though I may assume this pretense to write a novel), or “relationships,” or “women,” or (gulp!) “sex.” But I do think I know a little bit about “people,” and my talk about “independent centeredness” and “light touch” reflects that (3), and goes far beyond the confines of romantic and sexualized love, which for most people is merely desire labeled as “love” (4).

Finally, time and your own good sense to keep busy doing what you love doing, what you are good at doing and gives your time alive its sparkle and zest, are the best balms to soothe the tenderness of a broken heart. Your true friends will give you the space you need to work out your new accommodation with reality at your own pace, and they will be happy to know that you’re still here in our wild and woolly life-zone, toodling away at your unique line of creative independently centered insanity.

My only advice: keep writing poems.

Over and out,
Mangogarcia.

(1) Fuck Yeah!
https://manuelgarciajr.com/2017/12/23/fuck-yeah/

(2) Pre-Traumatic Stress Syndrome
https://manuelgarciajr.com/2016/11/30/pre-traumatic-stress-syndrome/

(3) The Touch of the Open
https://manuelgarciajr.com/2017/08/31/the-touch-of-the-open/

(4) Love and Desire
https://manuelgarciajr.com/2018/08/28/love-and-desire/

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Niña de las Dunas — Español-English

Español • Literal • English:

Niña de las Dunas es una canción, en estilo flamenco moderno, de María José Llergo del año 2017.

Niña de las Dunas
María José Llergo (2017)
[Guitarra · Marc López]

Español:

Madre dijo una vez
Que naciste del cielo
Que una estrella blanca bajó
Derritiendo el hielo
De su corazón.

Padre viejo miró
Esa noche a la luna
Y en la estepa nocturna escribió
Con navaja
Esta oración.

Niña de las dunas
Duerme tranquila
Llevas en la frente
Marca divina.

Niña de las dunas
No tengas miedo
Yo estaré contigo
En tu oscuro vuelo.

Y arena de mi reloj
Volverás a la tierra
Donde el agua te moldeo
Nunca más el hierro
Será tu prisión.

Niña de las dunas
Duerme tranquila
Llevas en la frente
Marca divina.

Niña de las dunas
No tengas miedo
Yo estaré contigo
En tu oscuro vuelo.

(Le lele le lele le le lele le le
Le lele le le lele lele lele lele
Le lele le lele le le lele le le
Le lele le le lele lele lele lele)

La luna se hizo cuchillo
Y en su pecho se clavó
Manchando de rojo sangre
Su vestido de algodón.

Con ella se la llevó
La hizo su compañera
Unos la llaman Venus
Pensando que es una estrella.

(Le lele le lele le le lele le le
Le lele le le lele lele lele lele
Le lele le lele le le lele le le
Le lele le le lele lele lele lele)

(Lele lele lele lele
Lele lele lele)

Niña de las dunas
Duerme tranquila
Llevas en la frente
Marca divina.

Niña de las dunas
No tengas miedo
Yo estaré contigo
En tu oscuro vuelo.

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Niña de las Dunas es una canción, en estilo flamenco moderno, de María José Llergo del año 2017.
[Girl of the Dunes is a/one song, in style flamenco modern, of/by María José Llergo of/from year 2017].

Niña de las Dunas
María José Llergo (2017)
[Guitarra/Guitar · Marc López]

Literal translation:

Madre dijo una vez
[Mother said one time]
Que naciste del cielo
[That you-born from sky/heaven]
Que una estrella blanca bajó
[That one star white below(o)/descended(ó)]
Derritiendo el hielo
[Melting the ice]
De su corazón.
[Of your heart.]

Padre viejo miró
[Father old looked]
Esa noche a la luna
[That night at the moon]
Y en la estepa nocturna escribió
[And in the steppe nocturnal wrote]
Con navaja
[With razor]
Esta oración.
[This oration.]

Niña de las dunas
[Girl of the dunes]
Duerme tranquila
[Sleep tranquilly]
Llevas en la frente
[Takes/carries on the front/forehead]
Marca divina.
[Mark divine.]

