When Purgatory Fails

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When Purgatory Fails

It is so sad to see karma’s futile attempts to purge some lives of their stubborn insistent ignorance, and to have your sympathetic efforts to help resented as annoying interference and hurtful contradiction, thus reducing your possibilities for compassionate action to silent compliance while absorbing repetitive litanies of self-pitying complaints. And, how enervating to remain tethered to another’s self-wounding, because of your guilt against abandoning a human bond you want to value. Many kind hearts harden over time simply from a need for self-preservation, and much love erodes over time by straining to withstand ceaseless withering rains of impervious self-defeating inertia.

17 January 2018

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Old Songs of Youth’s Promise

Anthony Tarrant reminded me of Wooden Ships by Crosby, Stills, Nash & Young, from long ago, and it got me thinking of the past. I shared Anthony’s post (on Facebook) because it moved me, and commented on it. So, further below are two responses in kind: music of unadorned art and sincere feeling far, far beyond the simplistic garish bombast of corporate “music” today.

Wooden Ships – Crosby Stills Nash and Young
https://youtu.be/3Q3j-i7GLr0

Takes me back to a lost world, lost dreams, and a different kind of people, both men and women. There was still the same kind of superficiality, the same kind of selfishness and venality as today, but I remember a much greater sense of optimism and even brotherhood (prompted mainly by anti-war sentiment) than I see today. Back then, it seemed evident that society would continue to improve, perhaps too slowly but inexorably. For me, that dream died on election day, 1980 (and then December 8 of that year). That’s why I had such resurrected hope in 2016 with Bernie Sanders, and was so angered by the petty and ignorant criticisms of him by idiot right-wingers and effete self-important and disconnected boutique leftists. This, and songs like this were like the aroma and pleasurable smoke on the breezes wafting a lovely girl’s hair as we looked with dancing eyes and knowing smiles out a big open window onto the springtime of our Sentimental Education (Flaubert) not knowing of dark chapters and separating currents to come far later. And here I am, marooned on a island of memories none now knows the language for understanding.

Don McLean – Vincent ( Starry, Starry Night) With Lyrics
https://youtu.be/oxHnRfhDmrk

Soldier, We Love You (Rita Martinson)
https://youtu.be/7iMusPYq83g

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Anthony Tarrant
https://anthonytarrant.wordpress.com/

Anthony also maintains a presence on Facebook.

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ADDENDUM, 15 January 2018

I just took a trip back to 1969, here it is:

Crosby, Stills, & Nash, CSN (1969 Complete 1st L.P./Classic Vinyl)
https://youtu.be/fM8hpsrmUe0

I heard this album about 10,000 times back when. The first two songs in particular are icons, hits, and paint a sound picture of some of the living in those times. Actually all of the songs on this album blend into one complete work, like the movements of a symphony. Back then you could walk past a college dorm and hear this album pouring out of one open window after another. Quite a reality.

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You Asked

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You Asked

If I told you the truth
you would be unhappy.
If I lied
you might later find out
and then be unhappy;
or you might never find out
and then I’d be unhappy.

A child’s best gift to a father
is to accept his wisdom.
A child’s best gift to a mother
is to reassure her love.
Parents’ best gift to their children
is to let them live their lives,
and let them see you live
being happy without being afraid.

4 January 2018

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Being Alive

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Being Alive

The most important parts of my life
are my ideas and my family.

The qualities of others most important to me are:
character, compassion, honor, and intelligence.

My ideal society is one where
unforced and equitable mutual caring
has triumphed over
selfish, exclusionary and heartless grasping.

The biological purpose of living organisms is
to transmit genetic patterns through time.

The metaphysical purposes of consciousness are
to enjoy being aware of being alive,
to enjoy being aware of nature, and
to care for one another.

Happiness in life grows out of appreciation for it,
despite its many disappointments and sorrows.

Never surrender your dignity
to advance your career.

Never devalue your character
to beg for approval.

Love is the compassionate expression
of creative appreciation.

29 December 2017

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Fuck Yeah!

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Fuck Yeah!

Marijuana bong-filtered through Crème de Menthe
in a dead-of-night college dorm
and fucking to the ultimate orgasm
– a mutual orgasm, a shared high –
with a black-haired brown-eyed beauty
just as driven to the end of consciousness as me,
a writhing body-long muscle of humping lust desire
with a mouth to suck down all my knowing,
and big enfolding tits to smother love into me,
while The Doors blast “Light My Fire”
reverberating perfectly with our primordial love spasm,
the focal sourcepoint of the universe,
my soul melting through my dick in her cunt
clenched by her gut-teeth in a quivering conception
of the entire total All.
Fuck, yeah! We beat death,
however long we live after this,
even in the barren zombie America
of yesterday, today and tomorrow,
we beat death,
the death of the wasted lives you fools all live.
You can’t touch me, I’ve been there.
Love you, honey, forever,
we created the world
and none of them will ever know it.
We’ll meet again on the other side of time.

