Two Love Poems

My beautiful picture

Love at Dawn

I still can feel your dawn-window eyes
as I walk through this night,
and I still can smell your long, dark hair
softly catching the light.
The sweet taste of your tender lips
I still can savor with care,
and the warming voice of your soft, soft skin
still glides upon my face.
I still can feel your dawn-window eyes
as I walk through this night,
this night though but a wisp of the past
is an eternal delight.

7 October 1969

<><><><><><><>

Letter to a Forgotten Lover

Friday afternoon.
Sunlight filters through still air,
October leaves glow with Indian Summer.
Walls muffle voices in adjoining rooms,
the relentless, ocean-like pounding of distant freeways
and the ebbing wail of sky-high turbojets.
In my room – still air.
Connected by the open window
to the last full-bodied outdoor caress of the season,
I float far off
on the subtle airs of the dream of memory.
Remember?
That last weekday afternoon of preselected obligation,
those last few hours of conscious productivity
before slipping into the dream surpassing all dreaming –
a weekend celebration of being with you.
I can still smell the crisp, moisture-laden air
in the oak and maple groves, and wild lawns
along hypnotic Bring More Brook,
that fluid rippling babble of melted sparkle.
How we loved to swim in each others eyes,
to soar through each others hearts
on peaceful October summer days,
sipping wine and kisses by the brook.
We would run and frolic,
laugh and horse,
and spill through the meadow like a rolling stream.
Yes, and we would walk quietly through the wood,
our brimming love enfolding that endless moment.
It was only a scant lifetime of hours ago
that we had sailed through the razzle-dazzle high-jinx
of an artful Friday night.
We had seen,
we had eaten,
we had been
and we had known – together,
how many things?

Wine and cider,
smokes and film,
sidewalks and city lights,
music and motion,
talk of poems and poems of touch,
glistening eyes suspending breathless starlight.
Wake up, wake up, I want another kiss.
The dream has broken, I want another kiss.
Long palms stroke your smooth sleeping warmth.
Wake up the feeling that glides through my hands.
I want another kiss, another kiss.
I want to cover you with love.
I want to soak in that abyss.
Wake up and blend into the dream.
Wake open, mouth, and draw me in,
another kiss, another kiss.
Endless, endless, endless – where has it all gone?
It was so easy to flood with emotion
and forget all but feeling the real.
The imprint of that moment
leaves a trace, sharper today,
than these garish superficial
grown-up gainful days.
Dream in defiance or dream in regret,
dream on the loving – forget all the rest.
Dream on her sunlight, her moisture and breath,
dream on regardless, as lovers forget.
Dream on the wind streaming the leaves,
dream on your living, endless and free.
Dream on.

9 October 1983

A Secret Rendez-Vous

A Secret Rendez-Vous

He was unfaithful again.
He’d run off secretly to the café
for a cappuccino and a short sojourn
watching the light sparkle off passing cars,
and frame the bouncing bobs of laughing girls
flittering along in their bubbles of mirth,
or in serious self-absorption
like the men marching determinedly,
plowing their self-importance forward
into the vast indifferent world.
But, fortunately, there was the light
and the freshness of mid-morning
to add effulgence to the cappuccino foam.
Ah, but all too soon the time came
to trudge back to the family job
of husband and father,
leading his loved ones to their food
and away from their fears,
absorbing their complaints
and appreciating their dreams.
He would be careful to keep his mistress secret,
if he could,
for poetry was really too elegant for him anyway,
even though he did enjoy her company
in secret rendez-vous on fair mid-mornings
of drifting along a lazy river of thoughts,
with cappuccino.

16 August 2016

En el juego de la vida — Español-English

EN EL JUEGO DE LA VIDA
Daniel Santos (1916-1992) with Sonora Matancera (1948)

En el juego de la vida
juega el grande y juega el chico,
juega el blanco y juega el negro,
juega el pobre y juega el rico.

En el juego de la vida
nada te vale la suerte
porque al fin de la partida
gana el albur de la muerte.

Juega con tus cartas limpias
en el juego de la vida,
al morír nada te llevas,
viva y deja que otros vivan.

Cuatro puertas hay abiertas
al que no tiene dinero:
el hospitál y la carcel,
la iglesia y el cementerio.

IN THE GAME OF LIFE

In the game of life you’ll find that
play the big guys and the little fish,
play the white and play the black,
play the poor and play the rich.

In the game of life you’ll find that
all your luck will have been worthless
because at every game’s end
the only pot to win are death’s chips.