Niña de las dunas
[Girl of the dunes]
No tengas miedo
[No/don’t have fear]
Yo estaré contigo
[I will-be with-you]
En tu oscuro vuelo.
[In your dark flight.]

Y arena de mi reloj
[And sand of/from my watch/clock]
Volverás a la tierra
[You-will-return to the earth]
Donde el agua te moldeo
[Where the water it-you molded]
Nunca más el hierro
[Never more the iron]
Será tu prisión.
[Will-be your prison.]

Niña de las dunas
[Girl of the dunes]
Duerme tranquila
[Sleep tranquilly]
Llevas en la frente
[Takes/carries on the front/forehead]
Marca divina.
[Mark divine.]

Niña de las dunas
[Girl of the dunes]
No tengas miedo
[No/don’t have fear]
Yo estaré contigo
[I will-be with-you]
En tu oscuro vuelo.
[In your dark flight.]

(Le lele le lele le le lele le le
Le lele le le lele lele lele lele
Le lele le lele le le lele le le
Le lele le le lele lele lele lele)

La luna se hizo cuchillo
[The moon itself-> <-made knife]
Y en su pecho se clavó
[And in its chest/breast itself nailed]
Manchando de rojo sangre
[Staining with red blood]
Su vestido de algodón.
[Its dress/clothes of cotton.]

Con ella se la llevó
[With her it her took]
La hizo su compañera
[Her-> <-made her companion]
Unos la llaman Venus
[Some her they-call Venus]
Pensando que es una estrella.
[Thinking that she-is a star.]

(Le lele le lele le le lele le le
Le lele le le lele lele lele lele
Le lele le lele le le lele le le
Le lele le le lele lele lele lele)

(Lele lele lele lele
Lele lele lele)

Niña de las dunas
[Girl of the dunes]
Duerme tranquila
[Sleep tranquilly]
Llevas en la frente
[Takes/carries on the front/forehead]
Marca divina.
[Mark divine.]

Niña de las dunas
[Girl of the dunes]
No tengas miedo
[No/don’t have fear]
Yo estaré contigo
[I will-be with-you]
En tu oscuro vuelo.
[In your dark flight.]

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Girl of the Dunes is a song, in modern flamenco style, by María José Llergo, from the year 2017.

Girl of the Dunes
María José Llergo (2017)
[Guitar · Marc López]

English translation:

Mother once said
You were heaven-born
And a white star fell
To melt your icy heart.

Old father gazed
At the moon that night
And with his razor
This oration scribed
Upon the night-time steppe.

Girl of the dunes
Sleep tranquilly
Your forehead is marked
By divinity.

Girl of the dunes
Don’t be afraid,
I will be with you
In your darkness flight.

And my hourglass sands
Will fall back to earth,
Whose waters molded you,
So iron nevermore
Can imprison you.

Girl of the dunes
Sleep tranquilly
Your forehead is marked
By divinity.

Girl of the dunes
Don’t be afraid,
I will be with you
In your darkness flight.

(Le lele le lele le le lele le le
Le lele le le lele lele lele lele
Le lele le lele le le lele le le
Le lele le le lele lele lele lele)

The moon became a knife
And stabbed her own breast
With red blood staining
Her white cotton dress.

Away with her she’s taken
Her lover now to be,
And some would call her Venus
Thinking she’s a star.

(Le lele le lele le le lele le le
Le lele le le lele lele lele lele
Le lele le lele le le lele le le
Le lele le le lele lele lele lele)

(Lele lele lele lele
Lele lele lele)

Girl of the dunes
Sleep tranquilly
Your forehead is marked
By divinity.

Girl of the dunes
Don’t be afraid,
I will be with you
In your darkness flight.