22 December 2017

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Noche Cubana — Español-English

Noche Cubana is a bolero (ballad) composed by César Portillo de la Luz (La Habana, 31 octubre 1922 / 4 mayo 2013).

The recording cited below is of Omara Portuondo singing Noche Cubana in 1958, on her debut recording as a soloist. There is an extensive essay (in Spanish) on the music of César Portillo de la Luz and on this particular song and recording, at the YouTube site for Noche Cubana.

The lyrics of Noche Cubana are presented here, first in Spanish, then my poetic translation of them into English, and finally a word-for-word literal translation of the Spanish lyrics.

In my poetic translation, I have tried to suggest the lush elegance of the Spanish lyrics but I have made no effort to match the line-by-line syllable count, nor the rhyming pattern of the original. A “singable” English version of Noche Cubana is left to future work (if ever).

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Noche Cubana
César Portillo de la Luz (La Habana, 31 octubre 1922 / 4 mayo 2013)

Noche cubana
Morena bonita de alma sensual
Con tu sonrisa de luna y ojos de estrellas.

Voz de susurro de frondas y arrullo de mar
Besas con brisas y tu abrazo es calor tropical
Noche criolla quien junto a ti no, no quisiera soñar
Quien no la luz de tu dulce sonrisa no quiere besar?
Negra bonita de ojos de estrellas
En tus brazos morenos quiere vivir un romance mi alma bohemia.

Voz de susurro de frondas y arrullo de mar
Besas con brisas y tu abrazo es calor tropical
Noche criolla quien junto a ti no quisiera soñar?
Quien a la luz de tu dulce sonrisa no quiere besar?
Negra bonita de ojos de estrellas
En tus brazos morenos quiere vivir un romance mi alma bohemia.

Noche cubana
Noche cubana
Noche cubana

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Cuban Night (César Portillo de la Luz)

Oh, Cuban night
You lovely dark girl of sensual soul,
With the moon as your smile, and your eyes made of stars.

Your voice is the whisper of palms and the sea’s lullaby,
Your kisses are breezes, and the tropical heat your embrace.
Oh, Creole night, who could be next to you and not wish to dream?
Who would not want to be able to kiss your sweet shining smile?
Beautiful black girl with eyes made of stars
In your dark arms my bohemian soul wants to live a romance.

Your voice is the whisper of palms and the sea’s lullaby,
Your kisses are breezes, and the tropical heat your embrace.
Oh, Creole night, who could be next to you and not wish to dream?
Who would not want to be able to kiss your sweet shining smile?
Beautiful black girl with eyes made of stars
In your dark arms my bohemian soul wants to live a romance.

Oh, Cuban night,
Cuban night,
Cuban night.

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Omara Portuondo – Noche cubana (canción) César Portillo de la Luz
https://youtu.be/frgbtk8mOhM

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LITERAL

Noche Cubana (César Portillo de la Luz)
[night cuban]

Noche cubana
[night cuban]
Morena bonita de alma sensual
[brunette/brown pretty of soul sensual]
Con tu sonrisa de luna y ojos de estrellas.
[with your smile of moon and eyes of stars]

Voz de susurro de frondas y arrullo de mar
[voice of whisper of fronds(palm fronds) and lullaby of sea]
Besas con brisas y tu abrazo es calor tropical
[you-kiss with/as breezes and your embrace is heat tropical]
Noche criolla quien junto a ti no, no quisiera soñar
[night creole who next/together to you no, no would-want dream]
Quien no la luz de tu dulce sonrisa no quiere besar?
[who no the light of your sweet smile no want kiss]
Negra bonita de ojos de estrellas
[black(female) pretty of eyes of stars]
En tus brazos morenos quiere vivir un romance mi alma bohemia.
[in your arms brown/dark wants to-live a romance my soul bohemian]

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Night Sky In Cuba
(another poetic translation of Noche Cubana)

Night sky in Cuba,
A black woman beauty of sensual soul
With a smile made of moon rays and eyes made of twinkling stars.

Your voice is the whisper of fronds in sway, and murmurs by the sea,
Your kisses are breezes, and tropical heat your embrace.
Creole night please stay, who could be with you and not want dreams to see?
Who could receive your sparkling sweet smile and not want kisses to be?
Black woman beauty with star shining eyes,
In the arms of your darkness my bohemian soul seeks to live out a romance.

