Tag Archives: Jung

On Gloating Over The Death Of A War Criminal

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By Stan Goff on 2 July 2021 (on the death of Donald Rumsfeld):

No one cracked on Donald Rumsfeld harder than I did for a few years there.

Just finished DB Hart’s book on universal salvation, which contends that even Rumsfeld falls within the ambit of Christ’s salvation. I found it utterly convincing.

Some know I don’t do ritual corpse kicking, which I see as virtue-signaling in far too many cases (and which I’ve done!); and posting this right now may seem a little masochistic . . . like I’m inviting people to protest this claim (don’t worry, plenty of Christians also still cling to the idea of some eternal torture for those of us who went waaay off the rails in this life).

We think Donald Rumsfeld made himself the way he is, because we cherish the belief that we make ourselves the way we are, and moreover (unstated) that those of us who didn’t turn out like Rumsfeld (or ‘choose your villain’) never even contained the potential to become like him. That we are ourselves not superior beings, and not substantially determined by a complex chain of “nurture,” by luck or lack thereof, by history, and by accidents.

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I thought Stan Goff’s comments important enough to comment rather fulsomely on, as follows:

I found C. G. Jung’s comments on this question illuminating. His were given post WWII, about Nazism and Nazis, and “collective guilt” of the German population (and others).

Jung advocated people learning about their “unconscious” (which he wrote so much about) because most of us (our personalities) are contained in (or is) the unconscious.

Among the elements of our entire psyche, Jung included a “shadow”, a part of us which we (our conscious ego) denied about ourselves. This deep “negative” part is where we have the dirty, nasty, perverse and violent thoughts THAT WE ALL HAVE, but block from affecting our actions by the workings of the more conscious, logical and moral (and educated) part of our consciousness.

Jung’s point was that the many self-styled “moral” people who claimed ‘I would never have been a Nazi nor acted like one, because of my morality’ were precisely those most in danger of becoming so, because they were blind to their intrinsic potential to become so — as everyone is — and thus unprepared (a deficiency of consciousness) to recognize the external psychological influences pulling one into that direction (basically: brainwashing you).

For Jung, the successful operation of “morality” to keep an individual free (safe) from the worst potentialities of evil erupting from their unconscious into action, was knowing that: ‘anything the worse villain — like a Nazi — can do, I am equally capable of doing, so I must consciously keep myself from falling into that, I cannot rely on remaining safe from it unconsciously.’

In more modern times we might say that, genetically, we all sprout from the same root, and all the potentialities of human form and expression are coded within us, and those that are actualized have emerged by a combination of our personal genetic spectrum (our alleles) and our learned conscious (logical and moral) behavior.

So, yes, “corpse kicking” is embedded in the Id (“virtue signaling”), and can be recognized as such, and re-channelled, by the Super-Ego (the non-asshole top layer of the Ego). We all want Rumsfeld to “burn in hell,” but what’s the point? (It’s too late for prosecuting him in a war crimes trial. The U.S. must have the world’s best “social security” and legal immunity programs for retired war criminals: as, why no Nuremberg II for the Vietnam War?)

The best we can do about people like that (successful war criminals who have moved on) is to — as best as we can — clean up their messes, care for the surviving victims, and try embedding that tragic past into our society’s historical memory as a lesson (accepted and learned) for eliciting safer and better behavior in the collective future.

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Human Solidarity and Nature Conservation

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“As far as we can discern, the sole purpose of human existence is to kindle a light in the darkness of mere being.” Carl Gustav Jung [1]

Life is the actualization of potentialities embedded within the biochemical processes that form the mechanisms of genetics and evolution. Does life have a purpose, or is it entirely a statistically random fluke made possible by the astronomical number of possibilities available for the expression of molecular chemistry in the wide array of physical conditions interspersed throughout the vastness of space? To believe that life has a consciously intended purpose is to believe that life is an intentional creation by a conscious supernatural entity or entities. If so, what is that purpose?

We know that the most elementary organisms of proto-life, like the SARS-CoV-2 virus that infects people with the deadly COVID-19 disease, have no purpose beyond the mindless mechanical continuation of their genetic formats, by feeding their metabolisms through parasitism. But, what of more conscious organisms, like: plants, animals, us?