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Niña de las Dunas – María José Llergo
25 September 2017
https://youtu.be/lKWvTkeG7NI

Agradecemos a Urknor por haber subido la letra.
Urknor (10/07/2019), Valencia (España)
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We are grateful to Urknor, from Valencia, Spain, for posting the Spanish lyrics.
https://www.musica.com/letras.asp?letra=2426757

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See “Official Secrets”

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See “Official Secrets”

The movie Official Secrets, which is just out, is about Katharine Teresa Gun, the British translator in the U.K. government’s equivalent to the U.S.’s NSA, who leaked a top secret memo in an effort to prevent the Iraq War (in which up to 1 million Iraqis and over 35 thousand U.S. and U.K soldiers died, and many hundreds of thousands of others were injured).

That war was entirely illegal because: 1, Saddam Hussein (Iraq’s dictator in 2003) did not have weapons of mass destruction — as G.W.Bush and Tony Blair lyingly claimed, so there was no “necessity” of preemptive war as an act of self defense by the U.S. and U.K; and 2, because the U.S. and U.K. did not get a U.N. Security Council resolution to go to war against Iraq, because the world body did not see Iraq as a threat to the rest of the world. The failure to get that U.N. resolution was a result of the publication of Katharine Gun’s leaked information.

The memo Katharine Gun exposed was from a “Frank Koza” at the U.S. National Security Agency (NSA) to the U.K. Government Communications Headquarters (GCHQ, the U.K.’s NSA equivalent) asking the Brits to help bug the communications of other members of the U.N. Security Council (the non-permanent members at the time) to dig up dirt to be used to blackmail them into voting for war as Bush and Blair wanted — despite the lack of evidence (no WMDs) that war was justified.

Gun’s information eventually made it to the public, and caused such embarrassment to the British Government that after a year of terrifying harassment of Gun (including almost deporting her Turkish Kurdish husband), and taking her to trial (with a long sentence if found guilty of “treason,” and she had confessed), they dropped the case rather than reveal the government documents requested as evidence by the defense, because those documents (findings on the question of the legality of the proposed war, by Lord Goldstone, the U.K. attorney general) in fact explicitly stated that the war was illegal and Bush and Blair were fabricating fake intelligence to try and pull the wool over the eyes of the U.N. and the American and British public.

Katharine Gun (and the reporters and attorneys who worked to expose the government lies and defend Katharine) were exonerated, and she is a real-life heroine of historical significance — Daniel Ellsberg stated that her actions were more significant than his! Bush, Blair and their government associates, who perpetrated the massive Iraq War Crime (20 March 2003) — whose massively bloody and tragic consequences continue to this very moment — remain free, wealthy, untroubled by even a hint of Nuremberg style prosecutions, and are now even nostalgically “rehabilitated” (in the media stories aimed at the gum-chewing ADHD public, as by a sweet-smiling Michelle Obama cozying up to “oh gosh” Georgie Porgie) by comparisons to Trump today.

Once again, America managed to destroy a country, Iraq, and consume monumental amounts of American national treasure, and sacrifice thousands of American lives (as well as thousands of British lives, and hundreds of thousands to perhaps a million Iraqi lives) to lose a war — “lose” since it had no value to the public from the get-go — a war of choice, and an illegal war of aggression (just like Hitler’s war in Poland on 1 September 1939) which our highly privileged war criminals perpetrated. But, they got away with it.

America as a nation failed again (remember Vietnam?). The United Kingdom as a nation failed. To the extent that the American people and the UKanian people do not remember all this, and apply the tragic lesson of the Iraq War — and the Vietnam War — today to prevent the new called-for wars: on Iran, or in Yemen (to help the war criminal Saudis? to help the war criminal Israelis?, really?) and elsewhere that our highly privileged war criminals think they can make a buck and puff up their Wall Street portfolios; to the extent that these publics are so out of touch that they have no flaming anti-war consciousness, they and their nations are failing miserably. Failure is paid for in oceans of blood shed by innocent, naïve, common people, both foreign and domestic.