Your voice is the whisper of fronds in sway, and murmurs by the sea,
Your kisses are breezes, and tropical heat your embrace.
Creole night please stay, who could be with you and not want dreams to see?
Who could receive your sparkling sweet smile and not want kisses to be?
Black woman beauty with star shining eyes,
In the arms of your darkness my bohemian soul seeks to live out a romance.

Night sky in Cuba,
dark warmth after day
light from far away.

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Noche Cubana (cover by Ella García)
5 May 2020
https://youtu.be/FWQ5UhilE6Y

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Hardboiled Half Dozen

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Hardboiled Half Dozen

Polishing the egg
her unwavering focus.
Best stay out, rooster.

“I me carry you,”
Ella big-eyed reaches up,
I stoop to obey.

Mommy has her charms,
but none give rides like papa.
Ella has it made.

She stole the wife’s man
by stealing the man’s woman.
Child conquers marriage.

Sex has a purpose:
children consume you and leave
love as memory.

Limp battered old cock,
testy clucking old layer –
what’s left after chicks.

1 December 2001

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Poetics Dismissed by Gods

A Lesson – Half Understood – In Poetics

As I walked, I turned, and saw Apollo beside me.
“Why do you rail against the world?” asked the god,
holding my book of poems in his hand.
“I want to strike, like lightning,
opening men’s minds to the truth.”
“This is pointless,” said the god,
“Men are but the mere implements of God,
and this world will be righted, as necessary
in due time.”
“But that would be bloody, and devastating,” I protested.
“Mortal fool,” chided the god, “abandon your false pride.
It is not for you to direct your kind.
Men are but the many blinks of the eye of God,
and whether one is a drop in the tide of blood
ending one civilization,
or a glint in the flow of honey
at the cresting of another,
it matters not.
I, in my unknowable infinitude
will rewind the spring of time
and replenish the well of knowledge,
to maintain the eternal cycle.”
“But can’t we try to steer our culture to the good?” I pleaded.
The god shook his head with a patient smile,
“Life is given to you,
make the most of it,
achieve what good you can,
but do not attach yourself to prideful dreams;
all of this has come and gone countless times,
and it will cycle uncountably on.
Hew to what endures.”
“In my poems, I seek the essence of God,” I said,
“to present Him so as to touch hearts
and open minds to a greater awareness –
perhaps leading even just one person to greater good.”
Him, Her, It, Them,
The Great Unknowable Void,” instructed the god,
“Thought is to God as a ripple to the ocean,
a leaf to a forest,
the whisper of a breeze to the expanse of sky.
God is immeasurably beyond the confines of mere words and concepts,
and no man can know anything about God
by the word.
Release yourself,” commanded the god.
“Still,” he said as an afterthought,
handing my book to me,
“the effort has merit.”
I blinked, and he was gone.

8 July 2002

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Lord Krishna, Disguised as Apollo, Dismisses My Writing

“Parasites neither herd nor flock –
they accumulate.
They all have identical aims
yet share no goal in common.
Humans may be the most cannibalistic of parasites.”

Suddenly, he was there, leafing through my book,
muttering an answer to the question floating in my mind,
“Yes, it is a work of genius, too bad.”
“Why!”
“Well, no one will read it.”
“But how…,”
ignoring my voice to answer my mind, he continued,
“Men are wedded to their delusions,
they only want to see what conforms to their views,
enlightenment is tenaciously blocked.”
“And women?” I asked.
“Women, too, are deluded,
though, of course, they are wiser than men,
and so, they are oppressed.
Women have less compunction,
their focus is their young,
or the surrogates they adopt when childless.
If you wish to be read,
write what people think,
do not challenge their ignorance.
By elaborating the general delusions,
you will be honored and rewarded;
by exposing them
you will be shunned to invisibility.
The seekers of enlightenment
are disappeared from the world
by the collective defense of popular delusion,
not by a choice to become meditating hermits.
The world is delusional,
and to live in it is to participate in the collective madness.
This is why the world collapses
and periodically must be wiped away.
It is the cycle that endures,
not the phases of delusion that revolve through it.

You can reach enlightenment, but you cannot transmit it.
You feel compassion for some,
because your heart is still mired in the world,
and in your love for these others
you wish to pass on knowledge.
But that, too, is a delusion.
Only they can find their own enlightenment,
which so very few choose to do.
So, ultimately, to awaken
one must release all emotional entanglements –
whether of pride or love.
You cannot save the world, only live in it,
you cannot save your loved ones, only appreciate them,
you cannot save yourself, only awaken.”