We humans pride ourselves as presumably having the most highly developed conscious minds of all life-forms on Planet Earth (though very deep ecologists and naturalists disagree with this presumptuousness). From this human-centric point of view, the various levels of consciousness of living organisms are all evolutionary adaptations enhancing the survivability of individuals, to thus enhance the likelihood of the propagation and continuation of their species as environmental conditions change.

For believers in the supernatural there is an imposed obligation, or supra-natural goal, or “higher purpose” to human consciousness, which can be most generally characterized as finding union with God. For non-believers, the fully conscious experience of being alive is the totality of that higher purpose. In either case, the realization of that purpose is to be had by the combination of human solidarity and nature conservation.

Homo sapiens are social animals, and their full development as individuals — their realization of purpose — requires social connection and connection with Nature.

TALES BY LIGHT

“Tales by Light” [2] is an Australian television series (in 3 seasons) about the use of photography and videography to tell stories visually so as to change society for the better: activism. Here, I am only writing about episodes from Season 3. By its very nature this series is visually “beautiful” — in terms of the technical perfection of the image composition, capture and presentation — even when abysmally grim and ugly situations are being shown in order to advance the complete story. This is about emotional punch delivered visually. And of course, incredibly happy bursts of emotion are delivered in the same way by the presentation of images of lushly colorful nature, and joyful and inspiring scenes of human warmth, kindness and sheer exuberance. The three stories (each given in two parts) that affected me were:

1, CHILDREN IN NEED: This story, by Simon Lister, is about the children of Dhaka, Bangladesh, who scrounge through the most disgusting, unsafe and unsanitary heaps of rubbish to find scraps of material that can be recycled locally — like plastic forks and containers — in the abysmal poverty of their society; or who do difficult work in unsafe and toxic conditions to support their families. There are millions of these kids in Bangladesh.

Many Bangladeshi kids work in primitive workshops with zero health and safety codes, procedures and equipment, for example to produce pans and bowls by hands pressing sheet metal against spinning mandrels, again with no protective shields from whirling machinery gears and belts right at hand; nor any proper ventilation and filtration to protect them from toxic metal dust, or fumes in workshops using solvents and chemicals.

The story of such child laborers in the poorest societies on Earth is being documented as part of a UNICEF program to bring world (rich world) attention to the problem of child labor, and to generate financial resources to then provide safe and sanitary spaces for such children to be able to get food, education, rest, shelter for the night off the streets, and the joyful companionship of other children. But, since the money these children gain from their difficult and hazardous work is always the lifeline for the support of their families, often of single mothers, such a labor force is considered “normal” in their societies, and lamentably economically essential for these individuals.

The ultimate “solution” for eliminating this heartbreaking situation would be a worldwide awakening to an actual commitment to species-wide human solidarity. That that idea becomes self-evident through the medium of photography testifies to its power as an art-form.

2, PARADISE IN PERIL: This story, by Shawn Heinrichs, is of the conservation of the ocean biodiversity and habitat of the Raja Ampat Islands. Here, the art of photography is being used to present the story of the value of an amazing tropical coral reef and mangrove forest environment in New Guinea (Indonesia).

That story is told in two directions, first “upscale” to the societies of the wealthy industrialized and developed economies, to generate financial resources needed to establish locally manned, maintained, patrolled, owned — and in selected zones sustainably fished — marine reserves, and to ensure their continued operation and ongoing scientific study.

That story is also told “downscale,” in video presentations in their own language to the actual people living in the environments that are being protected, so that new generations of conservationists grow out of the youth of that indigenous population, now fired up with a greater understanding of the positive impact their healthy local environment has on their own lives as well as on the global environment.

The emotional impetus to these conservation efforts, both locally and remotely, is sparked by the visual impact of the photos and videos of the stunning and vibrant beauty of life moving in that magical submerged translucent habitat. The Raja Ampat Islands is one of the few places on Earth where all measures of biodiversity and ecological health are improving right now, even despite advancing global climate change; and this is entirely because of cooperative human intentionality.

3, PRESERVING INDIGENOUS CULTURE: This story by Dylan River, an Australian filmmaker with an Aboriginal grandmother, is of the recording for posterity of Aboriginal ways and languages slowly being lost with the passing away of elders, of the stories behind some of their ancient rock art, of ways of living off the land and sea while being intimately connected to the natural environment, and of community as the essence of being.