So I urge you to see the movie Official Secrets. It is well-made, well-played, literate, intelligent, riveting, honest. By doing so you can thank and honor an incredibly brave woman of inspiringly solid moral principle — Katharine Teresa Gun — as well as the journalists and lawyers who made their best efforts to prevent an illegal and unnecessary war; and you can use that viewing experience to help invigorate you own convictions to become aware of truth and not be lulled by indolent comfort or stupid bigotry into acquiescing to the war crime schemes (and the theft from the public commons schemes) of our all-too immune highly privileged war criminals, past and present.

By the way, a kid in my high school class (1968) was called “Frank Koza.” Don’t know if he’s the same one.

Here is the trailer to “Official Secrets”
https://youtu.be/V3vIYy38Fys

Here are the two parts of a round table interview of Katharine Gun, conducted by Amy Goodman on Democracy Now!; as well as of the movie’s director, and the two key journalists who broke the story using Katharine’s information.

PART 1:
This U.K. Whistleblower Almost Stopped the Iraq Invasion. A New Film Tells Her Story
July 19, 2019
https://youtu.be/u6n1VFDJ3CY

PART 2:
15 Years Later: How U.K. Whistleblower Katharine Gun Risked Everything to Leak Damning Iraq War Memo
July 19, 2019
https://youtu.be/CWtIu7mbnbM

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For more about my photo taken at the Iraq War protest in San Francisco, in 2003, see:

https://manuelgarciajr.com/2016/04/10/iraq-war-protest-sf-2003/

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Night and Day, Being and Nonbeing

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Night and Day, Being and Nonbeing

Matter, energy, space and time: the entirety of physical existence. Einstein unravelled their truth: they are all entwined, a four dimensional yin-yang, the image of gravity. But, what gave him pause that he could never fully overcome was the yin-yang of existence and nonexistence: quantum reality. And that is what we live within and are: matter, energy, space and time, existence and nonexistence, flickering on and off in rhythms seen and unseen, known and unknown, felt and unfelt. And consciousness, like gravity, is manifest through that dazzle while itself untouchable — a void — infused deep within us, the motivating core, the suns of our solar systems of individual being: life.

I step outside my warm bubble of house-air into the cool fresh oceanic night, which sucks my awareness out to the farthest reaches of its fathomless inky blue-black vacuum, punctuated by pinpricks of light beyond the frontiers of experience, whose inverted depths are a dark crystalline silence, the infinitely dissolved horizon past the tenuous haze of our shared breaths with green life lush with the fragrance of August flowers eddying through the living tangle of Earth’s surface in my forested canyon laden with ancient expirations cooled and moistened to sparkling renewal.

This velvety opaque transparency pulses with drones by crickets and unfolds unseeable vistas of distant sound whose tides are brought near, washing resonantly through me and absorbing me into the totality of this timeless sequence of unthinking scintillating instants, pinpricks of existence flashing out of an eternal sea of nonexistence like glints of moonlight on ripples of a four-dimensional ocean, the unbounded immersion.

I breathe in my share of this pregnant unconscious and sense the capture of two or three molecules released millennia ago in the funeral pyre of that great poet’s expended form, its brief journey of genetic transport finished as mine will soon enough be, and I embed that molecular poetry into my blood and sinews until its time for release comes with my organic disintegration into pure fleeting memory. Coyotes howl with bell-like clarity through the dark effulgence, and my moments of eternity come to rest for this night. So, I turn into my house-bubble for sleep.

Dawn fog in the canyon: I am looking at the sun just rise over the crest of the ridge, and light pour through the fog into the canyon, making it glow as it flows up the stream-bed and through the trees along the hillsides, with blue sky above, and birds darting through the panorama framed by my vision, the warmth of the rays descending into my body as I face before it, immersed in a cloud of light, evaporating. A bird chirps. Mist rises. The ground of the forest lights up. Leaves emerge glistening green from their silhouettes. The voices of the forest call to each other, silence fades into the light of day. Rebirth. I am who am once again.

25 August 2019

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