10 July 2002

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Ghosts

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Ghosts

Ghosts crowd the mind,
living flesh only mirrors images cast by memory —
realities lost to dust —
scattered into wind.
A woman, alive only in fantasies of desire,
an aroma in the mind, gardenias?
How is it I can feel the palpitations
under a receptive embrace
now not even a breath from butterfly wings?
Motionless life fills thought
while lifeless motion crowds vision of the street.
Who are these people?
They appear real but they are castaways
boring through their mutual unconscious
with blaring determination,
their horizons close,
filled with illusions but free of ghosts.

I sit in a eucalyptus grove,
the afternoon sun cascading down tiers of leaves
shimmering to the eddies,
the streaming air shushing
through swaying fronds, against vaulting trunks;
a weaving dance of light and shadow,
the shifting of veils hung from a dome of light.
Spirit brushes along quivering green,
the caress of light warming earth’s uplifted hands,
massaging warmth down eager limbs
drawing the milk of life deep into folds
below the darkness of all birthing,
beneath the gravity we rise from.

Is some of the air you once breathed
now drifting in this stream?
Is some of the force of your life
now rippled by waves of birdsong?
Is some of the heat of your passion
now a whisper of love
absorbed imperceptibly from this day?
Am I as much a ghost as you?
Yes, of course;
this breath is what matters,
this kiss is what matters,
this love is the vessel of life.

I hear the voice of Maria Callas —
la divina
an echo preserved to rekindle sensations of presence,
to relive our own times of transcendence,
to feel life.
And yet, what of hers?,
less than the whisper of sunlight on seafoam,
now as much part of the Aegean wind
as the smile of Helen of Troy.

And, so it must be,
as we loose our last breath
we melt into the earth’s breathing.
Perhaps our bones will imprint future rocks,
perhaps our ashes will trail the last eddy of our body’s heat
like spent candle soot coiling up into darkness.
Is that your memory, a lingering warmth in the darkness?
And now you mingle with so many,
my mind a country of spirits,
new immigrants arriving daily;
a land I can know yet never visit.

Shall I tell you about it?
There is a wonderful bar, top shelf in the well,
jazz trio backing Ella;
all the many Jesus drinking wine, relaxed,
dancing with Mary, Martha, Salome,
the intense political debates resolved.
Down by the river, the poets convene,
and I listen as their word plays
wrap around the fire and lift into velvety night
twinkling unseen with the chirping of crickets.
At dawn we stretch to greet the sun,
naked bodies flushed with warmth, washed of time.
At night in the city
I will hear sopranos and drink white Burgundy,
I will see Don Giovanni and drink Médoc.
The once ambitious wander the streets bewildered —
harmlessly deranged —
there will be no order, only peace.
At the shore, a poet will say of the dawning light
“It is as bright as the love left behind.”
I hear the voice — love is an art.

29 October 2006

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A Day with Ella – #822

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A Day with Ella – #822

It was a perfect day.
It started with mother waking us both far too early,
and on such a damp chilly morning,
a holiday for us, mother rushed off to work.
As always,
you had to have your way,
so we were in the park while the ducks were still sleeping,
one leg up and bills tucked in back under a wing,
the pond glassy still,
white tufts of down spread over its waxy surface.
The swings were coated in dew
and I used all but one of my pocketed paper napkins
to wipe one dry for you,
and after a minute you were all done.
Swinging through the quiet chill of heavy morning air,
just you and I alone in the entire park –
besides the sleeping ducks –
is not much fun as it was on Saturday,
a balmy sunny day with children laughing and playing everywhere.
You reached for a high bar to swing out on
but the dew-coated metal slipped right through your hand
and you landed on your back in wet sand –
shocked, hurt, angry.
I had to hold you in my arm,
brushing off the sand
as your cry filled the empty quiet over the pond.
I held you that way a long time,
through the park, around the town,
and later back at home.
We spent the whole day together,
never more than an arm’s length apart.
We washed a little,
sampled the aromas of all the herbs and spices –
some things must spill, it’s not important –
and we made a tent,
a big one with three chairs and a quilt,
then we went inside and turned on our flashlights.
It was very funny being in that tent,
quiet too, you hardly heard the rain pattering on the roof.
In the end, you fell asleep on my chest,
while I slumped on the couch,
listening to Mozart piano music
and motets by Thomas Tallis.
As Spem in alium floated into the corners of the room
and your warm heaviness sank into my heart,
misty rain filled the forest on our mountain
and I began to reclaim some of the oceans of sleep that I’ve lost
these last two or so years.
I know it was a perfect day.

21 January 2002

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