With unmarked cards keep playing
in the gamble of your lifetime
for at death you will take nothing,
so just live and then let live.

Fours doors are always open
to those who have no money:
the hospital and jailhouse,
the church and cemetery.

DANIEL SANTOS – EN EL JUEGO DE LA VIDA
https://youtu.be/QCeQ07TXTsI

Dos Gardenias — Español-English

Red Rose White Rose

Dos Gardenias is a bolero written by the Cuban composer Isolina Carrillo Estrada (1907-1996) in 1947. Dos Gardenias is a timeless song, inspiring performers, recording artists and audiences to this day.

Isolina Carrillo (1907-1996)
http://www.ecured.cu/Isolina_Carrillo

Dos Gardenias
(Isolina Carrillo)

Dos gardenias para ti
con ellas quiero decir
te quiero,
te adoro,
mi vida
ponles toda tu atención
porque son tu corazón
y el mío

Dos gardenias para ti
que tendrán todo el calor
de un beso
de esos besos que te di
y que jamás encontrarás
en el calor de otro querer

A tu lado vivirán
y te hablarán
como cuando estás conmigo
y hasta creerás
que te dirán
te quiero

Pero si un atardecer
las gardenias de mi amor
se mueren
es porque han adivinado
que tu amor me ha traicionado
porque existe otro querer.

<><><><><><><>

Two Gardenias
(Isolina Carrillo)

Two gardenias here for you
with them I’m trying to say
I love you,
adore you,
my darling
guard them very carefully
because they are your heart
and my heart.

Two gardenias here for you
that hold all of the warmth
of love’s kiss,
of those kisses that I gave you
and of which you’ll never find in
passion’s heat from other loves.

By your side these blooms will live
and speak to you
just as when you’re with me,
and you’ll even believe
they are saying:
I love you.

But if some darkening day
the gardenias of my love
should fall dead
it will be because they sensed
that I have been betrayed
and you have another love.

<><><><><><><>

Daniel Santos – Dos Gardenias
https://www.youtube.com/watch?v=XlW-v_8Int4
[1940s-1990s, defining, the timelessly sexy Daniel Santos at his best]

Ibrahim Ferrer – Dos Gardenias
https://www.youtube.com/watch?v=S4ZqO5Zq9QY
[1997, soulful, nostalgic, sparked the revival]

Antonio Machín – Dos Gardenias
https://www.youtube.com/watch?v=SGTvQusUIyU
[1950s-1970s, such a fluid velvety sound, with such clear diction]

Lucrecia – Dos Gardenias
https://www.youtube.com/watch?v=zgoEHFgwGes
[1996, sultry Cuban jazz version, then a montuno!, soul with youthful energy]

Leo Marini – Dos Gardenias
https://www.youtube.com/watch?v=q0uHtj5ayw8
[1940s-1980s, a tango-flavored version with an Argentine singer]

Sole Giménez – Dos Gardenias
https://www.youtube.com/watch?v=GyhYhMsUyzE
[2012, pure smooth jazz night club version, agile singing and swinging cats playing]

Isabel Pantoja – Dos Gardenias
https://www.youtube.com/watch?v=lr-mfrQ2G7M
[2013, a smokey torch-song version, with jazz combo and strings, as if back in Rick’s Café Americain in Casablanca in 1942]

Victoria Sur – Dos Gardenias
https://www.youtube.com/watch?v=uD6X5-Uuq1M
[2013, lovely voice, excellent band, but I dislike the combination of the traditional ballad-style singing with the modern-spacey-electronic-jazz-rock band music. For me, there is too much music-school technique for show and not enough in service to the spirit of the song. But, all the ingredients here are of high quality, and of youthful vigor, so many should enjoy this, and these musicians certainly have the stuff of making long and artful careers. Finally, I appreciate that they published the lyrics in the notes accompanying the music video.]

<><><><><><><>

The photos are actually of roses. Gardenias look similar.

Veinte Años — Español-English

Young Woman, Windblown

Veinte Años is an habanera style song written and premiered in 1935 by María Teresa Vera (1895-1965), with lyrics by Guillermina Aramburu. It is one of the eternal classics of Cuban music, being specifically a work of trova, which is troubadour music written for guitar and voice, and originally performed by duos, trios and small ensembles. Veinte Años has been very widely performed and recorded since 1935, no doubt because the song is so beautiful that it perennially inspires people all over the world.