On a visit to Arnhem Land, Dylan is immersed into a welcoming ritual by the Yoingu people, whose spokesman at the event states that though Dylan is from far away he is “part of the family” as is everybody in spirit. The entirety of this brief and simple greeting conveys a fundamental truth that is more clearly and wisely stated, and lived by the Yoingu, than with any of the fatuous self-satisfied pronouncements by our many supposedly powerful and always hypocritical political leaders, who collectively oversee and exacerbate the poisonous fractiousness and sociological cannibalism of our national and world societies.

The basic truth here is that every human being “is something Nature is doing” — as Alan Watts put it — and that Nature is integral, it is a harmoniously self-entangling network of life. And that is what healthy human community should be.

I recommend this series to you because of its many simultaneous dimensions of beauty.

To my mind, the financial investments made by the executives of Canon Incorporated, National Geographic (a subscription television network in Australia and New Zealand that features documentaries, and is owned by The Walt Disney Company), and Netflix, to produce and broadcast this series were very worthy, even as I know there would necessarily also have been a component of profit motive in those investment decisions.

What is needed in our world is ever the same: more human solidarity and nature conservation. The wider broadcast of these three stories from the series Tales By Light could help awaken more people to that realization, or at a minimum give some comfort to those who already know.

Acknowledgment: Gretchen Hennig perceptively brought Tales by Light to my attention.

Here is a musical ornamentation to all the above; about a child, really any child: “Chihiro.”
https://soundcloud.com/ellasolanagarcia/chihiro

Notes

[1] “Our age has shifted all emphasis to the here and now, and thus brought about a daemonization of man and his world. The phenomenon of dictators and all the misery they have wrought springs from the fact that man has been robbed of transcendence by the shortsightedness of the super-intellectuals. Like them, he has fallen a victim to unconsciousness. But man’s task is the exact opposite: to become conscious of the contents that press upward from the unconscious. Neither should he persist in his unconsciousness, nor remain identical with the unconscious elements of his being, thus evading his destiny, which is to create more and more consciousness. As far as we can discern, the sole purpose of human existence is to kindle a light in the darkness of mere being. It may even be assumed that just as the unconscious affects us, so the increase in our consciousness affects the unconscious.”

C. G. Jung (1875-1961), from the closing chapter of his autobiography “Memories, Dreams, Reflections,” entitled “Life and Death,” written between 1957 and 1961. This excerpt is highlighted and discussed at
https://www.brainpickings.org/2012/03/13/memories-dreams-reflections/

[2] Tales by Light (on Netflix)
https://www.netflix.com/title/80133187

Tales by Light (official website)
https://www.canon.com.au/explore/tales-by-light

Tales by Light (series described)
https://en.wikipedia.org/wiki/Tales_by_Light

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Asian Philosophies And The “New Age”

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Out of the consciousness on politics and societal reality, which was expanded by the press of tumultuous events as well as the normal maturation into adults of the Baby Boom children of the late 1950s and early 1960s, there emerged an expanding consciousness about existential and metaphysical ideas about the self, in the 1970s. This quasi-spiritual self-focus was often synonymous with self-indulgence facilitated by affluence. The public identity of this amorphous mood elevation movement (or fad), and the many marketing efforts seeking to exploit it commercially, is the “New Age.”

The Internet journal Swans Commentary has just published a special edition on the New Age, and a number of authors examine various features of this social phenomenon. Much of the New Age was widely popular insubstantial fluff of no interest to me, though such cultural fluff does offer many possibilities for the construction of social comedies. My interest is in the serious and ancient philosophical thought whose gradual popularization in Western culture during the 20th century introduced an extensive and exotic vocabulary into modern lingo, which has been much exploited by the New Age.

My article is about some of the deep and wonderful philosophical ideas that emerged in antiquity in Asia, so far as I have been able to understand them. What is ancient about the philosophies I discuss is both the language and the imagery they are presented with. However, underneath the antique encrustations one can find fundamental and thus eternally relevant insights about the human condition. When people become aware of these insights in such a way that they experience a more fulfilling way to conceptualize and act out their lives, they are said to have become enlightened. My article is about a few of the lines of thought that meander in that direction.

Asian Philosophies And The “New Age”
5 November 2012
http://www.swans.com/library/art18/mgarci56.html

Enjoy.