María Teresa Vera (1895-1965)
http://www.ecured.cu/Mar%C3%ADa_Teresa_Vera

Maria Teresa Vera – Veinte Años
https://www.youtube.com/watch?v=Ja0HBp2hL-Q
[habanera, con letra de Guillermina Aramburu, 1935]

Veinte Años

Qué te importa que te ame
si tú no me quieres ya.
El amor que ya ha pasado
no se debe recordar.

Fui la ilusión de tu vida
un día lejano ya,
hoy represento el pasado,
no me puedo conformar.

Si las cosas que uno quiere
se pudieran alcanzar
tú me quisieras lo mismo
que veinte años atrás.

Con qué tristeza miramos
un amor que se nos va,
es un pedazo del alma
que se arranca sin piedad.

<><><><><><><>

Twenty Years

What’s it matter that I love you
if you no longer care for me.
The love that passed between us
is a long lost memory.

It was me that you once lived for
in distant yesterdays.
I’m your forgotten past now,
it can be no other way.

If the things that one could wish for
were all possible to know,
you would still love me the same as
you did twenty years ago.

With what sadness we look back on
hopes of love never to be,
it is a piece of my heart that’s
been ripped out so piteously.

<><><><><><><>

Veinte años (Twenty Years) – María Teresa Vera (Subt. en Español & English)
https://www.youtube.com/watch?v=a603B8G5ppw
[subtitles in both Spanish and English, same recording as one above]

El Trovador Codina – Veinte Años
https://www.youtube.com/watch?v=kZ5p8fDUGMc
[1930s-1940s]

Barbarito Díez – Veinte años
https://www.youtube.com/watch?v=Ufr21-4WuGk
[1940s-1950s]

Los Guaracheros de Oriente – Veinte años
https://www.youtube.com/watch?v=DJx9F9myTIw
[1960s-1970s]

Irene Atienza e Douglas Lora (Veinte Años) no Programa Casa do Som
https://www.youtube.com/watch?v=ryLp-Otci-o
[From Brazil, 2016, very sweet guitar playing, very rich dusky singing.]

Veinte Años (Live, CA)
https://www.youtube.com/watch?v=tHx4KluuiGs
[From California, 2015, very delicate and tasteful recreation of 1930’s feeling by a trio]

Veinte Años: Jorge & Marc (gonzj49 & dartfrog99)
https://www.youtube.com/watch?v=bc-3t9BDs2Y
[From USA, 2010, beautiful guitar duet with voice; an internet combo.]

Maykel’s Quartet – Veinte años (Variaciones 24-09-2011)
https://www.youtube.com/watch?v=zcKjYHN7ack
[virtuoso variations on a tres]

Veinte años [todos!]
https://www.youtube.com/watch?v=bUiolZzqGOs
[public singing!]

Buena Vista Social Club – Veinte Años (La Habana)
https://www.youtube.com/watch?v=O6Z-sDhzq-k
[1997, Omara Portuondo and Compay Segundo sing, Eliades Ochoa first guitar]

<><><><><><><>

Two Martial Arts Poems

A Martial Artist Circles

Wind — the moving,
stone — a resting,
fluid — when shifting,
light — the seeing.
Mastery, a
channel, a
presence —
awareness alive.
Eternity sparking,
instant everlasting —
you in mind
envisioning all.

All envisioning
mind in you —
everlasting instant,
sparking eternity.
Alive awareness —
presence,
a channel,
a mastery.
Seeing — the light,
shifting — when fluid,
resting — a stone,
moving — the wind.

19 October 2002

<><><><><>

A Diffusion of Trajectory

I am petrified in wonder —
the unfathomable depth,
the limitless scope —
this moment.
Light bleeds from pores in air,
evaporating to heat.
Mindless one-pointed arrows
flying through space,
racing against time,
one, in the desiring instant,
with goals fixed, focused, mere points.
A hail of arrows, uncountable, cross each other
coring a vanishing fraction of now,
burying their points in pain, success, obscurity,
oblivious of the sun in stone, the soul of space —
themselves.

Themselves —
oblivious of the sun in stone, the soul of space,
burying their points in pain, success, obscurity,
coring a vanishing fraction of now,
a hail of arrows, uncountable, cross each other.
With goals fixed, focused, mere points,
one, in the desiring instant,
racing against time,
flying through space,
mindless one-pointed arrows.
Evaporating to heat,
light bleeds from pores in air.
This moment —
the limitless scope,
the unfathomable depth —
I am petrified in wonder.

14 October 2002

Parent Graduation

Parent Graduation

There come times in children’s lives
when they stop listening to parents,
and when they mature.
A parent is lucky if maturation happens first,
but there are no guarantees.
I can now state with confidence:
all my children are unmoored from my credibility.
For me, parenting is done,
it’s just patient listening now.

5 August 2016

Day Comes

My beautiful picture

Day Comes

I am first impressions
fossilized in the minds of strangers called friends.
I walk out in the quiet morning light
and draw a line in the sand.
I breathe in four atoms of Archimedes
as horizons vanish like dewdrops in the sun.

Birdsong.
Spider silk glints against distant forest shadows.
Cool air floats into thoughtless light.
The illusions are still asleep.

28 July 2016

Night Sail

Night Sail

Soft wind gently through shore grass waving,
Alone by the tall mast sailing at night.
Fields of stars stretch far beyond seeing,
The great river flow is quavering moonlight.

All my writing is born for oblivion,
Myself, aged past thought by people today.
Heaven, Earth and I are sounding the One
Out of sand-gull wings fluttering away. <>

<><><><><><><><><><><><><><><>

MG,Jr. version of Tu Fu’s poem Nocturnal Reflections While Travelling.
This paraphrasing was spurred by reading (and appreciating) Robert Okaji’s example.
http://robertokaji.com/2015/11/01/night-journey-after-tu-fu-2/

Stay Human

Stay Human
Useless Words of Sorrow, Early July 2016

Very sad about the world today. Two innocent American Black men killed by White police officers the last two days, and videos of the killings posted on the internet and seen by many millions. Great rage and sadness, and fear. People try to vent their rage in mass protests, just milling in the streets and screaming out their agony, anything to deal with the pain, ages of pain fresh again. And it’s frustrating because it seems so pointless, we cycle and cycle endlessly in the same inhuman and idiotic pattern, wasting more innocent lives, damaging more fragile psyches of loved ones and children.

It’s so heartbreakingly obvious and so incredibly overdue for fixing that even our elegant president, Obama, feels compelled to address the nation at length: words of sympathy, even empathy, but so carefully crafted to soothe rather than incite, or call out explicitly for resolute action. Sometimes the best salve for a raw wound are words of raw truth. The political people always have their agendas, their legacies, and their prospects foremost in mind, and words from the heart must be filtered and second-guessed. But this is not the time for equivocation from a leader. It is time for a revolution.

And today, our collective societal dysfunction unravelled further into urban warfare, the toxic mix of belligerent ignorance, racial bias, assault rifles, and lost hope among the powerless for the liberating and protective implementation of justice. In Dallas, two snipers perched in elevated parking structures opened triangulated fire on police officers assembled at street level to manage the crowd scene of a peaceful Black Lives Matter protest, after the march ended as the people were dispersing. The reports at this moment list 11 police officers shot with 5 fatalities; one sniper is cornered and police are negotiating a surrender, the second sniper is unaccounted for.

To me this is all pure tragedy, pure waste, pure injustice. Whoever you are, whatever your afflictions and excuses, the only positive response to unjust deaths is the prevention of more unjust deaths. Just stop, people: new pain does not erase old pain. I could accept that America is just unable to do any better than to be a country of stupidity, guns, impatience and selfishness, if it could at least keep its brutish insensitivity within the bounds of un-bigoted non-violence. I would so much rather the knuckleheads of this country would wake up to the essential goodness of a just society as Bernie Sanders and Jill Stein envision and champion it. But, I’m a dreamer, and I’ve been that way since I listened to John Kennedy’s inaugural address (he, too, was shot in Dallas).

The events of these last three days have given me just the tiniest bit of a visceral twinge of what life and sorrow are like in places like Syria and Iraq. On July 3rd, 292 (latest count) people were killed by an ISIS truck bombing attack at a shopping center in a Shiite area of Baghdad. In subsequent days Shia, Sunni and Christian Iraqis gathered at the site to protest the outrage, and the attempt to incite civil war.

It all just goes on and on. Today’s cruelties will do nothing to assuage the legacies of yesterday’s cruelties, just as past cruelties have never had any tangible effect beyond creating more enduring sorrows, and quickly evaporate as justifiable excuses for inflicting future cruelties. It’s all so hideously wrong. Whoever you are and whatever your excuse, just stop whatever you are doing that even remotely feeds this beast. Forget about winning, forget about getting, forget about compelling, just remember to be human, that means to be part of humanity. It’s so obvious every child understands it. It’s about keeping your soul. What is your soul beyond how you relate to other people? Our individual sadnesses over the tragedies of these days is an upwelling of humanity’s soul reaching out seeking comforting reassurance of being whole, of being interconnected with itself in its multitude of human individuals.

The only real message here is: stay human. Stay human.